Corell - Under The Surface

info: https://radio.syg.ma/episodes/peripherie-07-igor-dyachenko
https://igordyachenko.bandcamp.com
https://soundcloud.com/igordyachenko

Peripherie

Peripherie 07 – Igor Dyachenko

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record, out now on 29 Speedway, summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

Sioux Falls

teotihuacan :: 11.09.2024

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

Kamran Sadeghi - Formula Fiction

https://s1.gifyu.com/images/SOyPk.gif
1 Gamajorba (intro edit)
2 Garret's Plea
3 Secret of Heather Ale (synthetic demo) (Robert Louis Stevenson)
4 Contentment (Thomas Paine)
5 The Old Priest (William Butler Yeats)
6 And If (Mihai Eminescu)
7 I Serve A Mistress (Anthony Munday)
8 Convalescent Crescent Groans 
9 Who Cares
10 Nervous
11 Here Comes a New Life 
12 Fate of Sakartvelo
13 Swanheart (Nightwish) 
14 I Fear Thy Kisses (Percy Bysshe Shelley)
15 Lies About Vietnam (Adrian Mitchell)
16 The Twin of Sleep (Robert Graves)
17 Addison’s Ode (Joseph Addison)
18 Blakehead Babyhead (Adrian Mitchell)
19 Friends Who Write, Draw and Carve (Christopher Logue) 
20 There Are No Millers Anymore (Edwin Arlington Robinson)
21 As Phantoms Go (Edwin Arlington Robinson)
22 The Initiation (Manly P Hall)
23 Life Is Not Easy 
24 I Only Ever Have Bad Ones

https://www.youtube.com/watch?v=LVqevCB1ZoI

The Initiation(0018)

https://soundcloud.com/kklofinkk

https://www.retreatradio.net/we-lie-low

Listen 24/7 at www.retreatradio.net

We Lie Low #23 w/ Klofink (13/10/24)

In the womb of an obscure cocoon, the essence of insects congeals in the unfathomable penumbra,  revealing, under the fatal embrace of hidden noises, the dismal lament of an existence doomed to oblivion.
This episode of Burrow of Music featuring Ad Aïra guides through the pain of insect metamorphosis. Their work musically explores fictional narratives inspired by mythology, biomimetics and ancient music notations.


Tracklist:

KMRU – Tor

LEON LOUDER – L’Envolée

YOSUKE TOKUNAGA — Le ngths

PIETU ARVOLA – Vetoinen Huone

ANS M – Hypogean

SOFIA OUYANG – Insects (I)

KHRYSTYNA KIRIK - Liniyï of dead flowers 1

HEKLA –  Sólin Gekk

UNCERTAIN – The Wounded and the Falling

PHARMAKON – Wither and Warp

UZHUR – Gamma

THE BUG – Battered (Curse of Addiction)

SALAC – Bask

英水帝江 YING SHUI DI JIANG– 萬蟲 Thousands of Insects

KATARINA GRYVUL – Vidsutni

BASAK GÜNAK – Wings

CAROLINE SHAW – To the Hands: No. 6. I Will Hold You (International Contemporary Ensemble)

MAYA SHENFIELD – A Guide For The Perplexed

CLARISSA CONNELLY – Wee Rosebud

Burrow Of Music - 01 - w/ Ad Aïra - 29.10.24

Cracks in the Void 741 Hz [Dark Nature Concept]

vinyl + digital out 9 April 2020

•
Ben Bondy – Suelti
exael – Papillion
Ben Bondy – Meridian
Ben Bondy & exael – Aphelion Lash
••
exael – Goldo
Ben Bondy – Spoke Through My Legs
Ben Bondy – Pilli
Ben Bondy & exael – Six Steppa

https://soundcloud.com/exael
https://soundcloud.com/benbondy
http://westmineral.ltd

Ben Bondy + exael – Aphelion Lash (OUEST092) [Preview]

Corell is a moniker of Roman Kutnov - producer, composer and sound artist. During the last decade he worked as a solo artist as well as being involved in collaborative projects ranging from indie-rock bands to improv and contemporary academic music collectives. Having an art background Roman works with artists, performers and choreographers providing music for multimedia installations, dance and theatrical performances.
In 2017 he started Corell - a cross-genre project with the focus on ambient and experimental music. In his works he attempts to find a distinctive sound through combining polymetric beats, atmospheres, textures, mutating and morphing loops and rhizomatic composition structures

Corell - Under The Surface

Corell

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