This music for a song is inspired from Sweden Folk music and Greek folk music. It is in 100 BpM and 4 bpb. It plays in harmony with the shift from a minor chord (sadness) to is relative major (joy) and it is doing it for all 3 major chords of the G diatonic scale. It has syllabic poetic meter as if 15-syllalbles poem. The melodic themes alternate between an arpeggio of a chord and a chromatic ripple around a note of the next chord (where the chromatic ripple included a semitone thus introducing blue notes in the scale). It utilizes all the 12 notes of the scale thus it is a full chromatic tonality. It has the parts of 16 bar blocks and no repetition. Between them a 2 3bars lines with an ascending sequence during a chord that gives the feeling up-rising. I play the digital mandolin the Bolivian ukulele  and the flute. During the flute (2nd part B) the arpeggio melodic motive is over the minor chords, while in parts A and B with the mandolin it is on the major chords. The chord progression  is the next.
Part A 
Bm D Bm D
Bm D A7 D
F#m D F#m D
F#m D A7 D
DD A7
A7 A7 D
Part B
Em G Em G
Em G D7 G
Bm G Bm G
Bm G D7 G
GGD7
D7D7G
Part C
Am C Am C
Am C G7 C
Em C Em C
Em C G7 C
CC G7
G7 G7 C

2ND JOURNEY TO SWEDEN

This music for a  song was originally composed in 2017 and played with wooden bass, guitar and mandolin. Then recomposed in 2023 with an arrangement with digital violin, Bolivian ukulele and chords from the touchscaper. It is in F but with 4 more blue note 1#, 2# 4# , 5#. It is at 100 bpm and 2 beats per bar. There is syllabic poetic meter in the melodic themes that are always bridging two consecutive chords. I discover that writing a melody over 12 or 16 bars blocks with one or chord for each 2 bars and a melody line for each 2 or 4  bars (a chord transition) , is like writing a poem with syllabic meter (measure). 
The chord progression of the second part with the violin  (which is almost the same as the first part) is
Dm Dm Dm A7
A7 A7 A7 Dm
Gm Dm A7 Dm
Gm Dm A7 Dm

A7 Dm D7 Gm
C F E7 A7
A7 Dm Dm C 
Bb A A A

D7 Gm A7 Dm
Gm Dm A7 Dm
E7 Am A7 Dm
Gm Dm A7 Dm

Chanson July 2017

IMPOSSIBLE REVOLUTION

This music of a song was composed in 09-10-20 during lock-down in a garden with friends. It is in F major with all the 5  chromatic notes (5#, 1#, 2#, 4#, 6#). So it utilizes all the 12 notes of the scale (Full chromatic tonality) 
I play the Bolivian Ukulele, viola, and Irish whistle. In the background the chordion. Initially  a voice was singing with simple words, but eventually it was eliminated. 
The chord progression is
Intro (4M 4M 4M 4M 4M)
4M 5M7 1M 3M7
4M 5M7 1M 3M7
4M 5M7 1M 3M7
4M 7M7 3m 3m
and
7bdim7 7bdim7 4M 4M
4m         4m        1M  1M
2M7      2M7      5M  5M

Friends in automn garden

This is a piece giving the varying feelings of a  perpetual Journey, happy and sad. It was initially composed in 2018 with only string instruments. but in 2023 I re-composed it and arranged wind itstruments too It is in G major with all 5 blue (chromatic  ) notes, 1#, 2#, 4# , 5# , 6#, thus utilizing all 12 notes (full chromatic tonality).
It is in 100 bpm, and 2 beats per bar .  It is with digital mandolin, Bolivian Ukulele, flute and Oboe. The violin arpeggios are with the touchscaper. 
The happy A part is a normal melodic theme over the chords
G G D7 D7
D7 D7 GG 
twice.
But the parts B, C, D have very few notes compared to chord changes. Almost like a bass but in high octaves.
The chords are 
part B
G Gmaj7 Em Em
C    C       D7  D7
G Gmaj7 Am Am 
Daug  Daug  G G
Part C
C  D7  Gmaj7 Em
C D7     B7     Em
C   E7    Am    Am 
Part D
G7  G7     C       C
E7  E7      Am   Am
F#7 F#7   Bm  Bm
D7   D7     G      G
The structure of the songs is  A B C D B C D A

Constantine Kyritsis