End Week

thinking of us
the sound of wind
among the pines

Andrea Cecon is a hearing aids technician, a traveler, and a haijin published all over the world. His first ebook won 3rd place in the Sharp Writ Book Awards contest in 2011 (category: poetry). Residing in Cividale, Italy, with his wife, Russian haijin Valeria Simonova-Cecon. He finds his inspiration in memories, travels, and everyday life…

Haiku by Andrea Cecon

Picture by Ali Kazal
 

Submission deadline: 9th July 2025
 
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Thinking Of Us (NaviarHaiku600)

This first track of the album is the sonic artifact of a transatlantic creative process –  
where minimal piano becomes layered, textured abstraction.  
Born from improvisation, shaped through digital exchange.  

Vru Patel and Meturi - Cendre feat. Meturi

Abstract Artefacts Vol. 1: Cendre

Music by: Vru Patel + Meturi
Original "Cendre" written by Vru Patel

photo by: Janet Duran - Altadena, California 
https://www.instagram.com/jntdrn

  


CC BY 4.0 2025

Vru Patel - Cendre (feat. Meturi)

An interpretation of:

young grasses -
not yet bent
in any direction

Naviar haiku challenge 608, details here: https://www.naviarrecords.com/haiku-music-challenge

I had an idea of the structure and development of this track quite quickly. Young grass tempted to deviate by sequences entering from either side, temptation resisted, unbent growth represented by a final melody. Decided to use VCV Rack for this one. As I was going to be assembling the elements in a live mix I knew I wouldn't be able to play the final melody and manipulate everything else, hence VCV I was able to assemble the melody as multiple sequenced blocks that are played randomly, leaving my hands free for other things.  There is a lot of subtle modulation in each of the elements some of which had to automated; even using PatchMaster from MindMeld to set up performance macros where one knob controls multiple things I quickly ran out of physical controls; so like the melody I made a few practical compromises in what I manipulated live.  

I set everything up to record live to multiple tracks giving me the freedom to tweak the mix during the mastering stage. Other than EQ, saturation and gentle compression on both individual tracks and the master; the only extra effect I added is a very light touch of K7D - Tape Delay from imaginando on both sequences, the subtle ping-pong echoes integrated them intp the whole.   

Young Grass - (naviarhaiku - 608)

Made for the haiku challenge 609 of Naviar records.

revealing in the dark the sadness of things a fisherman's torch

by: Tagami Kikusha

Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Thank you Marco!

A fisherman's torch (naviarhaiku609)

86 30034p4

The debut album from the Claws Community is finally here! PEGASUS showcases our best songs over the past few years and marks a new chapter. This is only the beginning... https://claws.world/discord

@limbowmusic @vanda100

PEGASUS

addicted

Limbow & vånda - addicted

root conductor

2025-12-05

moment of peace

Immersive collaborative album of Atmøsphäre and Dionisaf, steeped in cold textures, shadowy resonance, and layers of abrasive noise, conjures a bleak sonic tundra — where icy drones, distorted textures, and shadowy pulses stretch across vast, unforgiving landscapes.

Produced, mixed and mastered by Tom Lievens (Atmøsphäre) and Dionis Afonichev (Dionisaf)
Cover picture by Tom Lievens
Cover design by Dionis Afonichev

Northern Dreamscapes

The First Gate

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End Week

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