Name: Daybreak 2 NaviarHaiku 495 by Corine Bicadeideias in haiku #495: bird polyphony – / treble, alto, tenor, bass, / Spring meadow concert
Duration: 4 min 41 s
Description: This track was created for Naviar Records in response to a haiku prompt.

Welcome back to Naviar! 🤗 Great track! 😊

I love the way the strings completely change the direction. Wonderful piece :)

Deadline: 5th July 2023

All submissions to Haiku 495:

https://www.naviarrecords.com/2023/06/28/naviarhaiku495-bird-polyphony/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #495: bird polyphony – / treble, alto, tenor, bass, / Spring meadow concert

The context of creation: 
a room where a shy sun shines 
for a few hours.
Isolation.
The winter.
Uncertain times.
Stretches of hours.
Tensions.
I look at a candle.
it redesigns its shape as it wears out.

I Am the one who fuels the fire
I am the one who consumes it
I am flame
Devoured by itself.

Its glow
Like a wound in the dark.

----------------------

new edit made in 8/03/2024

some sample are made by vocal messages from: Ugo Pisco Lùmaia

here's the following link on his page

https://soundcloud.com/12-days-for-a-new-way?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Tra La Fiamma E La Cera (cattedrali In Rovina)

Tra Fiamma E Cera (cattedrali In Rovina)

28Jun23

My naviarhaiku495 submission.
https://www.naviarrecords.com/2023/06/28/naviarhaiku495-bird-polyphony/
:D

Spring meadow concert [naviarhaiku495]

see accompanying visuals @ https://youtu.be/4bQZ3Gwerio

bird polyphony
– treble, alto, tenor, bass,
Spring meadow concert

Haiku by Raymond Cobley https://soundcloud.com/ray_cobley

Picture by EVGENIY KONEV https://unsplash.com/photos/YEcvdJ97Oig

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF polyphonY [naviarhaiku495]

This track was created for Naviar Records in response to a haiku prompt.

Daybreak

Daybreak  2 NaviarHaiku 495

Toy Piano
Slide guitars (Epiphone Sheraton)
Electric bass guitar
Synthesizer

For this haiku
bird polyphony
– treble, alto, tenor, bass,
Spring meadow concert


Music composed and performed by Daniel Diaz

Haiku by Raymond Cobley
Photo by Suzanne D. Williams

@naviar-records
@ray_cobley

different version of the same tune here:
https://soundcloud.com/daniel-diaz/early-morning-star

Spring Meadow - naviarhaiku495

This track was created for the Naviar Haiku group.
495
https://www.naviarrecords.com/2023/06/28/naviarhaiku495-bird-polyphony/

2023-06-29

Bird Polyphony  (Naviarhaiku 495)

This track is based quite literally on the text from the haiku... I used a dawn chorus recording I made earlier this year during springtime and gave it 4 stems in the partition. The top is the normal recording, then after a little time the 2nd stem comes in, with the same birds song pitched down. Then follow stems 3 and 4 later on, each more pitched down to complete treble, alto, tenor and bass. 
What originally sounded like a crisp dawn chorus here in the woods, slowly sounds like a deep Jurassic jungle...

Duuster - Dawn chorus scales (Haiku-495)

Jabuticaba - Bottomlessness

from
https://marcolucchi.bandcamp.com/album/primavera-incendiata
*
aprile 2024

Garrett Fisher, Marco Lucchi & *idematoa* - Primavera Incendiata

New Data_

Created on iPad with AUM, ButterSynth, Nerd Synth, Kronecker, Space Craft, Fugue Machine, Weeping Wall, DLYM, Eos 2, Eventide Blackhole, Wider, mLFO, Kajita, Yukawa
Mixed and mastered in Cubase 13 and Ozone 10

Inspired by Naviar Haiku 536:
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/

Photo by zenbytes (2017, Palatine Forest, Germany)

Dedicated to John Hinks aka FlownBlue

until darkness falls - for John Hinks - Naviarhaiku 536

Tall, wide-arching trees
Assume a cathedral shape
Until darkness falls

by: John Hinks

Omeostasi - Naviarhaiku536

Recorded, mixed and mastered on 25 Apr 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. This was also Day 1364 of the 100 Day Project.

Process notes - 

I first thought of scraping my iPhone against a stone. Then, I free-associated “stone” with “pizza stone” and then “LP.” Right after that I thought to capture some LP surface noise, and came right around to using one of Yoko’s albums…so…not the music but the physical object. I looked around my landlady’s backyard and found a slightly mysterious pile of stones and I was off.

I made 2 sets of four short recordings. Mid-way, I decided to get "elemental" with it, too.

- Two recordings were outdoor "air" recordings, including some dogs.
- One other recording was scraping my iPhone against a stack of stones.
- Indoors, I recorded the kitchen sink (water, and yes everything including the kitchen sink) and also lighting matches I keep for my barbecue (fire).
- The second set of recordings was of the inner groove noise from my copy of Yoko's Fly double album. The last recording included switching briefly to the radio (white noise) and then my own struggling to get the two disks back into the jacket.

For this, I used similar methods, (and an Ableton Live template), I’d used for Disquiet Juntos 0530, 0605, 0606, 0609 & 0616, all which reference “minimally viable music” as we did in 0530, my first Junto. This included many Ableton Live effects devices and some Max for Live devices by Amazing Noises.

For what it is is worth, Junto 0530 also was the genesis of this album - [Something That Once Was (Free)](https://music.blisterpop.com/album/something-that-once-was-free). Eventually, this piece and 0605, 0606, 0609 & 0616 will all be worked into the follow-up.

©2024 Jim Lemanowicz

Artwork: 31 Mar 2017, April Fool’s holiday in Boston. MA, USA, near Old Atlantic Ave and State St. 

---

This original version of “Come Fly With Us” was submitted as part of Disquiet Junto Project 0643: Stone Out of Focus. The Assignment: Make music inspired by a poem.

More on the Disquiet Junto at: [disquiet.com/junto/](http://disquiet.com/junto/)

Subscribe to project announcements here: [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)

More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/

This week’s project is based on a text by Yoko Ono, originally published in her book *Grapefruit,* 60 years ago, back in 1964.

Come Fly With Us (disquiet0643)

VERY excited to be featuring the brand new Sumu (early access) instrument in this track, from the amazing Madrona Labs! It's been a bit of a wait, but, as expected, there are no half measures. It sounds wonderful and there's SO much scope for sonic play! This is the first little thing I got out of it after a little tweaking fun ... There are two instances of Sumu, playing bass and lead …

@madronalabs

heat in waves ̶
in the stones
angry reverberations

Katō Kyōtai was a poet from Nagoya who entered the world of haikai in 1759. His work shares with Buson a careful observation, not just of nature itself, but also of the complex emotions and reactions that characterize human existence.

haiku by Katō Kyōtai

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF heaT [naviarhaiku541]

July 8, 2024

Lyrics: Hah ah hah hah hah...

HAH_AH_HAH

14Jul24

https://soundcloud.com/stan_magendanz/sets/soundscape-experiments

:D

Soundscape Experiment #110

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Animal and nature lover, writer, haiku poet, visual artist, photographer, micro-publisher, dancer, and street-dog advocate. Corine is the creator and publisher of the Chinese zodiac haiku series of anthologies. If you enjoy her music and want to donate towards street-dog care and sterilization in Faro, Portugal, your contribution is welcome and will be put to good use.   She lives in the countryside in Portugal.

Corine had formal music lessons in recorder and piano when she was little but stopped when she was thirteen. She has always been in love with dancing, including ballroom. Due to the fact that she has lived in various countries she carries a little of each one with her wherever she is, including musical influences. For that reason her compositions can be classified as eclectic.

Daybreak 2 NaviarHaiku 495

Corine Bicadeideias

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