Final_part3

Yours

at home mixxx between nostalgia and grief as time comes slow and time goes fast.
I try to grasp onto lost fragments that seem to make sense.
write your disvulgences -> puck.schot@gmail.com

tracklist:
Monika Badly - The Leash
Ricardo Laine - Stain of Time
AN-i - Rabble
Chloe Lula - Scissura
STILL - Haile Selassie Is The Micro-Chip (NÍDIA Remix)
DJ Mariio - Pink Light
B-Ball Joints - Song 8
Lennard Ypma - Unreleased
Assembler Code & Jensen Interceptor - Rotorwerks
Military Position - Gaslit
JK Flesh - Imperial Majesty
Galaxian - Ride the Spiral
Mallprowler - Nicotine Poisoning
MarcelDune - Preternatural
Chino - SSTM
Harlem - Salt Your Wound
Leo Anibaldi - Possession
Cressida - Feign
Chriseanrock - Time
Pussycat Dolls - Flirt
Astytekk - Freddie
FSS - closed-core_137
Freeman 713 - Cowboy Killer
SLIKBACK X HOT IN DA CLUB - IN DA BACK
Ship Sket - Autumn

True to Acidity 16/08/2023

lost in the open

Remix by @tlxco.

Video: https://www.youtube.com/watch?v=06gmg9Zuqus

https://biboandbeyond.bandcamp.com/album/the-world-you-wanted

Encoder (TLXCO Remix)

Episode 7 : Nightmare ☼

Laryssa Kim - Tum Tum - Cuori In Tumulto
Monolake - Prime Declick
Eszaid - Headcore MNS IV
Xhin - Hyperion
James Shinra - Blurr
SYANIDE - RASH
Heavee - Unlockǃ
Forest On Stasys - Mantis
Anthesse - Sacred Flame
Monokle, AL-90 - Black Marker
SAGE x Kenya Grace - Meteor (garage flip)
Siü - Explore My Mind
Requiem VF
Unreleased - Lemon Schaden
James Shinra - Ekko
ONCE A THUG
arael - PHANTOM NIGHT
midnigh_revival
SAKA x FLY - BABY KEEM FLIP
Beavs - Silver Sticker
Devilish Trio - Kiss of Death (Sibewest Remix)
ottfeedback time (autosaved at 20h38)
G-Theory - Unreleased
KenoKult - Sephye
Lil Bo Weep - Cannot Fight Away My Hell (Sage Remix)
Mogano	Terrarium (Llimbs Remix)
Happa - Digital Recall
play station aka chief keef if he was good
Skaen - Thy Gods Whisper Death
Jaga - Windrunner
Donbor - Contrition
Overmono - Calon
Kalocain - Groove Drift (Dogpatrol Remix)
Urtė	- Aeterna

Links : 
https://push.fm/fl/eendracht

Episode 7 : Self Nightmare ☼

Recorded live 18-06-2024
https://soundcloud.com/emmyhush
https://soundcloud.com/telesumo

Lalitā (LIVE 18-06-24)

Recorded At Room Service Studios In Michigan, USA.

Percussion: Braden Erard
Guitar, Bass Guitar, Vocals: Tanner Morgan
Studio Engineer: Seth Sherd

Silvergun

Friday, July 5th sees our release of an absolutely beautiful new album from midwest composer/vocalist Elska (Laura Boland). With its modern classical influences, and it’s overall extremely sensitively performed and delicately nuanced tones, it is a distinctly pleasant departure from some of our more recent, darker releases. Her softly subdued and breathy vocalizations lend themselves perfectly to the mysterious and elegiac eleven melodies that comprise the album. Throughout this record she takes us on a nostalgic and at times ethereal voyage through a world where the beauty walks hand in hand with an at times somewhat disjointed and yet seemingly completely natural strangeness. With occasional pseudo liturgical impressions, and a wonderful use of field recordings, strings, chimes and other instrumentation, she achieves here a real and grandiose grasp on what it means to live, love and breath through ones music.

Elska "Dancing Alone" Innigkeit

Glassy Eyes

Glassy Eyes (Harlem Electronics Remix)

Left Behind

Communards

Disenchanted

Ruminations

Gossamer Thin

Next of Kin

Gravitoni

Wanyugo

Sunset Season

Idle Town

Though only 34, Oberst has been a recording artist for more than two decades, starting with raw, acoustic guitar-based bedroom tracks he cut as a young teenager and initially released on cassette. After his early Omaha-based band Commander Venus broke up, Oberst recast himself as Bright Eyes, an umbrella name for Oberst, producer-keyboardist Mike Mogis and multi-instrumentalist/arranger Nathaniel Wolcott, and a shifting group of collaborators. By the time he released Lifted or The Story is in the Soil, Keep Your Ear to the Ground on Saddle Creek, the label he helped found with friends in Omaha, Oberst was a word-of-mouth success, with an avid young audience that helped to sell out his tours. The critics soon followed. Rolling Stone called him “a true American original: the ghost of Walt Whitman setting up shop in the wraith-white, rail-thin frame of an acoustic-strumming Nebraska Cure fan.” The 2005 simultaneous release of two markedly different Bright Eyes albums—the more singer-songwriter-oriented I’m Wide Awake, It’s Morning and the darker, computerized Digital Ash in a Digital Urn—displayed the breadth of his talent. Time Magazine listed I’m Wide Awake among its top 10 albums of the year. Since then, Bright Eyes has continued to evolve, its lineup morphing with each successive tour. While supporting his 2007 Cassadaga album, Oberst took over New York City’s Town Hall for a week of sold-out shows, with his large, string-augmented ensemble outfitted spectacularly in white suits. He’s also recorded and toured with Mogis, Jim James, and M. Ward as Monsters of Folk as well as with his own Mystic Valley Band. For the first leg of his summer 2014 tour, he’s bringing along Wilson’s other pals, the Southern Californian quartet Dawes as his support act and backing band.

“I feel lucky that I have been able to do this for as longs as I have,” declares Oberst. “I’ve seen so many talented friends come and go, for a lot of different reasons. Sometimes they stop making music because they can’t pay the bills or they lose the passion for it. At this point it is my life. I don’t know another way to live. There is something fundamental in myself; I have to be this way. It completes what I am.”

Gossamer Thin

Conor Oberst

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