Best nu jazz & jazztronica music. 

Discover more: https://lnk.bio/shivelight

⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙

⚜️ Discover More ⚜️

Spotify: https://bit.ly/ShivelightOfficial
SoundCloud: https://bit.ly/shivelightSC
Instagram: https://bit.ly/shivelightIG
Facebook: https://bit.ly/shivelightFB
FB Group: https://bit.ly/shivelightFBG
Discord: https://fanlink.tv/shivelightDD
More Links: https://lnk.bio/shivelight

⚜️ Submissions ⚜️

Music: http://bit.ly/shivelightDEMOS
Visuals: via email

⚜️ Curated Spotify Playlists ⚜️

World Music Inspired:

Tribal Dubstep / Bass: https://fanlink.tv/tribalstomp
Tribal Drum n Bass: https://fanlink.tv/tribaldnb
Organic House / Folktroncia: https://fanlink.tv/shamanica
Nature Beats: https://biglink.tv/biophilia
World Folk: https://fanlink.tv/_heritage
Atmospheric: https://fanlink.tv/ambworld
Afrofuture: https://fanlink.tv/afro

Other Genres:

Nu Jazz: https://fanlink.tv/rainbowpitstop
Moody / Future Garage: https://fanlink.tv/beautifuldecay
Reggae & Dub: https://fanlink.tv/eyewise
Glitch & Experimental: https://fanlink.tv/glitchinthematrix
Conscious Hip-Hop: https://fanlink.tv/wordsmith
Avant-Pop: https://fanlink.tv/avant

Playlists for Samaya Mixes:

Selections https://fanlink.tv/samayaselects
Fusion Alchemist https://fanlink.tv/fusionalchemist
Ancient Technology https://fanlink.tv/ancientech
Ethereal Ascension https://fanlink.tv/ethe
Sounds of Resueno https://fanlink.tv/soundsofresueno

⚜️ Behind the Scenes ⚜️

Shivelight is managed by Samaya & Baxtak.

Samaya: https://lnk.bio/SamayaMusic
Baxtak: https://outtallectuals.com/artist/baxtak/

⚜️ Additional Ways to Help Us ⚜️

Patreon: https://patreon.com/Shivelight 
PayPal: https://paypal.me/Outtallectuals

Discover More

🌈 Rainbow Pitstop [Top Picks in Jazztronica & Nu Jazz]

Track 11 from the debut album: ' i like what i do // i do what i like' by Täpp Collective 

Aquaria - ft. Alex Hill + Rebekah Reid
Written by Rebekah Reid + Alex Hill 
Mixed and Produced by Rebekah Reid + Fi Roberts
Mastered by Katie Tavini

Official release 18th June 2021

Aquaria by Täpp

Lavender Beat Collective is an internationally collaborative worldbeat project started in Long Beach, California.  Twice a week, the collective meet to record, produce, and mix the tracks together virtually, or in person when possible.  “Take Care” is the second track to emerge from this creative process, following the debut track “The Path”

Featuring:
Max MacVeety - Drums
Samson Olawale - Percussion
Derrick Wong - Bass
Jason Kearse - Keys
Shea Springer - Guitars & Mix Engineer
Tien Nguyen - Vocals
Manish Nishad - Indian Bansuri

Recorded, Produced & Mixed by Lavender Beat Collective
Mastered by Headnodic

Take Care

Adagio

Omorfo Mou

'The Prophet and the Madman', out now on Brainfeeder: https://amitafra.lnk.to/prophetmadmanSo

Follow Ami Taf Ra -
Spotify: https://found.ee/ami-taf-ra-sp
Apple Music: https://found.ee/ami-taf-ra-am
YouTube: https://found.ee/ami-taf-ra-yt
Bandcamp: https://found.ee/ami-taf-ra-bc
Soundcloud: https://found.ee/ami-taf-ra-sc
Instagram: https://found.ee/ami-taf-ra-ig
TikTok: https://found.ee/ami-taf-ra-tt
X (Twitter): https://found.ee/ami-taf-ra-tw

#AmiTafRa #Brainfeeder

How I Became a Madman

Dancing Shoes

Kneel

DON’T LISTEN

Taka

The second single from our forthcoming album. 

Performed by Beach for Tiger
Produced and mixed by Peter Anderson
Additional instrumentation from Kristina Rhodes
Engineering from Rees Broomfield and Mingus Parker
Mastered by Felix Davis 
Artwork by Felix Foilleret

Almost There

Mancunian pianist, composer, and producer Matt Wilde returns with 'Smile Today' – an uplifting new single with a feel-good groove, serving as a reminder to smile and the benefits of doing so.

A playful back-and-forth between upright piano and trumpet mirrors the positive feedback loop we experience when we smile – lifting moods and, according to some studies, even boosting physical health. “This tune came from a moment where I needed that,” Matt explains. “I just wanted to make something that was light, kind… Something that says: Hey, I know things are a lot, but maybe just smile today. Even for a bit”.

The track was recorded in close collaboration with trumpeter and composer Aaron Wood, improvising upright piano and trumpet over intricately programmed beats to capture the spontaneity that makes jazz feel alive, but with the forward-facing touch of Ableton live production.

Guided by values of accessibility and creativity, Matt has become a key voice in the UK’s boundary-pushing jazz and beats scene. His music has been championed by the likes of BBC Radio 1, Jamie Cullum and Soweto Kinch (BBC Radio 2), ‘Round Midnight (BBC Radio 3), and across BBC 6 Music, Jazz FM and Worldwide FM. He has performed headline shows at Band on the Wall (Manchester) and The Lower Third (London) and showcased his music at Brick Lane Jazz Festival and London’s iconic Jazz Café.

Written by Matt Wilde and Aaron Wood

Keys - Matt Wilde
Production - Matt Wilde
Trumpet - Aaron Wood
Bass - Stan Scott

Mixed by Matt Wilde
Mastered by Peter Beckmann, Technology Works
Artwork by Ollie Macdonald Oulds

Stream or buy

Smile Today

'Get It Over', out now on Ninja Tune: https://yukimi.lnk.to/getitoverSo
Follow Yukimi -
Spotify: https://found.ee/yukimi-sp
Apple Music: https://found.ee/yukimi-am
Amazon Music: https://found.ee/yukimi-aa
YouTube: https://found.ee/yukimi-yt
Bandcamp: https://found.ee/yukimi-bc
Soundcloud: https://found.ee/yukimi-sc
Instagram: https://found.ee/yukimi-ig
TikTok: https://found.ee/yukimi-tt
Facebook: https://found.ee/yukimi-fb
X (Twitter): https://found.ee/yukimi-tw

#Yukimi #NinjaTune

Get It Over

Taken from 'The Last Sound On Earth', released November 07, 2025 on Big Dada: https://heladonegro.lnk.to/thelastsoundonearthSo

Follow Helado Negro -
Spotify: https://found.ee/heladonegro-sp
Apple Music: https://found.ee/heladonegro-am
Amazon Music: https://found.ee/heladonegro-aa
YouTube: https://found.ee/heladonegro-yt
Bandcamp: https://found.ee/heladonegro-bc
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Instagram: https://found.ee/heladonegro-ig
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Facebook: https://found.ee/heladonegro-fb
X (Twitter): https://found.ee/heladonegro-tw


#HeladoNegro #BigDada

More

Fuzzy Butter ²

errrr

Watch the accompanying video: https://youtu.be/uavIwPGvL68

GRM Tools Atelier is brilliant for chaos, texture, and deliciously complex sound sculpture — but can it groove?

This unusuaL little experiment explores whether the Atelier slipper fits a more rhythmic footing ... Oh, yes it does! 😜 Still a little strange tho, still halF unusuaL 😉

Built in Ableton Live with:
🎠 raw samples from a hand-cranked music box
🌀 fragments from recent Atelier pieces (all born from that same box)
🧲 one wonderfully unruly bass from BEATSURFING Random

Enjoy! 😁😜

visuals (YouTube)

halF cinderellA [oh, no it's not]

Innovative electronic world fusion music.
 
Curated by @samayamusic & @baxtak 
In collaboration with @outtallectuals

Accepting: 

- premieres & demos for SC & YT via link below
- label partnerships (DM for more details)
- artwork submissions for channel visuals

Promoting global labels & artists in this genre group, including:

@outtallectuals
@beatsantique
@desert-trax
@gravitas-recordings
@numamusica
@clozee
@highviberecordsca
@muti
@nighttimestorieslabel
@merkaba-music-1
@slugwife
@cosmovisionrecords
@resuenomusic
@newlatambeats
@therust
@cooh 

and many more.

Limitation can be a creative force in a world where anything is possible, and for a young Liam Shortall, that pool of influence & opportunity was as diverse as any. Born in Glasgow and surrounded by music from a young age, he gravitated initially towards instrumental music, picking up the trombone, learning his jazz chops, and listening to the big band, blues, and ska sounds of his family home. A tendency to self-deprecation is a way that Glasgow has impressed itself on Shortall, albeit one which at times tipped over into self-criticism. Nowhere is that struggle & vulnerability more present than on his debut album Bad With Names. As much as Bad With Names showcases some of Glasgow’s finest, it's also the most complete statement of the corto.alto sound to date, a riptide demonstration of his multi-instrumental abilities ( trombone, guitar, bass, synths, programming, tuba, percussion), punchy improvisation and subtle electronic production that has stitched it all back together again.

DON’T LISTEN

corto.alto

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