i like this

Makeout Videotape's second album 'Ying Yang'. Great album and a really raw high school band feel to it. Defiantly should check it out!

Makeout Videotape - Island Groovies

Bleak Blake

Chad VanGaalen on Sub Pop http://www.subpop.com/artists/chad_vangaalen


Diaper Island

Peace on the Rise

Chad VanGaalen - Peace on the Rise

Deerhunter - Nothing Ever Happened

Devonté Hynes - Vocals, Yamaha DX7, Cello

Written, recorded & produced by Devonté Hynes on 2nd March 2015.

"Delancey" Edit 3 03:02:15

idk a song i made 
shout out my friend peri for the cover art <33

looking in your eyes (prod. sickboi)

Thom Yorke and Jonny Greenwood played in St. Louis on backstage. 


Thom Yorke and Jonny Greenwood - The Rip (Portishead)

Dirty Beaches - 'Lord Knows Best'

Chew

Lesser known remix of DJBC, but probably my favorite work that the mix master has done.

Cocteau Twins - Love's Glitchy Dub (DJBC remix)

That Awful Sound

Pre-order Young Galaxy's new album 'Ultramarine' on limited white vinyl & CD:
shop.paperbagrecords.com/products/ultramarine
2013 Paper Bag Records
Young Galaxy - Pretty Boy (Peaking Lights Remix)
Available digitally February 5th, 2013

https://www.facebook.com/younggalaxy
Check out the original here: https://soundcloud.com/paper-bag-records/young-galaxy-pretty-boy-3

YOUNG GALAXY - Pretty Boy (Peaking Lights Remix)

Get Roosevelt's 'Elliot EP'
World: itunes.apple.com/gb/album/elliot-ep/id690487206
US: itunes.apple.com/us/album/elliot-ep/id717345115

For more on Roosevelt head to: 
www.facebook.com/iamroosevelt?fref=ts
www.iamroosevelt.com/

Tour Dates:
Nov 6th - BERLIN, Berghain
Nov 7th - PARIS, Point Ephemere
Nov 8th - LONDON, Fabric (DJ Set)
Nov 21st -BARCELONA, Apolo 2
Nov 22nd - LONDON, Brixton Academy*
Nov 23rd - LEIPZIG, Audio Invasion
Nov 24th - MUNICH, Kranhalle
Nov 25th - FRANKFURT, Nachtleben
Nov 26th - HAMBURG, Uebel & Gefahrlich
Nov 27th - COLOGNE, Gebaude 9
Nov 28th - LIVERPOOL, East Village Arts Club*
Nov 29th - BRISTOL, Anson Rooms*
Nov 30th - Birmingham, Institute*
DEC 7th - UTRECHT, Ekko
*w/ Crystal Fighters

Greco-Roman: We Make Colourful Music Because We Dance In The Dark www.facebook.com/Greco.Roman
www.greco-roman.net/

Roosevelt 'Around You'

Limits of Desire - Out 5/14/13 on Jagjaguwar
PRE ORDER HERE::: http://www.scdistribution.com/smallblack/

TOUR DATES HERE::: 
05/29/13 Boston, MA - Brighton Music Hall*
05/30/13 Montreal, QC - Club Lambi*
05/31/13 Toronto, ON - Wrong Bar*
06/01/13 Ferndale, MI - The Loving Touch*
06/03/13 Chicago, IL - Schubas*
06/04/13 Minneapolis, MN - Cedar Cultural Center*
06/07/13 Vancouver, BC - Biltmore Cabaret*
06/08/13 Seattle, WA - Barboza*
06/09/13 Portland, OR - Bunk Bar*
06/11/13 San Francisco, CA - Rickshaw Stop*
06/13/13 Los Angeles, CA - Echoplex*
06/14/13 San Diego, CA - Soda Bar*
06/15/13 Phoenix, AZ - Last Exit Live*
06/17/13 Dallas, TX - Club Dada*
06/18/13 Austin, TX - Red 7*
06/19/13 Houston, TX - Fitzgerald's*
06/21/13 New Orleans, LA - Hi-ho Lounge*
06/22/13 Atlanta, GA - Drunken Unicorn*
06/23/13 Nashville, TN - Exit In*
06/24/13 Chapel Hill, NC - Local 506*
06/25/13 Washington, DC - Rock & Roll Hotel*
06/26/13 Philadelphia, PA - Morgan's Pier*
06/30/13 Brooklyn, NY - Music Hall of Williamsburg*
07/20/13 Denver, CO - The UMS

*- w/ Heavenly Beat

Free At Dawn

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Chew

Ms Dog

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