cover for now, cant think of anything hopefully album soon

summer camp slut cover

first single from The Goon Sax debut album Up To Anything, to be released by Chapter Music in 2016. 

www.facebook.com/thegoonsax

stream or download here:
www.chaptermusic.com/store/the-goon-sax/sometimes-accidentally/
https://itunes.apple.com/au/album/sometimes-accidentally-single/id1033466202
https://open.spotify.com/album/7iNvxA9yMa37gChUa8BMPT
www.chaptermusic.bandcamp.com/track/sometimes-accidentally

Buy from Chapter

The Goon Sax - Sometimes Accidentally

We've had a bit of a break punctuated by moving house and our 6th birthday at Knee Deep Festival but today we're back with the debut single from Holiday Ghosts, punchy paranoia fueled garage pop.

Having dug up this treasure from within sadly otherwise lost tape sessions at Troubadour in Falmouth, Stacpoole (The Black Tambourines) and fellow Kernow stars Katja Rackin, Ben Woods (Lost Dawn and Charlie Murphy (The Red Cords) bring the melodic erudition of their other projects together into a melting pot of loose pop and timeless malaise.

Under the haze of Stacpoole's relatable charm lie dynamic harmonies and vivacious rhythms, spaghetti hooks under the floorboards moving a knee or two as the Holiday Ghosts frontman waves off the anxiety of a night under the influence and life itself and just exists. The pin comes with a download code and backing card and is available from our shop now: http://artishardrecords.limitedrun.com/products/580793?preview=true

The Pin Pal Club

Buy 1" pin single

Holiday Ghosts - Paranoia

Mise En Place out May 5, 2017 via Father/Daughter Records
PREORDER --> http://smarturl.it/miseenplace

Mise En Place

PREORDER

Alex Napping - You've Got Me

'Let's Talk About Me' is the debut single from Brighton/London/York trio Johnny Kills.

Produced by Alex Greaves at The Nave studio in Leeds.

Mastered by Pete Maher

Let's Talk About Me

Title track from Hollow Everdaze's debut album 'Cartoons', out now via Deaf Ambitions.

Vinyl/digital: bit.ly/2lu6qGs
Film clip: http://bit.ly/2rAGDTg

Produced by John Lee & Hollow Everdaze.
Mixed by John Lee. Engineering assistance by Zachary Schneider.
Mastered by David Walker at Stepford Audio.

Artwork by Michael Olivo and Niv Bavarsky.

Hollow Everdaze - Cartoons

Recorded at Diamond City & Degraw Sound, NYC
Produced by Ian Jacobs, Joel Witenburg, Ayad Al Adhamy & Michael Nesci
Recorded by Joel Witenberg & Ayad Al Adhamy
Mixed by Michael Nesci
Mastered by Dan Gonzalez
Written by Ian Jacobs &  Michael Nesci copyright 2017

Performed by Monograms
Ian Jacobs - vocals, guitar, synth
Michael Nesci - guitar
Christopher Day - bass
Tim McCoy - drums

Artwork by Mike Parisella
Layout and Design by Ian Jacobs

Sleep Cycle

Private Stream
Song: "PSY OPS"
Album: Odd Talk
Artist: Ganser
Full album releases April 20, 2018 on No Trend Records. 

Recorded July 2017 by at Altered States Recording by Brian Fox. Produced by Ganser and Donnie Moore.
Mastered by Daniel Husayn at The North London Bomb Factory.

All songs written & performed by Ganser. 
Art by Ganser.

"PSY OPS"

WYATT BLAIR
"It's Yesterday"
Inspirational Strawberries
Lolipop Records (2018)

It's Yesterday

WYATT BLAIR - "It's Yesterday"

**Out 4/5 on Get Better Records**

All songs by Control Top
Produced and mixed by Al Creedon
Recorded by Al Creedon and Jeff Zeigler
Mastered by Emily Lazar
Additional production by Ali Carter

Design by Nolen Strals
Photography by Kevin Spaghetti

Covert Contracts

Chain Reaction

Living Wire

Monograms - Sounds Like Mean Spirit

Covert contracts rule our world: manipulative relationships, encoded social norms, opaque technologies. “With a covert contract, the trick is that the agreement is only known by the person who makes it,” says Ali Carter, singer and bassist of Philly post-punk trio Control Top. “The other person is oblivious. Consent is impossible. A void of communication opens up a world of misunderstanding.”

In an era of such impossibilities, Control Top—Carter with guitarist Al Creedon and drummer Alex Lichtenauer—rip open space for catharsis. Their explosive songs are a synthesis of varied interests and backgrounds: Carter’s innate sense of new wave melodies, Creedon’s sirening noise guitars, Lichtenauer’s feverish hardcore drumming.

On their debut full-length, Covert Contracts (out April 5th on Get Better Records, an independent label co-run by Lichtenauer), the songwriting is fully a collaboration of Carter and Creedon. Carter’s voice thumps and screams and deadpans while her driving, hooky basslines play out like guitar leads. Creedon, also the band’s engineer and producer, balances composition and chaos, equally inspired by pop and no-wave. With her lyrics, Carter responds to feeling trapped and overwhelmed in a capitalist patriarchy, offering indictments of wrongdoing and abuse of power, odes to empathy and ego death, as well as declarations of self-determination.

These songs hit even harder when you consider how close this band came to not existing at all. Despite being involved in underground music communities for years, Carter didn’t start Control Top (her first band) until age 25: “It took me that long to believe in myself enough to take the plunge.” Disillusioned by punk, Creedon had all but abandoned guitar: “Playing guitar in a rock band felt like writing poetry in Latin in 2019, using a dead language to convey ideas.” But Control Top felt exciting, a chance to experiment: to rethink the relationship between guitar and bass and use samplers to add new dimensions. Meanwhile, Lichtenauer had quit playing drums after an abusive situation in a previous band that had ruined playing music for them: “I thought I was done playing live music forever, but joining Control Top was sort of a rebirth for me.”

“Chain Reaction” is one of the record’s most urgent moments, exploring the degradation of communication at the whim of contemporary platforms. The follow-up to “Type A” originated as an instrumental demo by Creedon and highlights the destructive types of interactions that prevail today, where a desire to elevate oneself comes at the expense of others. “Light the wick, pull the trigger / What started small is getting bigger,” Carter sings on “Chain Reaction”, over a propulsive upbeat, infectious bassline and dissonant, fragmented guitar.

“The song takes place in the middle of an argument,” Carter explains. “Vitriol is flying and emotions are running high. With our culture’s growing appetite for anger and conflict, a petty disagreement can easily escalate into a full-out shouting match.” When Carter sings “I can't take it anymore / I wish I could disappear,” it’s at once anthemic and chilling, putting words to today’s unspoken anxieties. Brimming with post-punk poetry for 2019, Covert Contracts is the sound of agency being reclaimed.

Covert Contracts was recorded and mixed in Philadelphia by Creedon (Priests, Pouty, Taiwan Housing Project) and Jeff Zeigler (Kurt Vile, The War On Drugs, Allison Crutchfield). The album was mastered by Emily Lazar. Covert Contracts will be for sale via the Deathwish webstore (US/UK/EU).

Chain Reaction

Control Top

Recent comments

Eli Pye

REPLAY

Related tracks