swatting at a mosquito in my ear when i'm trying to sleep, nice

cut silent part out where just vocals where playing to match for better flow and amped it a bit more.

[vocals removed] Beck - Devil's Haircut (Richard's Hairpiece Remix By Aphex Twin) v2

02 - 151024 1439 Chatham Rolling Acid

Trump's Private Pilot

Example of recording a Rhythm using layers of live contact mic'd objects. Featuring, Drying Stand, Windup Radio, Metal bowl, Hand Drum, Hand cranked torch.

Using contact mics I've been making here: http://leafcutterjohn.com/?p=1992

Contact Mic Rhythm

first of two teaser mixes for nokogiribiki(http://nokogiribiki.tumblr.com/) on radio blau

we'll celebrate on march 24th @ ifz leipzig -> http://telegra.ph/24032017-PLAY-IT-LOUD-01-31

Bogdan Raczynski - humfree [unreleased]
Bogdan Raczynski - Untitled [Boku Mo Wakaran]
Bogdan Raczynski - hopethrudigital [unreleased]
Bogdan Raczynski - Bai Bai - I Cry [Samurai Math Beats]
Bogdan Raczynski - Track 3 [I Will Eat Your Children Too V]
Bogdan Raczynski - Untitled [Boku Mo Wakaran]
Bogdan Raczynski + Björk - Who Is It [Who Is It]

https://bogdanraczynski.bandcamp.com/

[24.03.17 bogdan raczynski @ ifz] TEASERMIX#1 for radio blau

Twin Peaks

MØNIC 

A. Deep Summer
AA. Deep Summer - Burial Remix

Available to order from:
http://store.osirismusicuk.co.uk/album/m-nic-deep-summer-burial-remix

Deep Summer

Click To Purchase -->>

Mønic - Deep Summer - Burial Remix - Osiris Music

This track is an "asynchronous collaboration" with encym III https://soundcloud.com/encymlll

His was literally the last Disquiet0315 track I listened to, but it was also the one that really grabbed me, so I decided to trust my gut and choose this one for collaboration.

I wanted to treat this like a classical piece, analyze the notes and intervals, etc., and build on it, but time was tight this weekend. I made an attempt to convert the audio to MIDI and dump it into a notation program, but that didn't work...finally I ended up resolving to do three takes of improv over the track. I did two takes, and then for the third take I decided I pretty much knew what I wanted to happen, so I played just those phrases on the piano. This felt much more deliberate and constructed.  I moved them around a little bit on the timeline so that sometimes they answered the guitar, sometimes the guitar answered them.

The germ of my original idea survived, in that I transposed all of the phrases up a fifth, just at the end of the track. This gives an A dorian in the piano over D dorian in the guitar, which is a nice effect and makes us feel like we have gone somewhere new.

In terms of sound design, I used Ableton's "Grand Piano" plug-in (no time to get to a real piano), lengthened the attack time, and then tried to add some grit so it would match the guitar, using AudioDamage's Fuzz plugin and iZotope's Vinyl.

Towards the end, the piano delves into the world of delay and echo, to mimic the guitar.

The name is a winky reference to the instrumentation (twangy guitar and piano) and the harmony that emerged (parallel modes on different starting pitches).


* * * * * 

More on this 316th weekly Disquiet Junto project (El Segundo: Record the second third of a trio, adding to a pre-existing track.) at:

https://disquiet.com/0316/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0316-el-segundo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted from a photo by Martin Kenny and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/neoFUH

https://creativecommons.org/licenses/by-nc-sa/2.0/

02 - 151024 1439 Chatham Rolling Acid

Confetti Hellgate

Recent comments

Akanistha

Related tracks