@mmmega - cloudTherapy
Release Date: April 20th, 2021
Mix & Master by @Go_Meee
Cover by @mmmega
SL+09
© Seedlink⁺ 2021

mMega - 60ml strawberry trapqueen

Mixed by @julienracine
Mastered by @aulicveil

Available on @ninaprotocol at: https://www.ninaprotocol.com/releases/adum-brate-light-leaks

Light Leaks

https://motionward.bandcamp.com/album/laundry

https://soundcloud.com/titofuego
https://soundcloud.com/benbondy

kevin, "capsule curve (w/ foamy sax)"

Heavy Snow ft.free version

https://soundcloud.com/jhlofficixl for https://soundcloud.com/tettixhexer

https://www.retreatradio.net/beauty-ripples

Beauty Ripples #10 w/ jhl (05/09/24)

Artist: Ilovelife
Title: I love life
Recording Length: 2:40
Recording Year: 2008
Format: Digitized from cassette found in WMBR 88.1 FM station, IASAC Archive shelf. J-Card notes read: 
"Ilovelife - A: I love life / B: Basement jam
Guitar: TM
Drums: MS
Recorded at Ram Ranch, Allston, April 2008”

Archival Notes: "TM” on J-Card likely refers to Taha Mahanian, who attended the Institute as an undergraduate between 2006 - 2010. Campus group archives and zines show that Taha was active in WMBR programming and live events, as well as staging independent outdoor jams with various bands he activated on campus using PA gear borrowed from friends at Berklee School of Music. Mahanian played in several punk and emo bands during his time at MIT, each with seemingly brief lifespans and was involved with local open mics as well. There are no other tapes or recordings attributed to the Ilovelife project, and the identity of “MS” on drums is unknown, but likely an MIT or Berklee collaborator. Work from Taha's projects as well as under his own name is found elsewhere throughout the IASAC tape archives. Note that the majority of Side B of this tape is taped over with an audiobook passage.

Ilovelife - I love life (2008)

While its title at first calls to mind a Jodorowskian kitchen sink psychedelia, Desvelada and Sprælle’s debut EP as a duo ’escaping from the body of a sleeping hummingbird’ veers tonally closer to the twilight realm of Béla Tarr. The work summons images. Empty windswept expanses, conversational vocals that seem to phase in and out of focus, spare synth bass and mournful drones create for us a hinterland of abandoned narratives, of characters unsure or unaware or unwilling to see that they are ghosts, but carrying with them a fatigued and defiant air of hope throughout.

Hailing from central Texas and west of France, Desvelada and Sprælle met in student living spaces while studying in Austin, Texas. The pair’s deep bond and friendship soon came to resemble something more like a romance, they began to produce pieces of music together, honing their skills in the small but burbling scene of Texas experimental live music. Sprælle’s art rock beginnings and distended guitar and production work folded lovingly into Desvelada’s choir upbringing and live vocal processing to create a sound and feeling all their own. Filmic and distant, like an aerial view of a springtime meadow timelessly marooned in suburbia instead of prehistory.

Taking cues from artists as varied as Tricky to David Berman, Ryuichi Sakamoto to Jorge Luis Borges, Sprælle and Desvelada sus from their toolkit a reserved storybook that speaks rather than sings. Percussive elements shuffle along like creekwater driftwood, loons in the reedbeds, all chirps and croaks; the arroyo at dusk. ‘escaping from the body of a sleeping hummingbird’ is a hushed purge of woodland noir, of interior poetry, watching the fog slowly overcome what’s left of the evening light, begging the spirit to speak.

Tracklist:
1. épié
2. linde cruel
3. turn to talk
4. venus purs
5. tree up ahead


tree up ahead

yr muse

Fixate Old Sin

played about with this a lot - again shifted to minor key helped with the spooky vibe - tweaked the words here and there - boom - murder ballad Enjoy 

Well, he walked up to me and he asked me if I wanted to dance
He looked kind of strange  I was lonely so I thought take a chance
When we danced, he held me tight
when he walked me home that night
All the stars were shining bright and then he kissed me
Each time I saw him, he couldn’t wait to see me again
I started to see he thought that I was more than a friend
I didn't know just what to do
When he whispered, "I love you"
I just whispered I love you too, and then he kissed me
He kissed me in a way like he’d never been kissed before
He kissed me in a way like he wanted to eat my soul 
He kept me filled with wine so I gave him all the love that I had
one day, he took me home to meet his mom and hisdad 
As we stood at the grave side 
He told me I would be his bride 
He wiped the last tear from my eye and then he kissed me
Then he told me i was his bride
Forever lie right by his side
He looked so happy as he watched me die
then he kissed me
then he kissed me
then he kissed me

then he kissed me (Crystals cover)

been working on this for well over a year now and decided it’s time to let go.

vocals & instrumental cover produced, mixed, mastered by me

tree up ahead

Contain

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