Essential CTRL>D

“Last Night on Mercury” is a high-energy, uplifting house anthem built for the main room with Vocals from the amazing Annie Jacobs. Driven by lush strings, euphoric piano hooks, and soaring vocals, it blends the emotional pull of pop with the pulse of late-night club energy.

Shimmering melodies rise over a thumping rhythm section, capturing that electric moment when the night feels infinite and everything aligns on the dancefloor.

Perfect for peak-time sets and sunrise sessions — feel-good, powerful, and unforgettable.

Last Night on Mercury (Club Mix)

CTRL-D’s debut album is a pulse, dark, euphoric, intimate and restless all at once.
It moves through the glow of screens, the heat of desire, the ache of things unsaid, and the wild release of the dancefloor. Heavy synths warp and twist like static on the edge of consciousness, while soaring vocals cut through the noise with flashes of vulnerability and fire.

There is grit here, dirty basslines, distorted edges, the shadow of modern addiction. There is also lift. Moments that swell with hope. Melodies that catch in your chest. That late-night feeling when a crowd becomes a single heartbeat and everything makes sense for a minute.

The album feels like a confession, a rush, a spark.
A collision of dark tech energy and expansive progressive emotion.
A debut that hits hard, stays tender, and lingers long after the last drop fades.

This is CTRL-D.
A new producer in electronic music, unfiltered, urgent, unforgettable.

You Don't Know Me

You'll Never Know

Keep Me In Motion

I Hear You In The Distance

They Can't Do What I Do

I'm Your Fever

You're Fading

You Like It Dirty

A hypnotic, late-night tech house track built on a relentless four-to-the-floor pulse, and a deep, round analog bassline that drives the groove. The vocals are intimate, almost threading through the groove like a quiet fever.

"I Lose My Shape" moves between the beat and small, almost poetic fragments, pulling tension across the whole arrangement.

Dirty synth pressure, minimal percussion, spectral vocal chops, and a cool, romantic-but-dark mood keep the track driving from the first kick to the last fade.

Made for underground rooms, late hours, and anyone who feels that moment where the music blurs your edges.

Lose My Shape

This track pulls together some of my favourite influences, the cool indie atmosphere of The XX, the emotional depth of London Grammar, and a touch of Deadmau5 in the drum groove and synth design. Blending those styles wasn’t without its challenges, but the end result is exactly what I hoped for.

It’s an uplifting, driving piece that feels just as powerful on a packed dance floor as it does when you’re dancing around your living room. A mix of indie warmth, electronic energy, and a hook that keeps rising, I’m really proud of how this one turned out.

If you’re enjoying it, please like, comment, and follow — there’s more coming soon.

You Take Me Higher

“We Are More Than This” builds around a steady 126bmp groove, rising chords and a warm, driving bassline. The track lifts as it moves, carrying the vocals with a sense of momentum and release. It blends indie-leaning emotion with a focused electronic pulse, growing brighter and more expansive through each chorus. An uplifting, forward-moving house record built for moments where everything opens up.

More Than This

A fast-paced, glitch-driven tech house track built around the idea of a digital presence trapped inside the system, caught in the loop. Rolling reese bass, heavy drums, neon-lit energy and cyberpunk atmosphere drive the sound. Dark, hypnotic,  and club-ready. Perfect for late-night sets, warehouse floors, and neon-drenched cityscapes.

Caught In The Loop

My journey kicked off with Don’t Stay In during the golden peak of 2000s House, which eventually led me to work with Mark Doyle at Hed Kandi and spend years immersed in the UK club scene.

My sound comes from a blend of Disco, Soul, Funk, Garage and early Electro Hip-Hop, music I grew up loving. I was drawn into dance by pioneers like Paul Oakenfold in the 80s, then broadened into Funky, Deep, Electro and Progressive House as the years went on. Along the way I absorbed sounds from Sasha’s progressive trips, Pete Tong’s radio landmarks, and the bold dance experiments of deadmau5, which all helped shape how I move between genres.

I’ve been lucky enough to meet and work with talented DJs and producers who’ve inspired me in different ways, with moments shared behind the decks, in studios and late-night sets that taught me more than any classroom ever could.

This year I’m stepping back from the clubs and focusing fully on production. My debut album, Digital Sin, is in the works, and it feels like the right moment to put everything I’ve learned into something honest and new. The tracks here are part of that journey!

CTRL-D