basis_belief_

Pavel Milyakov & Yana Pavlova - Strong-Willed

40o6

Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.

Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.

Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.

The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.

Peck Glamour

All That Heaven Allows

Rivet 'All That Heaven Allows' (EMEGO317)

@genus-aix debuted on @indexrecords in 2023, and has since appeared on labels such as @charmlink and @second-end-rec. The artist's flow ranges from ambient soundscapes to intricate subtle textures, taking listeners on a dramatic storytelling that combines electroacoustic experimentations and cinematic recordings from noteworthy producers. With poems, Jost finds himself pushing Berlin's nightlife forward, engaging electronic music culture within a forward-thinking approach.

Ambicast #005 | Genus Aix

@emregirginkaya 

Tracklist

Shinetiac-billie
Mu Tate - some days I felt like home
Emre Girginkaya - jus p
Uon - J
AA4K - My avatar (Genus Aix remix)
Ekin Fil - Sonuna Kadar
Nala Sinephro - Continuum 2
Space Afrika - yyyyyy2222
Ulla / Perila - glass containers 
Slowfoam - six words to describe the ending
Box5ive - In Grey Space
Ferdinand Domes - ID

LOW EARTH ORBIT W/ EMRE GIRGINKAYA 28.03.25

info: https://radio.syg.ma/episodes/peripherie-16-igor-dyachenko
https://igordyachenko.bandcamp.com
https://soundcloud.com/igordyachenko

Peripherie

Peripherie 16 – Igor Dyachenko

3DLOOP

Pre-order digital album — https://serwedx.bandcamp.com/album/v

Continuing in a series of studio albums Serwed present their new release — “V” (Five).
Stylistically, this album further develops the idea of blending aesthetics, operating at the intersection of post-club, downtempo, digital dub, electro-acoustic, neo-classical, score music and musique concrète, creating a unique sonic space.
Catching the subtle nuances of self-reflection, this chamber-like, intimate work is primarily directed toward the subconscious and intuitive perception. The structure and form are driven by emotion, while aesthetics take a back seat, giving way to pure sense.
The compositions capture moments of insight, spontaneity, and live improvisation. Delicate yet expressive, carefree yet precise, “V” is a deeply immersive and personal experience.

All tracks written and produced by OL @olegbuyanov & Flaty @producedbyflaty
Mastered by Flaty
Artwork by fmaximishin
Design by ANWO STUDIO
Distribution by Triple Vision — distribution.triplevision.nl/release/SRWD-V/

Emotion Engine

Constantine Kohan

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