Oh those happy monster eating sounds are wonderful!

wash of looping sampled ambience

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More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

disquiet0591 - patchouli wash

Sorry!! Too boingey, noisey and random!! Sounds like a broken arcade game ...

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

More on this 615th weekly Disquiet Junto project, Introspective Failure (The Assignment: Fall short again, this time on purpose), at: https://disquiet.com/0615/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0615-introspective-failure/

more halF unusuaL

halF failurE [disquiet0615]

I recorded a track, then played it through a Bluetooth receiver at the limit of its transmission range. I also recorded the EMF around the receiver, while playing the same track at distance. 

The three tracks were merged, using vocoders, and AudioThing's Motor to help add some musicality to the broken Bluetooth track.
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More on this 623rd weekly Disquiet Junto project, Kinda Bluetooth (The Assignment: Experiment with the sonic qualities of a failing signal), at: https://disquiet.com/0623/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0623-kinda-bluetooth/

mia (disquiet0623)

I rolled a dice, the number was one. Next, I chose AI as my „instrument“.

The guys at Output (known for their lovely VSTs) are heavily invested into AI generated music. You write a prompt, and the engine come back with a whole sample pack in the style you asked for, and not just some stems.

While most music AI isn’t very convincing, I really started to like what they threw back at me. It was more versatile and musical than the other tools I’ve tried so far. Not everything is on point, but they’re plenty of „happy little accidents“, so you get a lot of useful material. And it’s currently for free. And no, I’m not affiliated with them in any way.

So I gave the engine a single prompt „Disturbing experimental session in the style of Mingus, 34 BPM, with chainsaws, bass, distorted guitar and metal objects.“ I used only the samples the AI engine provided without re-pitching, tweaking or even tuning them. Also, no effects were used.

***

Disquiet Junto Project 0630: Creative Sufficiency

The Assignment: Count your tools in advance of employing them.

This project was proposed by Alex (aka XHG) from Switzerland, who also drew the cover image.

Step 1: The first thing to do is to set a limit. Specifically, you will determine — in advance — how many pieces of equipment or software you will need to produce and record a satisfactory piece of music. Think through what you want to record and what it might take.

Step 2: Now, decide upon a suitable number of items. It is suggested to count DAWs or AU-hosts and each used plugin individually (e.g., the iOS/iPadOS app AUM plus 3 Audio Units = 4 items). In advance of recording, count each piece of equipment and/or software you intend to use for recording. Come up with a total number.

Step 3: Now, produce a piece of music using the amount of equipment you decided on in Step 2. You can use fewer pieces of equipment but no more.

Option: Add a short description to your track. Describe your thinking from Step 1, your equipment from Step 2, and perhaps your experience with the process.

(...)

More on this 630th weekly Disquiet Junto project, Creative Sufficiency — The Assignment: Count your tools in advance of employing them — at: https://disquiet.com/0630/

This project was proposed by Alex (aka XHG) from Switzerland, who also drew the cover image.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0630-creative-sufficiency/

Mingus Chainsaw [disquiet0630]

A nice prompt!

I started with a 4-second, mid-heavy ambience loop you hear at the start. Everything else is made from this one loop… so it was a plug-fest.

I used Micron Cascade for granular reverb, eFx Motion for, well, motion, Q-3 for EQing, Portal for granular madness, Mf-105S Murf for movement, Neutron for overall balance, and a transient designer to get some drumlike sounds.

There’s not much going on, so 1:20 felt long enough.

* * * 
Disquiet Junto Project 0631: In a Silent Waveform

The Assignment: Take one held tone and make it dance slowly.

There is just one step to this project: Take one held tone and make it dance slowly.

As with any Junto project, interpret as you see fit.

Seven Important Steps When Your Track Is Done:

Step 1: Include “disquiet0631” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0631” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, February 5, 2024, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 1, 2024.

(...)

More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

Der Springende Punkt [disquiet0631]

The prompt for Disquiet Junto 0632, "Shear Wind", instructed us to take that awful wind-blowing-across-the-microphone sound and make it useful.

I live in a notoriously wind-swept city and the weather was cooperative, so I recorded several minutes of wind shear in my back yard with a stereo field recorder. I brought the recording into my DAW on three tracks, one reversed, and executed some glitch maneuvers to make them rhythmic. On top of everything is a Cmaj7 drone using a few layers of custom sampler instruments.

REMEMBER: Headphones are antennae, like an insect's, that pick up the thoughts of the composer.

More about this week's Disquiet Junto: https://disquiet.com/0632/

Recorded at NOSIGNAL Multimedia Labs, The Shambles

Disquiet Junto

A Picnic on a Cliff (disquiet0632)

This track is an asynchronous collaboration with @torstengoerke in the Disquiet Junto Project (details see below): Torsten Goerke published the wonderful guitar track https://soundcloud.com/torstengoerke/jolanaparticleverb-disquiet0636, and now I improvised on the Hohner Organetta to his beautiful chords.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Printemps Fleuri [with Torsten Goerke] (Disquiet0637)

A collaboration for Disquiet Junto. I based my track on week 2's track by @undermulden and @encym. I played some chords and synth arps from my Deluge in some of the spaces, while trying to maintain the sparse ambient feel of the originals.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Orderly Disorder By Encym & Undermulden & Alanblip - Disquiet0638

sound art for disquiet0639

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

semantic soundscape [raincat remix] DeDe_euclidian_undermulden (disquiet0639remix)

Disquiet Junto prompt #0644 (Event Horizon) asked us to record music for a party that we'd like to attend. Everybody loves puppets, even when they're dead, so what could be more fun than a funeral party for a marionette?

This is more of an arrangement than a composition. Its basis is "Funeral March for a Marionette" by composer Charles Gounod, made famous as the theme music for "Alfred Hitchcock Presents". The vague voicings and absurd amounts of reverb are intended to evoke a nightmarish mood. The percussion recalls the clicking of articulated wooden joints, and are those shouts in the distance?

This horrifying pastiche is best appreciated with headphones.

Recorded and produced at NO SIGNAL Multimedia Labs, The Shambles, Chicago.

More about Disquiet Junto: https://disquiet.com/0644

Geppetto Regrets (disquiet0644)

The Void

Coraline Ada Ehmke composes, records, and produces original and experiential post-punk. experimental, and genre-fluid music from her NOSIGNAL studio in Chicago.

A Picnic on a Cliff (disquiet0632)

Coraline Ada Ehmke

Recent comments

Jimmy Lem

xhg

Petrus Major

Petrus Major

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