Name: Doppelgänger (Sadistica in the Black Lodge) by Coph Nia in Haxan
Duration: 9 min 56 s
Description: A special mix i did on the fly a few years back for the mesmerizing Sadistica, aka Alice Lynch.

haunting aura, I love playing this while driving on some dark and snowy remote road through the woods

Haxan

Download: http://www.xlr8r.com/mp3/2013/08/anytime-soon

Download at XLR8R

Andy Stott "Anytime Soon"

Order: http://bit.ly/1lhkzoR

Album due October 28, 2014 

http://wearemysteries.com/

Mysteries - Authenticity Machine

ice baths

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

CTHULHU MYTHOS - MYRRA SHARRA

ice cave 1 15 bpm 2725 take 2

A special mix i did on the fly a few years back for the mesmerizing Sadistica, aka Alice Lynch.

Doppelgänger (Sadistica in the Black Lodge)

Made as part of the RPM ACID GOD compilation.

Rusty Fingers

Tricky has released a new version of "When We Die" featuring New York-based singer/guitarist Breanna Barbara, who will join him on his upcoming October tour of the U.S. and Canada. Barbara reworked the song with her signature reverb-drenched sound, performing it with a live band, sampling in Tricky’s vocals, and adding her take on Topley-Bird’s part. “Breanna really is a unique talent and brings her own vibe to this song,” Tricky said.

“We recorded it out on Rockaway Beach, Queens with Ben Trimble (co-producer/ keys), Charles Garmendia (drums) and Jay Heislemen (guitar),” said Barbara, who is based in Queens. “We wanted to capture the floating, limbo-like space where ‘When We Die’ left us. Rockaway Beach was perfect setting to ask that ageless question, ‘Where do we go when we die?’”

Info and tickets to all upcoming shows at:
http://www.trickysite.com/live-dates/

OCTOBER 2017 - NORTH AMERICA
10/6: Montreal QC - Theatre Fairmount
10/7: Toronto ON - Mod Club
10/9: Brooklyn NY - Music Hall of Williamsburg
10/11: Washington DC - U Street Music Hall
10/12: Raleigh NC - Lincoln Theatre
10/14: Nashville, TN - Exit/In
10/15: Atlanta GA - Afropunk Festival
10/17: New Orleans LA - The Parish at HOB
10/18: Houston TX - White Oak Music Hall
10/20: Austin TX - Mohawk
10/21: Dallas TX - Curtain Club

Free Download

When We Die (Re-Worked by Breanna Barbara)

After a rip-roaring tour of the US with his live band at the end of 2011, a healthy wedge of new remixes under his belt for the likes of David Lynch, The Dø, The Drums and M83, Copenhagen‘s Anders Trentemøller remains in the spotlight.

Last year also saw the release of ‘Reworked / Remixed‘, a must-have double CD release featuring some of the inspired producer‘s favourite remixes, and his pick from remixes of his music by other artists. The release was preceded by the mixed-media collaboration with Efterklang in September 2011, where both artists remixed each other‘s songs in the ‘Raincoats vs Tide‘ EP.

Now we are excited to announce the next chapter of that project, with a special Trentemøller version of Gun Club‘s ‘My Dreams‘, featuring the sultry vocal talents of Marie Fisker. With a heavy electronic approach and slow-burning tempo, the ingenious re-working takes pride of place on a lovely 7‘‘ record, backed with a haunting live acoustic version.

Marie Fisker, who ist part of Trentemøller’s live band, provides the urging, aching vocals as Trentemøller crafts a slowly thumping and evolving moment of wonder, inspired by the dramatic synths. ‚You cannot take my dreams, you cannot take and steal from this body‘ Fisker hauntingly cries, as we get drawn into this melancholic and beautiful story for modern times.

A charming acoustic version features as a partner to the full-bodied original, where we hear yet another side to the song - the pairing of gifted song writing and Fisker‘s sensitive vocal talents stand out in a hair-raising live performance.

As if that wasn‘t enough, the mysterious ‘Blue Hotel‘ can be snapped up as a digital bonus. It‘s a cover of Chris Issac‘s tale of heartbreak which was previously only available on Trentemøller‘s ‘Late Night Tales‘ Mix-CD, released in May 2011.

My Dreams

Trentemøller - Blue Hotel (Digital Exclusive)

deadpan robotic

The Haxan Cloak - 'Excavation': Released 15th April 2013
CD, 2xLP & Digital

iTunes Pre-order: https://itunes.apple.com/us/album/excavation/id617447893
Boomkat Pre-order: http://boomkat.com/downloads/663910-the-haxan-cloak-excavation
Insound Pre-order: http://www.insound.com/Excavation-CD-The-Haxan-Cloak/P/INS117532/

The Haxan Cloak - The Mirror Reflecting (Part 2)

Exhibit A

fldylx7

723faldyx

The human brain processes emotion by categorizing all input according to two responses: sympathetic and parasympathetic (i.e. “fight or flight”). Imagine a graph with two axes: one axis representing a state of stimulation (from excited to calm), the other depicting stimuli as being negative or positive.

In his book The Man Who Lied to His Laptop, the late Clifford Nass refers to these two plots respectively as “arousal” and “valence.” Whether an emotion makes us feel angry, humiliated, serene, jubilant, frightened or something else, the brain’s job is to determine what level of valence or arousal is appropriate for a given situation. Although Nass’s book doesn’t go into the Goldilocks Zone as such, the author does explore how the brain constantly resets itself chemically in an attempt to keep us “just right.”

For this weirdly industrial-sounding piece, Suss Müsik attempted to capture the polarities and nuances between valence and arousal. The main pounding riff (the “arousal” side) was created with a pitch-shifter applied to acoustic guitar. The “valence” side is an analog synth wash combined with audio scans of two-dimensional artwork. The two sides meet somewhere in the middle, thanks to some liberal digital-delay phasing and a Ditto looping pedal.

The piece, entitled Nass, was recorded live to 8-track with no overdubs. The image was created by visual artist B.G. Madden.

More on this 461st weekly Disquiet Junto project, Goldilocks Zone (The Assignment: Navigate a sonic space between the hospitable and the inhospitable), at:

https://disquiet.com/0461/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Nass [Disquiet0461]

We tend to believe that the end is near. Tempted we are to raise sails on the seas. We see the moon and it bleeds. Crimson tears wetting our lips. And we drink until nightfall. We wake up and are still here. We must survive.

This album is a constellation of recordings made over the past two years. These tracks were not going to be published, however, they could accompany them in this time of confinement. They have been recordings that will finally see the light after being hidden for a long time. I hope that they can generate something inside each of you.

Thank you for your support.
Feel free to share the album with everyone.
Much love:
Tarme Til Alle

Dedicated to: Ezra Ailec
credits
released November 3, 2020

Composed, recorded and mixed by: Tarme Til Alle
Mastered by: Roberto Quezada
Cover by: Roberto Quezada
license
all rights reserved

Blood Moon Prophecy

Dark Fields

Available on:
Spotify: https://open.spotify.com/track/4r716ghUu58n50clMQKv4W
Apple Music: https://music.apple.com/tr/album/subdued-single/1553152661
Bandcamp: https://orix.bandcamp.com/

Am I everything you want from me
Tell me what am I supposed to be
Only want you to be proud of me

Try my best not to be insecure
Hold my breath but I am never sure
All the lines I’ve drawn between have blurred

Falling out of focus
Falling out

When will I let myself love you?
Before you move on

Lyrics written by Hayden Casey
Produced and mixed by Orix

Doppelgänger (Sadistica in the Black Lodge)

Coph Nia

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