https://soundcloud.com/martin-hoogeboom (1954) is an autodidact Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. Improvisation and collaboration are an important part of his work.

Some words about the MNEMOSYNE project:
"I was immediately interested in this project because I myself have a fascination for memories and the associated melancholy. Let's not confuse that with nostalgia: longing for a lost past. I am not a man for panta rhei: everything flows. I want time to stand still for at least 30 years. Why did my children have to grow up? Why not stay 3 and 9 for 30 years or longer? Why can't the clouds float low and slowly over the flat Dutch wetlands for 30 consecutive years? And can't I look at that for at least 30 years? My music bears witness to that desire, it is the eternal sounds of nature, sounds of ever-moving time that I save in a few minutes. Time stands still in my sound world. The tapes used in my contribution to the MNEMOSYNE project are recorded between 1961 and 2021. Time captured and stopped."

"What was a crucial sound experience in your life?"
For the first 5 years of my life I lived with my parents in an old dilapidated house in the woods.
Besides the fact that I thought I was the only little human in the world - that was a fright in kindergarten with so many other little humans - the sound of the wind in the fir trees made an indelible impression on me. As a toddler I used to go outside when I woke up at night. Night sounds and the sound of the wind were crucial to my development as an artist. The sound of the wind in the pines is not included. I hear that sound in my head and enjoy the melancholy it evokes. Can call it up anytime, anywhere, but it can only be heard by me.

Links:
Website: www.martinhoogeboom.com
Bandcamp: https://martinhoogeboom.bandcamp.com/
Instagram: https://www.instagram.com/mhoogebo/
Twitter: https://twitter.com/MartinHoogeboom
Flickr: https://www.flickr.com/people/sixmoonnight/

Tracklist:
1: City 1979
2: Electronic piece 1972
3: De Marke 01 1975
4: DUSK (unreleased 7” single A-side 2017)
5: DUSK (unreleased 7” single B-side 2017)
6: OKAPI 2 (Bandcamp release 2017 with Markus Reineke, Theo Calis)
7: Fair, Laren 1980
8: Soft Weed Factory 1973
9: HOPLA (unreleased 1993 with Joris Goyaerts, Willem de Melker)
10: Ginkelduin 1980
11: LAAGLAND III (alternative version, unreleased 2015)
12: UNDERGROWTH (Bandcamp release 2019 with Boson Spin, Herman Muntzing)
13: THE RAW HOUSE IV (alternative version, unreleased 2018)
14: walking 1985
15: AND WE SING (Bandcamp release 2018 with Michel Banabila, Ulrich Langenbach, Aoki Satoru, Wodwo)
16: GEEL (Soundcloud 2016 with Elly de Waard)
17: Jenny 1987
18: De Marke 02 1976
19: Sinterklaas 1962
20: Erik 1961
21: REQUIEM (unreleased 2017) 
22: GUNTA (alternative version, unreleased 2017)
23: DAY ONE (Bandcamp release 2019 with Grant Basma Horsnell, Juan A. Miñana Osca, Lars Björk, Ed van den Brekel)
24: Train journey 1981
25: ZILT (Bandcamp release 2021 with Ed van den Brekel, Eric Jovet, Ulrich Langenbach)
26: DON’T FOOL YOURSELF / A THIN RED LINE (Alternative mix Bandcamp release 2017 with Theo Calis)
27 Improvisation 1974
28 MAURENBRECHER (unreleased 2016)
29 xylophone 1972

MNEMOSYNE #014 - MARTIN HOOGEBOOM

Ingrand D. - An Intro To The Flashcorebird

This piece is a granular synthesis processing of a flute recording from the Uttervik forest on the east coast of Sweden.

Uttervik

Initially a recording of my noisy fridge and the street outside, hoping to draw a beat from the rain and passing cars. Cheated with edits, phasers and tremolo.

Melody by telecaster, fretless bass and grand piano.
--

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at: https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at: https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Dies ist das dritte und letzte Projekt in Zusammenarbeit mit dem Musikfestival Bern 2019, welches vom 11.-15. September stattfindet. Wir arbeiten auf Einladung von Tobias Reber, einem frühen Junto-Teilnehmer und Verantwortlicher für die Musikvermittlung beim Festival. Ausgewählte Resultate dieser Projekte werden im Rahmen des Festivals im Rauschlabor Schützenmatte (https://www.musikfestivalbern.ch) öffentlich gespielt oder auf dem Festtivalradio, Radio Antenne (www.radioantenne.ch), ausgestrahlt werden. Falls du nicht möchtest, dass dein Stück dafür verwendet wird, dann vermerke dies bitte wenn du es veröffentlichst.

Misericordia (Disquiet0401)

Voidgazer

This track is dedicated to Anthony Cutrera Morales  soundcloud.com/carum-2

PALE LIGHT [FOR C]

Sonopoetry by 
https://soundcloud.com/ilaria_boffa
Music produced & mixed
by P è n i n ș o l a r
https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Visual : Rika Ryzhykova
Пчёлы:
https://youtu.be/m7cu-NdCdMg

On the threshold, liminality in seclusion. You and I
all species and all objects occupy a sound bandwidth
on a spectrogram, a voice to feel heard.
Ongoing eco-squatting and evacuation under human pressure.
Are we bypassing reciprocity, trivialising wander and mystery?
Decency has a traceable nomenclature, a legacy.

I sense your cavitation
drought, self-imposed.
Then conserve, archive.
Never forget how
insignificant we are
and yet decisive.
Unlearn and de-familiarise.
I won’t set my own frequency
below 500 hertz.

Written by 
https://soundcloud.com/ilaria_boffa

Purchase on Bandcamp

Ilaria Boffa P è n i n ș o l a r - 500Hertz

Dararat Chemnasiri: alto sax
Bruno Gussoni: shakuhachi
King Imagine - electronics, bell, tortured piano, strings tutti, violin flagelettes, composition
Dirk Wachtelaer: drums

Any Time

Marco Lucchi : toy harp and Juno synthesizer

1 dicembre 2020

***

Our share of night to bear -
Our share of morning -
Our blank in bliss to fill,
Our blank in scorning -

Here a star, and there a star,
Some lose their way!
Here a mist - and there a mist -
Afterwards - Day!

Emily Dickinson

toy harp n°20 (+ Juno koto)

Flexural (Redux)

a rework from Mean Flow of a previous track by Henrik Meierkord and Marco Lucchi

febbraio 2021

Henrik Meierkord, Marco Lucchi & Mean Flow - Totentanz II

Page by @inrgd to share to some extreme core/trance oriented projects :: some are temporary and/or over.

Ingrand D. - An Intro To The Flashcorebird

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