Murmuration

READ > inverted-audio.com/premiere-konstantinos-gkoumas-big

Released last month, Belarus-based record label People Can Listen issued a striking extended-player from Athens-based producer Konstantinos Gkoumas, marking his fourth solo release resulting in a masterful exploration of glitch and cerebral, dreamlike soundscapes.

@konstantinos-gkoumas
@peoplecanlisten

Konstantinos Gkoumas - Big [People Can Listen]

All Partial B

Electronic musician and pop ambient pioneer Markus Guentner was listening to Karen Vogt's track "Cloud forty-three" precisely at the same time as the church bells in his hometown of Regensburg, Germany, were ringing at 21h. Guentner commented on how well the two sounds work together, and Vogt agreed that he should do a remix using her original vocal loop track and the bell sound. Guentner recorded the bell ringing the next evening and then proceeded to mix the two together.
Original bell recording by Markus Guentner included as a bonus track over on Bandcamp: https://karenvogt.bandcamp.com/album/cloud-forty-three-markus-guentner-21h-rework

Karen Vogt - cloud forty-three (Markus Guentner 21h rework)

Winds without origin
No genesis pass through the leaves
They drift, foliage of nameless rebirth

Forsaken realms, for none is traced
A maelstrom, as fractured dreams

In their wake, no trace endures
Amassing within & decoyed
Swaying on the brink of forgotten voids.

Inertia and motion, the slow unraveling memory, the weight of unspoken departures carried by the currents of a world where time moves without urgency. An exploration of distance, equanimity of the gravities shaping the silence in between.

Natas Kunas is a Lithuanian composer and artist, primarily creating experimental ambient and drone music, film and theatre soundtracks. Through dense textures and timbre-based atmospheres the artist explores sound plasticity and radical dynamics, reflecting on the themes of geologic time, sonic environments, pollution.

Blue Radiance

Natas Kunas - Submerged

Memory Root

https://shimmeringmoodsrecords.bandcamp.com/album/deep-completions

Gentle drones lure the listener in, punctuated by shards of tape hiss and electronic hum. 
Synchronised voices rise and fall, synthesisers exhale, all ushered forward by the pulse of distant static. It’s the sound of a highway at night, the sound of a digital sea, the sound of time passing. 

DEEP COMPLETIONS is a self-titled 8 track album of choral and ambient music, written and recorded in Berlin between 2023 and 2025. Released in the year 2025 on Amsterdam’s Shimmering Moods Records.

releases July 21, 2025 

Written and produced by Deep Completions 
Mastered by Andrea Porcu 
Artwork and video by Andrew Binnie 

SHM 350 
Shimmering Moods Records 2025



Deep Completions - Flutter Rate

Echoes in Rust 852 Hz [Dark Nature Concept]

Noise Cathedral 852 Hz [Dark Nature Concept]

Spotify - https://open.spotify.com/track/1xlhdU5BQ4o7wXbWdgRAmN

Routine Apprehension

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

All Partial B

Composite Layers

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