Camping In Alaska - Wherewolvf

Audience of One - I Remember When this all Meant Something

audience of one - ishmael

Noah took us to a pond, it was pretty

Iwishididntexistrightnow - Cat Season

You gave me your hand as a promise and left it I'm recounting the steps to see what I did wrong , these feelings I get when I’m with you they can not be created again , like notes in a journal you tore from limb to limb , for all that’s been thrown away the feeling of one’s pedal how it caved at my flesh it seemed as if you never had hope so now all that remains here is the ghost of my failure to never keep us whole so now ill just sit here

torn petals (you made me a ghost now i’ll never be the same)

...and Keep Reaching for Those Stars

Last Man Standing – The Grand Station

Last Man Standing markerar en viktig fas i The Grand Stations utveckling som band. Där Nothing Seems Real hade en mer drömsk och sökande ton, bär Last Man Standing på ett rakare, tyngre och mer självsäkert uttryck. Albumet andas både livekänsla och bandets kärlek till klassisk rock med en modern touch.

Musikaliskt hörs influenser från 70-talets jamrock, 90-talets grunge och alternativrockens känslomässiga tyngd. Gitarrerna är framträdande, ofta med både riff och melodiska slingor, medan bas och trummor skapar en solid grund som driver låtarna framåt.

Textmässigt kretsar albumet kring teman som motstånd, envishet och känslan av att stå upp för sig själv när världen runtomkring förändras. Titeln Last Man Standing blir en metafor för uthållighet och integritet, men också för ensamheten i att inte ge efter.

Skivan innehåller både raka rocklåtar med högt tempo och mer stämningsfulla spår med plats för dynamik och eftertanke. På så sätt blir Last Man Standing en sammanhållen men ändå varierad resa genom The Grand Stations musikaliska landskap.

Rob Lundgren, Vocals 
Veronica Rosenkvist, Backing Vocals
Johan Klintsäter, Lead & Rhythm Guitars, Bas on 4, 5, 9, 10, Keyboards on 6, 7
Hans Liljebladh, Bass
Oscar Rask, Drums

Viktor Tibblin, Percussion on 4, 9, 12
Max Lorentz, Hammond Organ B3 on 12
Joachim Lagerström, Electric Mandola, Electric Guitarsolo on 12
Bent Flemming Nielsen, Harmonica on 12
Robin Lagergren, Acoustic Guitars on 12

Produced by: Johan Klintsäter & The Grand Station
Recorded by: Johan Klintsäter, Hans Liljebladh, Rob Lundgren, Max Lorentz & Bent Flemming Nielsen 
Mixed by: Magnus Hedin At Studio Fredrikson & Erik Thorell At Legacy Sound Studios
Mastered by: Steve Corrao / Sage Audio Nashville, TN
Sleeve Design by: Johan Klintsäter & Hans Liljebladh
Photographs by:  Tomi Pajonen, Hans Liljebladh, Roger Persson & Linda Smedberg

All Lyrics & Music by: Johan Klintsäter
Except “Red Afternoon” & “Anxiety”. Lyrics by: Oscar Rask & “Revolution In Mind”. Lyrics by: Roy Kenneth Larsson

the grand station would like to thank all involved in this project: Rob Lundgren, Veronica Rosenqvist, Viktor Tibblin, Max Lorentz 
Robin Lagergren, Joachim Lagerström, Bent Flemming Nielsen, Linda Smedberg, Roy Kenneth Larsson, Danny Braat, Magnus Hedin at Studio Fredrikson 
Erik Thorell at Legacy Sound Studios, Tomi Pajunen “Locomotive 1088”-picture, Roger Persson at RoooPhoto,, Valla JVGmuseum

www.thegrandstation.se / www.facebook.com/thegrandstation / www.youtube.com/tgscoretv - © 2014 Airport Records

Time

04. Tough Lake, Mr. Muenster

The Last Person, a DIY artist who single-handedly manages every aspect of his music from songwriting and performance to mixing, mastering, and promotion, is set to release his new manifesto, "The Last Person's Theme." The name itself means "the person least likely to," reflecting his position on the periphery of the scene, creating music on his own terms.

Following his debut album Record of Inner Conflict, a document of his inner struggles, this new song marks a true new beginning. Incredibly, the track was born from a time capsule: a lost demo he wrote over a decade ago at the age of 20, rediscovered by chance. It captures the raw, unfiltered impulse of a young man armed with a belief in rock and roll, while also harboring the cynical fear that it might all be an illusion-a duality that remains at the core of The Last Person today.

Reimagined with a decade's worth of production skill, the track fuses its original garage-rock energy with a modern, dynamic sound. The release itself is an experiment: an English-language EP will be released first, followed by a Japanese version, with each featuring four distinct mastering versions at different LUFS levels. It is a public test of how his music will be heard in the age of streaming loudness normalization - a bold move only possible for a true DIY artist.

As he says, laughing, "If someone happens to listen just once and think it's good, that's the best thing." That unadorned sentiment is the source of the song's brilliance.

Streaming Links

The Last Person's Theme (-6LUFS Ver)

from: On The Might Of Princes- "Where You Are And Where You Want To Be" 2020 Remastered by Carl Saff (Dead Broke Rekerds)

audience of one - ishmael

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