Name: I've Been Deleting Your Texts by Coraline Ada Ehmke
Duration: 4 min 4 s
Description: A fun little thing I've been working on. I took an old poem and read it over a spooky Moog Minitaur bass groove. Analog synth goodness.

Love me, love me, love me, say you do Let me fly away with you

Ronrocos (x4), orchestral soundscapes.
for this haiku:

Under the twilight sky
light shimmering on the pond —
swallows in autumn

by Dakotsu Iida
Photo by Aron Gestsson

naviarhaiku595

Under the twilight sky (naviarhaiku595)

Looping noise drone, all iPad , 
:) 

Created in response to: 

Disquiet Junto Project 0700: View Frame
The Assignment: Share the view and some sounds inspired by the view.

Step 1: Take a photo out your window, with a little bit of the frame in view. Show people a glimpse of your world.

Step 2: Record a short, simple piece of music inspired (or otherwise informed) by what you see.

…

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/


id_23 -Disquiet700 - view frame - view from a window -disquiet0700

view_finder_disquiet0700

Disquiet Junto Project 0705: Book Start
The Assignment: Let the beginning of a book help you begin a new piece of music.

For this assignment i read the first page of The Chukchi Bible by Yuri Rytkheu.

The Chukchi Bible is a collection of the myths and tales of Yuri Rytkheu’s own shaman father. The stories compose both a moving history of the Chukchi people who inhabit the shores of the Bering Sea, and a beautiful cautionary tale.

This book is a beautiful example for the guiding power of magic places, even when visited via reading.

In the track a field recording of rain in the night is added, recorded in Nunligran/Chukotka and published in the Public Domain on aporee.org: https://aporee.org/maps/?loc=61870&m=satellite


More on the 705th weekly Disquiet Junto project at https://disquiet.com/0705/.

Chukotka [disquiet0705]

An old demo, never finished, belonging to a different time...
Rescued from oblivion. 
Three electric basses (main Drake Custom5, fretless melody, harmonic sequence)
Fender Rhodes
Drum beat (Roland TR808)
Synth (Oberheim OBX)
Performed by DD Paris around  2012-13
Mixed today, July 14th 2025


Anachronico

This is a rough version of a track I'm working on, which will be on my new album (no name yet). I'm hoping to release the album end of 2025, beginning 2026 (if the world of men will still exist :D). Still a lot of work on this track, and the album as a whole. Figured it would be nice to share with you guys already, as a work in progress. Let me know what you think, all input is appreciated!!

Bandcamp

Word has it (w.i.p.)

I dreamed about this song. All I knew was the title and that it was being released on a compilation of experimental music. The dream seemed auspicious. I needed to bring this dream song into waking.

Meseofa

Improvisation on fretless acoustic bass guitar with piezo pickup, effect pedals (Carcosa - Dark Star - Obscura), non synchronized loops, three amps. Recorded in the room with Zoom H2n, edited in Audacity. All sounds made with the instrument. All sounds, mixing and production: Velvet Something Superdark. Image: VSS.
Another Dark Flower: https://soundcloud.com/velvetsomethingsuperdark/another-dark-flower

Dark Flower

A fun little thing I've been working on. I took an old poem and read it over a spooky Moog Minitaur bass groove. Analog synth goodness.

I've Been Deleting Your Texts

Disquiet Junto Project 0711: Show & Tell &
The Assignment: Share some recent music; get and give feedback

I have been working on a project: making a sort of mashup of sketches I’ve made over the last few years when away from home. I’ve made these on holidays, or when visiting friends: at times when I don’t have my usual music setup, but can do some noodling and experimenting, using music apps on a tablet and sometimes using a small semi-modular synth.
Since some of these sketches/fragments have nice sounds, or patterns, or themes, I thought I might select a bunch of them that I like, see if some match with respect to rhythm, tempo, tonality, vibe, and then see if I could maybe combine them into a longer piece (adding some extra parts or transitions as needed.

So this is a slightly edited version of a work in progress. Given the amount of material I have, the end result might be something like 3 different pieces that each are between 12 and 20 minutes long. We'll see...

I’m curious how you experience this. 
It will inevitably be, as a result of the process, a somewhat fragmented piece, consisting of bits that were not intended to fit together. Does it feel totally disjointed, like loose sand, random bits that do not gel? Or is it something of a musical journey (as I hope it might be). Would you like to stay a bit longer in the different segments? Or did you feel impatient to move on? Is it nice if some sounds or patterns or themes recur later on?

More on the 711th weekly Disquiet Junto project, Show & Tell & — The Assignment: Share some recent music; get and give feedback — at https://disquiet.com/0711/.


Some sketches (disquiet0711)

I create original experiential music from NOSIGNAL Multimedia Lab in Chicago. The Hard Times described my music as "creepy, haunted, but also a little bit uplifting." Prolific.

I've Been Deleting Your Texts

Coraline Ada Ehmke

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