Milton Babbitt est déjà un grand compositeur classique.

best heard on headphones or good speakers

recording of performance on Friday January 29th, 2016 ~8:20pm CST at High Concept Labs in Chicago IL. 

BELLS AT SEA (2014) for voice, two wind instruments, bowed string instrument, percussion, sine-tones, and found field recordings. Text from Robert Grenier's SENTENCES.
performed by Jessie Downs, Zachary Good, Ryan Zerna, Myra Hinrichs, Ryan Packard, & Douglas Farrand.
recorded by David Zuchowski.

BELLS AT SEA

Milton Babbitt / Piano Concerto No. 2 (1998)
Conor Hanick, piano solo / Jeffrey Milarsky, conductor / The Juilliard Orchestra
Recorded Live, Alice Tully Hall / January 2016

Milton Babbitt / Piano Concerto No. 2 (1998)

Conrad Tao, piano // Tyshawn Sorey, percussion

Performed live at the Park Avenue Armory Veterans Room as part of Jason Moran's Artists Studio series.
May 20, 2016.

György Ligeti: Hungarian Rock (with Tyshawn Sorey)

live recording, first performance

Mariel Roberts, cello
Eric Wubbels, piano

St. Peter's Church, Chelsea
New York, NY
December 13th, 2016

gretchen am spinnrade [2016] (live, premiere)

We drank wine from the bottle on a rooftop next to god (2017) by Victoria Cheah
for quartet and sine tones
the [Switch~ Ensemble]
Buffalo State University, Ciminelli Recital Hall
March 6, 2018

Zach Sheets, flute
Madison Greenstone, bass clarinet
Hanna Hurwitz, violin
T.J. Borden, cello

Mix: Jason Thorpe Buchanan
Video: Jason Thorpe Buchanan

BIO:
Victoria Cheah (b. 1988, New York, NY) is a composer working in multiple media and genres, exploring hierarchy, ambiguity, and the concert ritual. She holds a B.A from the City University of New York's Macaulay Honors College at Hunter College and is currently pursuing a PhD in music composition at Brandeis University. Passionate about the production and realization of new music, Cheah has served as the founding executive director of Boston ensemble Sound Icon and is now a co-director and curator with Score Follower.

www.switchensemble.com

We drank wine from the bottle on a rooftop next to god (2017) by Victoria Cheah

a round to parts of a poem by Li-Young Lee

Persimmons

Voided Cross (for Michael Heizer)
written for and commissioned by HYPERCUBE
total dur.: 45'

live recording, DiMenna Center, NYC, 5/7/2019

performed by HYPERCUBE

Erin Rogers, tenor saxophone
Jay Sorce, electric guitar
Andrea Lodge, synth / accordion
Chris Graham, percussion

live sound and mixing by Weston Olencki

Voided Cross (for Michael Heizer), Part III

Bugallo-Williams Piano Duo with Amy Briggs
Helena Bugallo, Amy Williams, and Amy Briggs
Deutscher Musikrat - Edition Zeitgenössische Musik
Erik Oña,  WERGO 2007

Andere Stimmen (2003) for prepared piano, 3 players

"Recorded over three separate afternoons. 

Paper is a latest piece in my series for “prepared” violin. This one uses paper weaved across the strings, the resulting sound is that of a woodwind instrument (I hope). It is then improvised.

Orlando Gibbons Fantasia IV - I first played these Fantasias in 2011 for F-IRE Klang Codex concert series run by Lucy Railton and Fred Thomas. Around the same time I began performing at Oto in Lucy’s Kammer Klang and in some way I will always associate the Gibbons Fantasias for Treble Viols with Lucy and the early days at Cafe Oto. 

Slow Change is a process piece, a journey of the bow going across the string from the bridge to the end of the fingerboard, the sound is slowly changing, other strings get involved as the bow gets higher on the fingerboard. "
- Aisha Orazbayeva

Milton Babbitt / Piano Concerto No. 2 (1998)

Conor Hanick

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