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@tunnelvisions1 return to their home label @Atomnation for a fourth fantastic release in the last three years. This six track excursion builds on the pair's warm, richly melodic and always hypnotic style with fantastically colourful results.

atomnation.bandcamp.com/album/end-of-time

Tunnelvisions is Emiel van den Dungen and Raynor de Groot. Both artists keep busy with their own solo projects (Milio and Coloray respectively) but continue to find fascinating middle ground when they come together in the studio. 2020 saw them step out on Moscoman's Disco Halal and Solomun's Diynamic, while they have also been remixed to great effect with influential DJs like Dixon and Tale Of Us playing the results. Now, though, they are back on Atomnation with another superb collection of cuts.

The undulating 'Acid Neverland' opens up with its succulent and supple drums overlaid with heavenly chords and glowing pads. Coloray's vocals are then layered in to bring some drive and attitude to this most compelling of tracks. 'King Cobra' is a dubby delight. Its airy hi hats, bulbous bass notes and tripped out melodic motifs all sinking you into a trance.

There is more angst and energy to the malfunctioning melodies and steel-plated drums of 'Mirrored Identities' while 'Waiting For The Morning' is a perfect dreamscape. It's a super widescreen track with deft pads coming in and out of focus, glistening melodies reflecting light and pulsing drums locking you in. 'Private XS' flips the vibe with more drawn out and sinewy synths gurgling and bubbling away as they ride up and down the scale like a slow motion cosmic explosion. Last but not least, 'End of Time' has the most pop hooks and catchy riffs of the lot. They dart about the mix as smeared pads and crunchy, punchy drums encourage you to cut loose.

This is another masterfully cohesive collection of colourful dance floor cuts that take in pop, techno and synth music and skew them the unique lens of Tunnelvisions.

End of Time

Tunnelvisions - Acid Neverland

'Veluw,' which was written in a cabin in De Veluwe, a vast forest in the Netherlands which had a clear impact on the sounds. Streams of lush melody, harmonic bell sounds and subtle clicks all unfold in loose yet elegant fashion up top and slowly but surely lock you in a trance. Sweeping strings add scale and bring plenty of positive emotions.

Milio - Veluw

Digital: 
Beatport: http://btprt.dj/1qOLxXr
iTunes: http://bit.ly/1jeSMCT
Juno Download: http://bit.ly/1oHsY5D

12":
decks:  http://bit.ly/ROsm03
Juno Records: http://bit.ly/1jLT9QX
Deejay: http://bit.ly/1sKc0kT

Poker Flat Recordings welcomes back the ever-prolific Alex Niggemann for another speaker-troubling dispatch. This time out, the Aoen and Soulfooled boss drops a hea- vy–duty release that more than lives up to his usual high standards.
'Materium' is epic in every sense of the word- a sprawling, tough journey into analog tech- no – with a dash of house thrown in. It rips through the speakers – the crisp and aggres- sive production provides the space for grow- ling synths and atmospheric, tense pads. What’s more, the whole track audaciously dissolves into silence mid way through – be- fore exploding back into life via a descending analog synth line.

Beatport

Alex Niggemann - Materium

Feliz Contigo

Vinyl: bit.ly/2ruN381
Digital: bit.ly/2s4njy6

Italo-cosmonauts Marvin & Guy board Life and Death with Superior Conjunction. 
 
Alessandro Parlatore and Marcello Giordani’s four-tracker explores parallel worlds through expert synthesizer sequencing and cavernous vocal features. Celestial melodies paired with Athena’s stream of consciousness Italian recital guarantees Superior Conjunction’s dance floor devastation. 
 
Arpadia’s hypnotic theme compliments the title track’s restrained drama, while the Fantastic Twins’ spoken-word elevates The Train of Fantastic to an altered state of being. 
 
The EP is out on June 16th, right on time for this year’s Life and Death OFF Sonar event in Barcelona.

Marvin & Guy - Superior Conjunction (Original Mix)

Artist: The Organism
Title: Reflection (Perfect Strangers EP)
Label: Disco Halal
Release date: July 27th
Pre-order: https://disco-halal.lnk.to/PerfectStrangers 

It all started three years ago, and now Disco Halal is back to its origins. The bold VA EP has gained support from a rooster of artists including Dixon, DJ Tennis, Red Axes, Marcus Worgull, Trikk and many, many more.
One standout track from this EP is ‘Reflection’ from Ukrainian artist The Organism. It’s a big dance floor track which you will, without a doubt, play repeatedly for hours on end at home.

VA - Perfect Strangers 

PREMIERE: The Organism - Reflection [Disco Halal]

Rising duo https://soundcloud.com/innellea deliver two remixes for https://soundcloud.com/tunnelvisions1 ' Imaja’s Drum track - one of the highlights of their previously released The Celestial Ritual LP.

Beatport ➫ bit.ly/2J0YEVD
12" ➫ atomnationrec.lnk.to/InnelleaRemix

Tunnelvisions - Imaja's Drum (Innellea's Cosmic Consciousness)

Damon Jee - Chamaniac

Artist: Underspreche
Label: Maeve
Title : Poet-Ease
Catalogue : Maeve 16
Format: Vinyl, digital
Release date:
Digital: 06/09/2019
Vinyl: 06/09/2019

Next up for Maeve we welcome the very talented Italian duo, Underspreche to the label, delivering a 4 track EP including a remix from label founder The Drifter. 

Underspreche first caught our attention back in 2016 with the release of their mini album "Invito Alla Danza" on Optimo Trax, a record that possesses the captivating mixture of ethno vocals & sounds with a raw house dynamic. From there they continued to impress with their unique twist on many prominent House and Techno jams through their Experiments series. We are thrilled to have worked with them to bring you this EP and who better to describe the record than Underspreche themselves...

"We think every kind of art has an important role in our lives because of the magical power it has inside. Positive art can be profound, produce questions, show us new perspectives, transform feelings and connect people telepathically. If this is not magic??!! Taking inspiration from Alejandro Jodorowsky's work we did our own “music act” with this record, trying to ease our inner sorrow through musical poetry and freeing our voice. Inspiration from other cultures always help develop our work which as ever, is fuelled by a deep love for what we do."

Underspreche - Immersa nel tuo viaggio (The Drifter Rewok)

♬ Click for more ☞ https://www.trndmusik.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @fulltone's EP on @klassifiedrecords here: 
➟  Beatport: https://bit.ly/35pPyHL

trndmsk: What inspired you to produce the EP?

Fulltone: I got inspired to produce “C’est bon” during my last visit to Paris, "C’est bon" was one of the sentences I kept hearing while walking through the beautiful streets of Paris, surrounded by the beautiful architecture and history. When I got back to the studio I had an idea of making a track that would capture the vibes I was getting during my trip. 

The idea of “Mahe’” came to me during my trip to Seychelles and got inspired by the mesmerizing out of this world nature, Mahe’ is the name of the Capital of Seychelles and I wanted to make a music piece that breathes and reflects the beauty I was in during my trip. 

Where did you record it? And how?

The whole EP was recorded at my studio in Cairo using all my beloved gear! 

With "Mahe" I used a Charango (South American stringed instrument), a kalimba and a classical guitar for the main melodies, all recorded using an AKG C414 Mic and SSL preamp going to a universal audio Apollo interface. For the beats I used my Elektron analog rytm and some field recording I did with my iPhone. For the bass I went for my go to synth for bass the Moog sub37 and also used bass guitar for the baseline during the first part of the song. I remember also using a Gibson J45 acoustic guitar to play the main riff.

“C’est bon” I started with the groove and struggled for a while to find a nice hook for it, then one day my step sister was at the studio and she has a beautiful voice, I had an idea of recording some vocal pads playing the chords of the track, so we recorded each note of each chord of the whole chord progression and I still felt something was missing, so I tried a trick I had read about a while ago, I side-chained a gate on the vocal pads triggered by a programmed hihat pattern and instantly got that stuttering effect you hear on the vocals on the drop, the rest was all fine crafting to finalize the track.

How did you get in contact with the record label?

Klassified label owners (Julien and Thomas AKA Parallells) are very close friends of mine that I consider family. When we decided to release a Fulltone EP on their label I sent them some tracks but highlighted that C’est bon and Mahe were my favorites, they agreed and here we are now :)) EP is about to go out with fantastic remixes from Audiofly & Jonas Saalbach 

What’s up next after the release? Are you working on any other projects? 

I have a few releases in the pipe line, I have an EP coming out early next year on Keller Berlin with an amazing remix from Powel, a podcast for All Day I Dream, a remix for my dear friends ElMundo & PHCK coming out on Earthly Delights and finally a collab track with “a surprise” coming out on “another surprise”.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🥁🌪🤖🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Fulltone - C'est Bon (Audiofly Remix)

Click for more ♬

Since Biesmans made his debut on AEON last year with his “A Long Road” EP, he has continued to build a profile and musical output that is both exciting and ground breaking. So it’s with great pleasure that we welcome him back to the label for his follow up EP “Top Gun”

Biesmans has decided to showcase two subtly different versions of the title track “Top Gun”. Version 1 is a stunningly produced lo-fi disco workout with nod to 80’s synth classics. A dynamic bass line underpins a delightfully simple but effective groove and delicious melodies. Version 2 is similar in it’s approach but is perhaps a little more strident. Biesmans said “I often make several versions of a track when I’m writing and then focus in on a particular version. In this case I couldn’t decide so I figured let’s release both!'
“Dr Electric” is a more melancholy in it’s approach, with a broken beat, subtle synths and vocodered vocals taking centre stage, with almost blissful prog rock leanings in places.

Remix duties are taken up by Permanent Vacation head honcho and AEON favorite Benjamin Fröhlich and Italian duo Phunkadelica.
Both have chosen to tackle “Dr Electric” and the results are sublime. Fröhlich’s approach stays closest to the original but employs a tougher breakbeat as the foundation for his version, borrowing heavily from the synth content before delivering a driving bass line to take the track into peak time territory. Phunkadelica’s more traditional progressive house style treatment serves up a more hypnotic mix with a galloping baseline and an ever evolving layered style that draws in the listener until a breakdown delivers the spin tingling moments.

Another perfectly balanced EP from the AEON crew with something to satisfy all palates.

Biesmans - Dr. Electric (Phunkadelica Re-Interpretation)

𝘾𝙊𝙍𝙍𝙀𝙎𝙋𝙊𝙉𝘿𝘼𝙉𝙏

established in 2011 ☆ Berlin
on going entreprise of @jennifercardini
contact : anna@ctrlaartists.com


book @correspondant showcase ~ @jennifercardini/ mirko@ekipa.agency

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Damon Jee - Chamaniac

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