no. 25

Released early,
the Minimal Sets playlists take too long to fill up (20 tracks).

small steps

large stairs

created: 2022/09/15

HK_Minimal_sets_25

this is a rip straight from a 488 portastudio, a bit undercooked. you can still hear some voices from the previous owner of the tape.

488 Informal Track 1

Dub Culture Takeover REA Mariano A.S

Axis One EP - Various Artists.
Release Date: 18th November 2013.

Anecdote Records 1st vinyl release brings together
a pure acid house, analogue hardware delight.
On limited edition vinyl.
A 4 tracker Ep featuring Affie Yusuf, Mark Archer, Orson Bramley and John Shima.
Each track offering another point of view on the much loved and irreplaceable 303 acid sound.
Available now at all good vinyl and digital stores (Juno, Beatport, Decks, Redeye, Deejay, etc)

Connection (Snippet) - Out now, vinyl and digital

oct.301@Die Werkstatt.June22.

Vinyles Only - Session Sept 2022

Butterfly Effects Vs Novelty Engines, Jam

Neil Meehan - Charger

02 LFHT34 (серое белье)

Hunteryx & hellokt - low end

Schrödinger's Box Radio is back with a mid-month broadcast. This episode we welcome Palais De Danse's Dennis to the mix series!


Palais De Danse is a record store & record label based in Glasgow. Frequently stocking the best in Techno, House, Electro, Italo, Disco, everything in between and beyond. Big love to the shap's custodian Dennis, for this dope mix of many styles and tastes!
 

Beauty's in the imperfections.

SBOX RADIO #35 - PALAIS DE DANSE

Sheffield’s own sonic architect Intergalactic Mechanic returns with a searing new release, fusing raw machine funk with interstellar electro energy. Known for gritty textures, syncopated beats, and sci-fi-infused atmospheres, Intergalactic Mechanic continues to carve out a singular space in the UK’s underground electronic landscape.

Who's Watching is a high-voltage journey through broken rhythms, acidic pulses, and haunting synthwork, a love letter to classic electro and future-facing club sonics alike. Drawing influence from Sheffield’s industrial roots and outer-orbit aesthetics, the release balances rugged groove with cosmic flair.

Bandcamp

Intergalactic Mechanic - How Will It All End

We are really buzzed to announce our next release on our record label that focuses on sounds within techno we feel that are reminiscent of what can be heard at our parties.

Killer team sheet this time around with I Decided, Infiltrator, James Begley, Lorcan Kelly, Matt Smyth, Sean Cunningham, Sean Ruane and Tr One in the mix<3

James Begley - Semblance [HLCT002]

Something different and special for Dungeon Module 008, Timothy J. Fairplay invites artists he admires both new and established for music on Working Overtime Volume One. The compilation begins with ‘Master Blaster’ by RZ-1 warrior and REALM resident Oyster, then Alex Israel keeps up the jackbeat intensity with ‘You Forgot The Briefcase’. Chupacabras is next with pressure building Thanet party electro jam ‘OFF Planet’. Hope Of The States frontman Sam Herlihy debuts his electronic project Total Mathematics with the cinematic ‘Warningcamp’ to close the side. ‘Set Phasers To Stun’ starts side B, analogue house by Computerdisco constructed in a workshop of vintage synths overlooking the Bristol Channel. Timothy first met Rebecca Goldberg playing at Tresor, ‘URNOTALONE’ is hypnotic Minimal Nation style Detroit techno featuring field recordings from her recent trip to Roswell. Alan Harman appears with ‘Blast Zone’ in his instantly recognisable and unparalleled cold wave style. Timothy J. Fairplay finishes the album with the lo-fi synth, melodica and Space Echo of ‘Night Warden Dub’.

Available on limited Cassette and digital Download.

Side A
Oyster - Master Blaster
Alex Israel - You Forgot The Briefcase
Chupacabras - OFF Planet
Total Mathematics - Warningcamp

Side B
Computerdisco - Set Phasers To Stun
Rebecca Goldberg - URNOTALONE
Alan Harman - Blast Zone
Timothy J. Fairplay - Night Warden Dub

Released September 5th, 2025

A1 Written and produced by Oyster. A2 Written and Produced by Alex Israel. A3 All sounds recorded at Studio Brodsteyr by Jeremy Rodriguez. A4 Written and Produced at Hex Library by Sam Herlihy. B1 Written and produced by James Bell. B2 Produced and arranged by Rebecca Goldberg. B3 Written and produced by Alan Harman. B4 Written and produced by Timothy J. Fairplay at Dungeon Module studio, published by House Of Klart.
Mastered by Alden Tyrell. 
Artwork by James Bell & TJF. 
©Dungeon Module 2025.

Workin' Overtime Volume One CLIPS

A mix I recorded a few years ago. Non house or techno swag...

Spliffs In Zero Gravity

All analog, all organic 

Machine funk sprezzatura - soul in the game x intuition - sequencers, midi cables, mixing desks, synths, samplers, drum machines, FX, turntables, vinyl and DVS - going forward, never backwards, single take recordings, no automation, no computer, no sync button, no symptoms of digititis and no brick wall limitations

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Butterfly Effects Vs Novelty Engines, Jam

ComeJackWithMe

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