Sure I must have already commented but back to say this is some choice choice, gentlemen : )

in the pocket Bruce - smiling this whole time

A delightful surprise around every corner on this one:)

Woah, that's cool! Love this break, great guitar tone! Fender?

Oh my goodness, Bruce & Michael...this whole production is SWEET! Lots of cool textures and unexpected transitions. Wow.

conover...!!!

Another piece with my friend @Rosindust, the 23rd, so far...
I can't give it a definition of its musical genre, there are many things in it and in these cases I solve the dilemma with a nice tag "World", which in fact means everything and nothing, or maybe only that it's not extraterrestrial music :)
Or maybe, in this case, choosing "World" is just right: a few days ago I was in Marseille, France, it was early in the morning and while everyone was sleeping I received on my cell phone the recording of Tatiana's part from Siberia. I listened to it and I replied: "Thank you! Tonight, in Rome,I'll put it all together and I'll let you know".
A few hours later, she was probably walking in a wood when she listened to the finished track I just sent back. Now it seems normal but, just thinking about something like this, until a few years ago it would have seemed impossible...
The wide world has become a small world.

Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

So far so close - with Rosin dust

Lucky Little Boy   Conover/Wiggs
In the evening
when the sun goes down.
I pull you close to me
and I’m so proud.
That your the Girl
I know that can’t be found by
Lucky Little Boy’s like me.

I can’t be fooled by you,
but I believe in me and you.
Somehow and Forever
I Do, I Do

In the evening
When the sun goes down.
I pull you close to me
and I’m so proud
That your the girl
I know that can’t be found by
Lucky Little Boy’s like me.

And when the children are asleep
We will reflect upon this night together.
All the roads we drove.
All the blessings showed.
All these things and more
opened up the door
For a Lucky Little Boy

Original guitar and musical composer. Chris Wiggs
Please enjoy the original track here:
https://soundcloud.com/chris-wiggs/dusk-until-dawn
Arrangement, Lyrics, mellotron, vocals and production. Bruce Conover
Production and final mix by Matthew Warnick/Bruce Conover
Bass and drums Matthew Warnick
@chris-wiggs
https://soundcloud.com/matt-warnick-58962582 
Conover/Wiggs
Mastered at Abbey Road by Sean Magee
http://www.abbeyroad.com/engineer/sean-magee
© 2017 Conover/Wiggs

Lucky Little Boy)))  Conover/Wiggs

Chronus

I just don’t know
What is it that you bring to this.
I just don’t know
What is it that I offer. 

If we could answer 
questions just like these.
I just can’t see
What is it that we offer…

All we are  
Is all that we can be…

When I call you
It’s never to soon Girl
When I call you
It’s never to soon Girl

All we are  
Is all that we can be…

When I call you
It’s never to soon Girl

I just don’t know
What is it that you bring to this.
I just don’t know
What is it that I offer. 

If we could answer 
questions just like these.
I just can’t see
What is it that we offer…


When I call you
It’s never to soon Girl….. 
All We Are Is All That We Can Be
All We Are Is All That We Can Be

Repeat and reach for the stars*   

Music bed track composed and performed by Claes Steen @cermat
Vocals, lyrics, micro edit arrangement and final Mix by conover @conover

All That We Can Be  (Conover/Steen)

And How are we today? 

special Guest on guitar is Hans-Michael Albers
Music and vocals by conover

Roll down the windows let me pull over.
Let's take our time now since we've got older.

So why should we rush things
We have the rest of our lives
The rest of our lives

Roll down the windows let me pull over.
Let's take our time now since we've got older.

So why should we rush things
We have the rest of our lives
The rest of our live
repeat but don’t rush

Shaded and crisply dressed
Highway patrol man coming up to our little car
And then looking inside of our little window
And with his leather clad hand signaling for us to
roll down our little window…..

Good morning Officer
And how are we today?

How are we today? how are we today?
How are we today? how are we today?
Here we go……………

I highly recommend that you roll down the windows and pullover from time to time while driving down the path of life.
Save Driving

And How Are We Today? Conover/Hans-Michael Albers

Music by Conover
Guitars by Hans-Michael Albers
BreezeWay copyright 2015

Follow this link to hear the next phase in our production:
https://soundcloud.com/conover/and-how-are-we-today-conover

BreezeWay  Conover/Hans-Michael Albers

Please read the whole story is below the lyrics
Dear Prudence
Won't you come out to play
Dear Prudence
Won't you come out to play

The sky is dark but don't you worry
Ever thing will turn out right

Dear Prudence
Won't you come out................
to Play

The sun is up
The sky is blue
It's beautiful
And so are you....

Dear Prudence
Won't you come out to play
Dear Prudence
Won't you come out to play


The sky is dark but don't you worry
Everything will turn out right

Dear Prudence.................
Won't you come out................
to Play


Remember Play?

Music arrangement By Claes Steen @cermat
Vocals, percusion and Mix by Conover @conover

The details:
https://www.rollingstone.com/music/news/the-real-dear-prudence-on-meeting-beatles-in-india-20150904

History:
Background on the original Beatles session :
Written by: Lennon-McCartney
Recorded: 28-30 August 1968
Producer: George Martin
Engineer: Barry Sheffield

Released: 22 November 1968 (UK), 25 November 1968 (US)

John Lennon: vocals, backing vocals, guitar
Paul McCartney: backing vocals, bass, piano, drums, flugelhorn, tambourine, handclaps
George Harrison: backing vocals, lead guitar, handclaps
Mal Evans, Jackie Lomax, John McCartney: backing vocals, handclaps

Available on:
The Beatles (White Album)

Written by John Lennon in India, Dear Prudence was about Mia Farrow's younger sister, who refused to leave her chalet at the meditation retreat in Rishikesh, and had to be coaxed out by Lennon and George Harrison.

 
Prudence Farrow had become infatuated with meditation, locking herself away from the rest of the group and falling into deep states against the advice of Maharishi Mahesh Yogi.

Dear Prudence is me. Written in India. A song about Mia Farrow's sister, who seemed to go slightly barmy, meditating too long, and couldn't come out of the little hut that we were livin' in. They selected me and George to try and bring her out because she would trust us. If she'd been in the West, they would have put her away.
We got her out of the house. She'd been locked in for three weeks and wouldn't come out, trying to reach God quicker than anybody else. That was the competition in Maharishi's camp: who was going to get cosmic first. What I didn't know was I was already cosmic. [Laughs.]
John Lennon
All We Are Saying, David Sheff
Prudence later confirmed she was more fanatical in her pursuit of enlightenment than those around her.

Being on that course was more important to me than anything in the world. I was very focused on getting in as much meditation as possible, so that I could gain enough experience to teach it myself. I knew that i must have stuck out because I would always rush straight back to my room after lectures and meals so that I could meditate. John, George and Paul would all want to sit around jamming and having a good time and I'd be flying into my room. They were all serious about what they were doing but they just weren't as fanatical as me...
At the end of the course, just as they were leaving, George mentioned that they had written a song about me but I didn't hear it until it came out on the album. I was flattered. It was a beautiful thing to have done.
Prudence Farrow
A Hard Day's Write, Steve Turn

Dear Prudence  (Conover/Steen)

A delicate and melancholic melody, like a memory fading with time but never truly disappearing. Until Our Paths Cross Again is a musical journey through longing, hope, and the bittersweet sorrow of a farewell that isn’t final. The piano notes flow gently, suspended between moments of quiet introspection and sudden waves of emotion, evoking images of paths diverging with the promise of meeting again.

Perfect for those seeking a soundtrack for silent thoughts, solitary evenings, or memories weaving between past and future.


Until Our Paths Cross Again

Inspired by the short poem "Dust of Snow" by the American poet Robert Frost.

Dust of Snow

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.


A Dust of Snow

At ad21, we are delighted to present Piano Whispers 01, a unique compilation celebrating Piano Day 2025 (March 29). This album brings together 51 talented pianists from around the world, each contributing their artistic vision to the neoclassical piano music landscape.

Russian pianist Anastasiya Ihnatovich crafts a beautifully serene and hypnotic piece, where tenderness and emotion intertwine effortlessly. Delicate yet deeply evocative, her composition invites the listener into a space of introspection and inner peace.

Piano Whispers 01

À Milli

Listen

À Milli - Anastasiya Ihnatovich

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

The axolotl named Julio Cortázar watches Julio Cortázar observing the axolotls swimming in the aquarium.
The sister tracks here: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/this-is-us

Here the short background story:https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

------

Composed by Michele Ansani (2025)
Posted on SoundCloud: 2025, May 1

Is this you? *

It's a pleasure to see the sun again ! In this track I used classical guitar, electric piano & guitar, piano, percussions, drums & bass. Thank you for passing by and listening !
Composition: Julien Apelian
Recording studio: Audio Colors
May, 17th, 2025

Here comes the sun again

Chione - Reverie in E minor

As the title mentions, this piece was composed on impulse.....

Art picture is by randy-lisciarelli on unsplash....

l'Impulsion

If there was only two traits that came through in my music, I would hope that it would seem to be effortless and inevitable.
The Kind Place Studio

BreezeWay Conover/Hans-Michael Albers

conover

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