RADIO 80000 MIX 22ND JULY 22

Javi no necesita presentación, pero para quien no lo conozca nombrar su diferentes facetas como coleccionista de vinilo, activista a través de diferentes medios como la radio con el programa Fetén en Relativa.
Sus gustos musicales son eclécticos pasando por estilos como jazz fusión, canción de autor, sonidos experimentales recopilados en ocasiones para la sublime serie "América Invertida". 
Para esta ocasión se ha dejado llevar por una selección dirigida a la que podría ser la pista de una Discoteca de Chicago en los años 90, ahora solo queda cerrar los ojos y dejarse llevar.

https://www.instagram.com/javi.bayo/
https://linktr.ee/javibayo
https://radiorelativa.eu/archive/?_sf_s=fet%C3%A9n

Javi Bayo - Discoteca Podcast 107

Out now on Bandcamp

℗+© 2023 Tears 
Copyright control 
Artwork by Planet Luke 
TS007D

One Day

Out Now on Bandcamp

℗+© 2023 Tears 
Copyright control 
Artwork by Planet Luke 
TS007D

Here To Go

Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made. But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s (@s_w_z_k) 'Snowboarding in Argentina' is one such record.

The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.

The core of 'Snowboarding in Argentina' appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.

A quarter century later, 'Snowboarding in Argentina' sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.

Long since been deemed a classic, 'Snowboarding in Argentina' remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.

https://swayzak.bandcamp.com/album/snowboarding-in-argentina-25th-anniversary-edition

Snowboarding in Argentina (25th Anniversary Edition)

Swayzak - Snowboarding in Argentina (25th Anniversary Edition) [LPS-PS13]

Sobremesa w/ Moral Laxa feat. Mazzacles - 20.08.23

Tracks played Live:
1Acid House Planet
2NeuroticPhunk
3Die Türen - Miete Strom Gas (Thee Church Ov Acid House Remix)
4Theme
5Glow
6Thunder
7Coming Home
8Surprise
9Rave Mantra

Thee Church Ov Acid House - LIVE ( Pudel Rave, Übel & Gefährlich Hamburg 25.08.23 )

https://soundcloud.com/jad-lee

Huerta - Deez Things
Spirit Of Sundaze Ensemble - Come Into My Life
Simon Mavin - Only You & Me
Remotif - 3am In The Mobious Strip (Youandewan Remix)
Clevland - PrydBK
Abdul Raeva - Hyperelastic
Surprise Chef - Friendship Theme
Joe Howe - Neoprene Chukka (Vibram Upgrade)
Loz Goddard - Are We Ever Leaving Here (OCB Remix)
Not Even Noticed - Don't You Dare
Squdgenini - All The Way
Baalti - Buttons
Velvet Velour - Hard 2 Explain
Lord Of The Isles - Poly Ballad
Abel - Being Lonely

Episode 185 Part A w/ Jad & The

Some Things 2 Believe

Will Long - That's What They Understand (Sprinkles Overdub)
Buy vinyl -https://www.comatonse.com/releases/c026/index.html
Pulled from mix - https://soundcloud.com/timsweeney/andrasfox

Will Long Thats What They Understand (Sprinkles Overdub)

Eirwud Mudwasser - SNAKER 010

A1. Hiccup
A2. Hahahaha So Sad
A3. Crazy Lilo
A4. Drum Machine Circle
A5. Martyn Drums

B1. Treewalkers Cradle Song
B2. Snails
B3. Italy Sirens
B4. DX Cola
B5. Don't Spill Wine (On The DX)
B6. Sabat

Artwork: Masato Mori

Release Date: April 2019

@eirwud-mudwasser

Here To Go

CORAL D

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