here's that electronic version, similar arrangement to the other one, just kind of has more blips

Yamantaka // Sonic Titan - Hoshi Neko Remix Electronic Version

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

Purchase from RVNG: http://smarturl.it/bing-twtga-rvng
Purchase from Bandcamp: http://smarturl.it/bing-twtga-bcamp
Purchase from iTunes: http://smarturl.it/bing-twtga-itunes
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From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

Support the Artist:
https://www.instagram.com/marcism.wav/
https://soundcloud.com/marcism2

Cover: 
https://www.instagram.com/v_intsch?igsh=MWZ5b2R4aXNmNWlyNw==
& 
https://www.instagram.com/99fyo?igsh=dGp6MGY4ZzF0aWE2

Mastering by Speedgasm Studios, https://soundcloud.com/luckylec

Marcism - Ambient One

M-Sol CHILL presents:
Florian Gasperini - The Great Tapestry of Life
A tender voyage through relaxing melodies and deep emotions.

✅ FOLLOW US ON SPOTIFY:
Chill & Relax: https://bit.ly/3wusYks
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Café Lounge: https://bit.ly/3SXh5Lp
Calm Reflections: https://bit.ly/3wCkoAk

Great Tapestry of Life

Grito De Luz

Florian Gasperini - Grito De Luz [M-Sol CHILL]

"Glaciers I (Pt I)" by Jessica Moss
From the album Pools Of Light
CST124

05 May 2017
Constellation
Deluxe 180gLP / CD / DL

cstrecords.com/cst124

Pools Of Light

Jessica Moss • "Glaciers I (Pt I)"

Track 1 from Lea Bertucci 'Metal Aether' [NNA108]
Available February 9th, 2018 on Vinyl, CD & Digital formats.
Order: http://nnatapes.com/available-releases/lea-bertucci-metal-aether

Metal Aether

Lea Bertucci "Patterns For Alto"

From the album Entanglement by Jessica Moss

Jessica Moss
Entanglement
180gLP/CD/DL
CST138

cstrecords.com/cst138

Entanglement

Jessica Moss • "Particles (Edit)"

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Ana Roxanne - Nocturne

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

from the album 'because of a flower' available 11/13

because of a flower

ana roxanne 'suite pour l'invisible'

We are an independent record label based in Montréal, releasing experimental music we care about in the most careful ways we can.

Jessica Moss • "Glaciers I (Pt I)"

Constellation Records

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