Close Enough for Jazz

Close Enough For Jazz

Mathe - Dark Ambient 04 - 11 - 2024

Tribute from the flooded forest
0tumn - 2025

Mavis - Norns (as a delay) - organelle (as a looper): atmospheric deep forest soundscape
Tempera: choral pad and textures
Osmose - Mood (as a delay) - Tempera (as a grain delay): washed electric piano

Carpe diem, my friends!

Tribute from the flooded forest

Sundays

secret sauce

Of the lowest regard

A Mountain Field

Pixelated canopy
0tumn - 2025

Here is my track from the Turtle challenge of june driven by the Beetlecrabs' discord community.
One instrument, tempera or vector, must be used, no additional FX, no multi tracking.

This track was recorded using the tempera only and has been mastered with Ozone to get a valid amount of loudness.

Carpe diem, my friends

Pixelated canopy (TURTLE CHALLENGE)

Wooden pallet
0tumn - 2025

Tracks:
  1. Sunken grove
  2. Wood palace
  3. Pixelated canopy

Composed with the great Tempera (from Beetlecrab.audio)
With a little help of Ableton live 12
Mastered with Ozone (from Izotope)

Samples from Tempera's factory presets, Ableton's library and self generated (Organelle, old jam sessions, etc...).

Carpe diem, my friends!

Sunken grove

Wood palace

Lonely Winter

Munich Electronic music producer corbusier has been creating music since the late 80’s, working on machines like Akai’s legendary S900 12-Bit sampler back in the days and a load of analogue equipment of course. corbusier is also active as a DJ in Munich.
His tracks are breezing sound sculptures, atmospheric and dreamlike sound-ridings through unknown worlds, which inspire one’s fantasy and remind of film music – slowly evolving, hypnotic  – deep and poetic. Bass, soft pads and loops - mostly recorded on hardware instruments. These tracks encapsulate stiles like House, Deep House, EDM and Pop, although they do not fit in any of these genres. 
For Corbusier, electronic music is like a big playground. Come and take a journey through his beautiful mosaic of sound

secret sauce

corbusier

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