Death of Communication

Death Of Communication

You’re a treasure to me 
To have, hold and to keep 
Heaven has no rage like 
When you took all the love, love 

You’re a pleasure for me 
To let in and let lead 
Hell hath no fury like 
When you took all the love, love 

Racing up the cold dead mountain 
Slipping into your old habits 
Keeping tabs on places I have been 
Yeah you took all the love, love 

Running through the city shouting 
Trusting that one day you’ll hear it 
I’d rather die than be silent 
Yeah you took all the love, love 

You’re a puzzle to me 
Build the borders and leave middle pieces empty 
Yeah you took all the love, love 

Posing for the pictures 
You’re still laughing like a spoiled child 
Pageantry to make believe you’re in 
Yeah you took all the love, love 

Hiding underneath the holders 
Of the kings that came before ya 
Guarantee the speed you’ll make heads spin 
Yeah you took all the love, love 

Ooh, I can’t have you 
Ooh, I won’t have you anymore 
Ooh, I can’t have you 
Ooh, I won’t have you anymore 

Bagging up the money, honey 
Tearing up the treaty, sweetie 
Cutting off the maybe, baby 
Yeah you took all the love, love 

Signing up to keep on drilling 
Setting out to make a killing 
How could just a fucking business man 
Really take all the love, love? 

Ooh, I can’t have you 
Ooh, I won’t have you anymore 
Ooh, I can’t have you 
Ooh, I won’t have you anymore 

You’re the villain for me 
Keep close thy enemy 
To have, hold and to keep

Treasure

Nothing's In The Flowers (Daytrotter Session - 8/4/11)

There’s a well-known saying that can make a lot of bands uncomfortable while embarking upon their second album: Musicians have their entire lives to write their debut, and a year to complete the follow-up. But in the case of Company of Thieves, the Chicago outfit couldn’t wait to record its sophomore full-length, Running From A Gamble. Even though Company of Thieves’ famously feverish fanbase is exponentially larger than it was when the band released its first album, the only pressure felt during the making of Running From A Gamble was due to the explosive nature of the songs themselves. And the tremendous results are a testament to how far the band has come in such a short period of time.

The past few years have been busy and fruitful for Company of Thieves, which is now rounded out by drummer Chris Faller. Founded in their teens, Company of Thieves’ members already conduct themselves like veterans, even though they’re still just in their mid-20s. The band’s first record, Ordinary Riches, originally issued independently in 2007, was re-released in early 2009 by Wind-up Records and debuted at #5 on the Billboard Top Heatseekers chart. The band toured nonstop, hitting the road with groups like Annuals, OK Go, and The Hold Steady, and along the way played Lollapalooza, Last Call With Carson Daly, and Live From Daryl’s House.

When the time came to start writing the new record, Walloch and Genevieve found that ideas were already flowing out of them. Inspired by their diverse influences—including The Beatles, Billie Holliday, Fiona Apple, Radiohead, Elliott Smith, and Nirvana—they inject their triumphant, catchy music with their own energy and soul, making for a deeply dynamic sound that can turn from sweet to searing on a dime. All the time spent on the road not only gave them plenty of opportunities to play around with melodies and chords in the van, hotel rooms, and backstage, it offered a new perspective on America and, ultimately, life in general. That’s when Genevieve began to form the narrative that drives Running From A Gamble, a 13-song coming-of-age story about a girl who, if you listen closely, sounds like she has a lot in common with her creator.

Having recorded in L.A., toured the country numerous times, and played overseas, the members of Company of Thieves are certainly a worldly bunch. But they also know where they came from and aren’t about to lose sight of what got them here.

CompanyofThieves

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