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Frac Sand Blues-Corey Koehler

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When the Rain

When the Wind Blows Softly

See You Smile

This is a song originally performed by the 80's band Violent Femmes. This one always fills the dance floor.

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Blister In The Sun (Violent Femmes Cover) - The Corey Koehler Band

This is a song originally performed by 90's band Seven Mary Three.

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Cumbersome (Seven Mary Three Cover) - The Corey Koehler Band

This is a song originally performed by the 80's band Modern English.

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Melt With You (Modern English Cover) - The Corey Koehler Band

This is a song originally done by folk artist John Martyn.

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Over The Hill (John Martyn Cover) - The Corey Koehler Band

Let's Take a Walk

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This is an ode to the working man. We spend so much time propping up celebrities and athletes but  completely forget the people working their ass off behind the scenes to make life easier for us in one way or another. 

Lyrics:
Eyelids feel like anvils in his sweat stained sheets
Another morning came too damn soon

And his rusty knees are creaking like his old box spring bed
Rising to the another week of sweat

And through the highs and lows
the only ones who ever know
are those brown boots and they’re wearing thin

If those boots could talk
tell of how he walked the walk
no complaints, no violins

Another day of busting ass a punching bag for the upper class
and those talking head whores that are bought and paid for

Invisible to a public eye hypnotized to only recognize
the spoon fed drama from an unreality show

And through the highs and lows
the only ones who ever know
are those brown boots and they’re wearing thin

If those boots could talk
tell of how he walked the walk
no complaints, no violins

He's walking on a treadmill with a hole in his pocket
how on earth can he ever get ahead

Without his old guitar, his better half and the local bar
He's dynamite waiting to explode

And through the highs and lows
the only ones who ever know
are those brown boots and they’re wearing thin

If those boots could talk
tell of how he walked the walk
no complaints, no violins

Brown Boots

Corey Koehler (pronounced KAY-ler) is a musician with an unending supply of goals for his music career and the ambition to follow through. The title of his first CD, Never Too Late, reflects Koehler’s own path to singing and songwriting. Around the age of 30, Koehler finally decided he wanted more than he could wean from a nine-to-five job. He picked up his guitar, which he hadn’t touched in years, and discovered not all was lost. Something about the music gave Koehler the fulfillment he was searching for.
Accidents Happen

His singing ability was an accidental discovery. Though he always enjoyed belting out songs along with the radio, it was his friends who encouraged this talent. Koehler would grab his guitar while sitting around a campfire to entertain an audience of friends. Compliments on his vocals became so frequent he started to believe maybe he possessed genuine talent.
Exploration

Koehler tried a succession of get-rich-quick schemes dreaming one would position him, financially, where he could devote the majority of his time to music. In retrospect, Koehler says that was the wrong decision. He now believes expending his energy on his musical abilities provides the greatest benefit and recommends the same to anyone with a talent of their own. He feels strongly that once a person begins exploring their talent, they find a more meaningful existence and are better able to positively influence the people around them.

Where The Music Comes From?

Koehler’s insight is present in the seven Americana originals in Never Too Late. Lyrically, his subject matter relates to anyone who finds themselves weary of monotony in the daily grind, inadequate in choosing words to express compassion over loss, and an active participant (eventually, anyway) in the failure of a relationship. Musically, he makes you want to raise a beer and toast yourself for making it this far.
Many Influences

Koehler is not committing himself solely to Americana. His influences stem from multiple genres, many of which he would like to try in the future. He considers himself a bit of a “music goat.” He has never been able to decide upon one genre and stick with it, so he decided it was unnecessary. Koehler arrived at the term “music goat,” he says, because a goat will eat anything. In the same fashion, Koehler will absorb all types of music without a preference for any one in particular. He also loves a hearty breakfast.

Bio by Jamison Lee

CoreyKoehlerMusic