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Outer Fields

In Sanskrit language, Azaya has many different meanings symbolizing various connotations, for example: point, will, thought, intention, meaning, property, fortune, fate, soul and etc.
The structure of Azaya is based on a textile weave, which was mapped from the predator drone engine.
The piece develops from the bumblebee sounds, followed by low rumbling sounds, which transform into longer and deeper glissando. Throughout the piece, dynamics grows from ppp to ff until motives weave into monolith soundscape. At the same
time, harmony and tonal range expands developing into tutti of frightening buzzing noise.
The work was commissioned by the Lithuanian contemporary music festival Muzikos Ruduo and Lithuanian Composers’ Union. The piece was premiered by saxophone quartet Quasar (Soprano saxophone – Marie-Chantal Leclair, Alto saxophone – Mathieu Leclair, Tenor Saxophone André Leroux, Barytone saxophone – Jean-Marc Bouchard) on 9 October, at Energy and Technology Museum, in Vilnius, Lithuania, in 2024.
Video artist - Lukas Miceika.
The piece Azaya is dedicated to my daughter.

Azaya

Made for Naviar Records' 599th Haiku Challenge

Ta-no-Kami (田の神) is an agricultural deity, or kami, who is believed to observe the harvest of rice plants or to bring a good harvest, by Japanese farmers. Ta in Japanese means "rice fields". Ta-no-Kami is also called Noushin (kami of agriculture) or kami of peasants. Ta-no-Kami shares the kami of corn, the kami of water and the kami of defense, especially the kami of agriculture associated with mountain faith and veneration of the dead (faith in the sorei). Ta-no-Kami in Kagoshima Prefecture and parts of Miyazaki Prefecture is unique; farmers pray before Ta-no-Kami stone statues in their communities.

Ta-no-Kami (naviarhaiku 599)

From the album 'Ports of Call' out on Enoughrecords.

Superglider

Inspired by a performance of 'Drumming' by Steve Reich.  Sound Source: https://freesound.org/people/drotzruhn/sounds/439504/

Humming After Reich

tint

A new track from my latest release 'Configured'
You can get it here https://florklang.bandcamp.com/album/configured

Forces

Sometimes, things happen that you couldn’t foresee. The story behind these tracks is that I had actually forgotten about them, and while cleaning up, I stumbled upon these pieces made in 2023. Well, I just remastered them and here they are now, seeing the light of day years later.

Musically, it leans again towards neoclassicism, orchesdrone, guitar and cello here. But actually, it’s very subtle and my signature sound is very present. Just listen for yourself.

Heim

Support

Helheim

Ambient Pressure Set:
https://youtu.be/4EH8R5d7TLI

Atmospheric Pressure EP available here:
https://ceruleanascent.bandcamp.com/album/atmospheric-pressure

Visuals here:
https://youtu.be/Kh9TTaPuG0g

Atmospheric Pressure

My attempt at a suspense cue for an imagined film. 

I got commissioned to write a film score recently. It ended up being rejected but as luck would have it, shortly thereafter  Marc’s @disquiet assignment came up. So I had quite a bit of material left over from these sessions. I felt they fit the “spooky and tense” bill just nicely. So using these as a starting point, I proceeded to add and remove layers, and a bass synth makes a rare appearance here, as well. Hope you enjoy it!

More details at: 

The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/

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Composite Layers

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