Nice to hear a pleasant soft tone. far east thx for posting this!!!!😆😍

Very pleasant to listen... sonorities very typical.

Lovely ambience and sounds!Realaxing! I love Ryuichi Sakamoto too!!

Excellent sense of space on this track man, love the way it progresses as well...Asian influence is a nice touch!

This piece was inspired by the sound I have used for the bassline.
This was downloaded from Freesound.org. Many thanks to johnnypanic for creating and uploading this sound:
https://freesound.org/people/johnnypanic/sounds/560207/

Omi Nous

The Head on the Door, released in 1985, brought back temporarily exiled bassist Simon Gallup, expanded the lineup to a five-piece, and resurrected some of the gothic gloom of the early '80s Cure without dispensing with the band's since-cultivated pop smarts. The result was the crystallization of the classic Cure sound, a sound the group would conquer '80s suburbia with. “A Night Like This” could be offered up as a prime example of what the Cures is perceived to be by the general public: dour, tragic, and oppressively distraught. One of Robert Smith's most powerful romantic laments, there's a violent undercurrent to the music that adds extra bite to his rueful words.

Robert Smith – vocals, guitars, keyboards, production
Lol Tolhurst – keyboards
Porl Thompson – guitars, keyboards
Simon Gallup – bass guitar
Boris Williams – drums, percussion
Ron Howe – saxophone 
________________________________________
Vocals, guitars, bass, keyboards, drum programming, mixing and mastering by Kristhian "Gufastro" Mason - 04-2022.
________________________________________

A NIGHT LIKE THIS

Say goodbye on a night like this
If it's the last thing we ever do
You never looked as lost as this
Sometimes it doesn't even look like you
It goes dark, (it goes) darker, still
Please stay
But I watch you like I'm made of stone
As you walk away

I'm coming to find you, if it takes me all night
A witch hunt for another girl
For always and ever is always for you
Your trust, the most gorgeously stupid thing I ever cut in the world

Say hello on a day like today
Say it every time you move
The way that you look at me now
Makes me wish I was you
It goes deep, (it goes) deeper, still
This touch
And the smile and the shake of your head
And the smile and the shake of your head

Im coming to find you, if it takes me all night
Can't stand here like this anymore
For always and ever is always for you
I want it to be perfect as before

Oh ho ho, I want to change it all
Oh ho ho, I want to change

Im coming to find you, if it takes me all night
Can't stand here like this anymore
For always and ever is always for you
I want it to be perfect, as before

Oh ho ho, I want to change it all
Oh ho ho, I want to change
Oh ho ho, I want to change it all
Oh ho ho, I want to change

A Night Like This

A Night Like This (The Cure Cover)

The Vociferous Mapping Of Your Unlikely Future
 https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums/Voice 
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone/Voice
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice


Hacho, Lola, Neska, Senna, and Yoda  - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Conducts A Small Ensemble Of Drably Coloured Sex Toys (Orchestral Dog Mix)

In Memory Of Love Boris Brejcha (Original Mix)

A relaxing, meditative minimalist experiment, with sounds coming from a Roland D-20 and a Yamaha TG100.
After buying the TG100 in the 90's, I wanted to hear how well its sounds would mix with the ones from the D-20; inspired at the time by Claudio Simonetti and the Goblin's music, Far East is the result.

Artwork based on this photo:
http://www.fotopedia.com/items/jmhullot-E9wDvZycxNE

CC-BY 3.0
Jean-Marie Hullot
http://www.fotopedia.com/users/jmhullot

Far East

Oi Josuke it’s Tonio Trussardi and his Italian Restaurant!!!

Italian restaurant-JoJo (pt4)

Ad free stream and download
www.mathematicianrecords.com/udep
Spotify
https://open.spotify.com/album/2rLYp0lwyccjZ5CRt0l1s4?si=z_ZwhynMR7iAuwLHjvDU9Q

Artist: Uroboros Dream.
Album: Non-Quality Piece of Improvisation.
Genre: Instrumental.

Uroboros Dream is

Sergey Egorov - Producer, Guitar
Anton Kukharenko - Guitar, Bass Guitar

​Released December 7, 2020.

​EP was produced by Uroboros Dream.
© Mathematician Records 2020. All rights reserved.

Non-Quality Piece of Improvisation

Smooth Mood

SOUSAPHUNK LIVE
João Sousa: Drums
Leonel Cardoso: S.Sax, E.Flute, E.Bass, E.Piano, Perc.
https://soundcloud.com/joaoaclopesms
https://soundcloud.com/joaomsousa

SOUSAPHUNK

"Killing in the Name" is a protest song by American rock band Rage Against the Machine, featured on their self-titled debut album, and was released as the lead single from the album in November 1992.

Written about revolution against racism and authority abuse of power, "Killing in the Name" is widely recognized as the band's signature song.

In memory of George Floyd and all the victims of the cops worldwide. 

Guitars, Bass, Vocals, Drum programming, Recording and Mixing by Kristhian Mason 02-2021. 
Solo performed by Luca Franzolini. 
Video:  https://www.youtube.com/watch?v=8KhD5n1-XIg

All rights belong to the legal owner of the song.
Original song by Rage Against The Machine:
Zack de la Rocha – vocals, leads
Tom Morello – guitar
Tim Commerford – bass guitar, backing vocals
Brad Wilk – drums

___________________________________________________

KILLING IN THE NAME OF

Killing in the name of

Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Ugh!

Killing in the name of
Killing in the name of

And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
Well, now you do what they told ya 
 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Ugh! 
 
Killing in the name of 
Killing in the name of 
 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Come on! 
 
[Guitar Solo] 
Ugh! 
Yeah! 
Come on! 
Ugh! 
 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Motherfucker! 
Ugh!

Killing in the name (Rage Against The Machine - Cover)

Produced by Iris Dee Jay 
Vocals & Lyrics by Heni Lasut
All Rights Reserved 2021

Lyrics ~ dedicated to my mom <3 R.I.P.

I’m sitting here alone in the dark
I stop perceiving
and my mind is slowly leaving this world
I don't want to hear any words
Still the same words that hurt
All these things seem to be  our illusions and ideas
They can never be fulfilled

Iris Dee Jay ft. Heni Lasut - Out Of The Dark (Chill Trance Mix)

Exploring music and sound possibilities on Linux. The search for software that can make me appear talented has failed so far; oh well... O:-)

...what software can't do, people can: collaborations!

A very special mention to @rachel-gaskin-whitrod (also known as InterStella-Moonbeam, and .~ReD~. at the time) for my first SC collab,
and to @Yugin83 for my first SC collab in Italian

How big will this collab list become? For now, let's start with...

@ian-melvin
@ArcelliA
@fivosvalachis
@scienceteheran
@pios-hausmusik
@angelo-annicchiarico-1
@pierrou
@alock-4
@jaime0223
@januschb
@mrinal-desai
@ice-requiem
@ilaria-brovini
@gli-angelisalvatori
@salvatorenuccio
@alienized
@marin-gale
@fingerstyle_guitar
@discratebye
@jackwm
@lum-9
@user-923223956
@dj-rubberman
@telefan
@dm-tribute-friends
@lionliing-2
@jojo2017
@no-mates-ensemble
@alpha-roots

And how not to mention the other artists involved in those collaborations although I didn't work directly with them?
@milanazilnik
@stephanfischer-1
@cindyeichardt
@tonybluestone
@chris-wiggs
@jean-michel-george
@suzukikiso
@aida-kaly
@elleshell8
@domenico-crispino-1

Some of my tracks are now featured in compilations by a daring and experimental producer: @kutmusic

Far East

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