Hi, It think this is a pretty remarkable attempt at freeing the Moog from its nostalgic connections. Of all the synths this one is so tied to some fixed timezones for many people. For me , how you have gently built up harmonic texture and used sparsness for the melody gives it a more contemporary feel - no wacky pitch shidts/portmento etc.. Really thoughtful  work

A great combination of dreamy ambience and a hint of brooding darkness! I appreciate how you sculpted the Moog to render a tone that strikes me as both melancholic and hopeful. As for suggestions, maybe a few instances of "static" or "noise," - something to momentarily interrupt the dream. Could be muttered voices, granualized samples, whispers.... Anything with a bit of subdued edge.

Maybe you don't need to worry about the retro connection? I like that it takes me back to some of the 70's psychedelic electronic stuff. While also being not that. The opening textures remind me of a noise duo I was part of years ago. Still have hearing loss...but I can imagine how this piece would be awesome super amplified with good some subsonics that really grab the bones. Also super cinematic. I dig it.

Disquiet Junto Project 0711: Show & Tell &

The Assignment: Share some recent music; get and give feedback

Step 1: Choose a track/composition you’re working on. Share the recording on the Lines forum on the llllllll.co discussion thread at:

https://llllllll.co/t/disquiet-junto-project-0711-show-tell

Step 2: When posting the track, mention that you’re looking for feedback, describe what you’ve been up to on the track, and if applicable specify some aspects of the recording you might want input on.

Deadline: Monday, August 18, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0711

Disquiet Junto Project 0711: Show & Tell &

The 6th solo album from Takahiro Kido, a music composer who is also a member of Anoice.

INSOMNIA

mirage

BandCamp

mirage (Anoice / Takahiro Kido 'INSOMNIA')

Live improvisation - hardware synths. No AI but pure RHI

In what century?

Added some to Marco's track: https://soundcloud.com/musichevirtuali/sets/the-golden-eternity-remix
Thank you for the opportunity, https://soundcloud.com/marcolucchi

Marco Lucchi - Agnostura Elwar: Re-eternity

arilomus

thousweve_01

This is an experiment with a Buchla 100 system that I recently built. Everything you hear is generated by the Buchla and fed through a spring reverb and then mixed live on a Tascam recorder to emulate the experience of recording directly to tape.

disquiet0711

Disquiet Junto Project 0711: Show & Tell &
The Assignment: Share some recent music; get and give feedback

I have been working on a project: making a sort of mashup of sketches I’ve made over the last few years when away from home. I’ve made these on holidays, or when visiting friends: at times when I don’t have my usual music setup, but can do some noodling and experimenting, using music apps on a tablet and sometimes using a small semi-modular synth.
Since some of these sketches/fragments have nice sounds, or patterns, or themes, I thought I might select a bunch of them that I like, see if some match with respect to rhythm, tempo, tonality, vibe, and then see if I could maybe combine them into a longer piece (adding some extra parts or transitions as needed.

So this is a slightly edited version of a work in progress. Given the amount of material I have, the end result might be something like 3 different pieces that each are between 12 and 20 minutes long. We'll see...

I’m curious how you experience this. 
It will inevitably be, as a result of the process, a somewhat fragmented piece, consisting of bits that were not intended to fit together. Does it feel totally disjointed, like loose sand, random bits that do not gel? Or is it something of a musical journey (as I hope it might be). Would you like to stay a bit longer in the different segments? Or did you feel impatient to move on? Is it nice if some sounds or patterns or themes recur later on?

More on the 711th weekly Disquiet Junto project, Show & Tell & — The Assignment: Share some recent music; get and give feedback — at https://disquiet.com/0711/.


Some sketches (disquiet0711)

Something I've been trying to do with my vintage synths is to recontextualize them as contemporary sounds rather than throwbacks. In this piece for example, I wanted to use the Moog, and have it sound like a Moog, but without feeling retro or nostalgic. And that's what I'm most interested in hearing from you: how it's landing for you and ideas for what I might do to meet my aesthetic goal of preserving the unique voice of the instrument, without situating its sound in an earlier era?

This piece was posted in response to Disquiet Junto #0711. More on the 711th weekly Disquiet Junto project, Show & Tell & — The Assignment: Share some recent music; get and give feedback — at https://disquiet.com/0711/.

Tethys (disquiet0711)

My track notes regarding the creation of this track can be found here:

[Disquiet Junto 0711] The Shape Of Honey (draft)

# Disquiet0711

Interlude 1 is my first sketch for an interlude within a ≈ 40 minute piece about the cosmos. It seems like maybe the piece is too thick, but I want to get it out and move on and come back to revisit it after I get all the other pieces in place.

I used Sound Particles to create a few background textures and then decided to improvise a synth bass sound, and then a synth flute, and a brief plucked string sound, all from the Roli Equator software synth. 

I added some delay chaos to the recordings with plug-ins from Valhalla, GRM, and some Tai Chi reverb.

Then in Pro Tools I cut and moved the separately improvised tracks into a composition that tries to capture the vibe while I was performing. 

All the tracks were recorded and mixed in 7.0.2 for this piece. For SoundCloud and your listening convenience I converted the surround sound piece to binuaral with APL Virtuoso. I always have trouble with binaural. It doesn't accurately convey the full spatial quality of the immersive mix as it is supposed to do.

More on the 711th weekly Disquiet Junto project, Show & Tell & -- The Assignment: Share some recent music; get and give feedback -- at https://disquiet.com/0711/ 

Interlude 1 - Binaural disquiet0711

2025-08-14

night meeting

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " For G 4 for Guitars  "


credit :hohner g3t, ipad 9

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 20.08.2025
Bass Guitar :
https://www.youtube.com/watch?v=D1qlZol6LR4
Video Links :
https://www.youtube.com/watch?v=Kc4NBmmjaiM
https://www.youtube.com/watch?v=N0A5lMUAbOA

Junkjard Blue [ for Guitar ]

22Aug25
https://naviarlab.tumblr.com/post/792400312298323968/naviarhaiku607-winter-waterfall
😊

Winter waterfall [naviarhaiku607]

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Breathing Through Pulsars

AcapellaJam with Behringer Edge, finished in Ableton with Midi-drums, made out of the vocals and the edge-bassline. No loops, voice after voice..

dAbJazzn

I create original experiential music from NOSIGNAL Multimedia Lab in Chicago. The Hard Times described my music as "creepy, haunted, but also a little bit uplifting." Prolific.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Tethys (disquiet0711)

Coraline Ada Ehmke

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