...the obsessive circularity of thought... composed by Anna Pidgorna (2015), recorded at The Banff Centre (2016) performed by Katelyn Clark, harpsichord. Equal temperament.

...the obsessive circularity of thought... by Anna Pidgorna (2015)

composed by Martin Arnold (1994-95) performed by:
John Abram - sopranino, alto and bass recorders, Casio DH-100
Martin Arnold - melodicas, drawbar organ, string bass
Nic Gotham - alto sax, baritone sax
Craig Hoskins - trombone
Elissa Poole - traverso
Kevin Turcotte - trumpet

Burrow Out; Burrow In; Burrow Music (movement 1)

Performed by Paul Pulford (cello) and Cheryl Duvall (piano)
Concert recording, January 2017.

Vale (2016) for cello and piano

Carillon-Roy Lee
Recordings-Joe Strutt and Roy Lee

A studio mix of recordings generated within the bell tower and at street level. Performed September 22, 2017 in Toronto at Metropolitan United Church for the Tower and Helm workshop presented by Musica Reflecta and the Canadian Music Centre.

Languid Ecstaticity

Performed by Quartetto Prometeo: Giulio Rovighi (violin), Aldo Campagnari (violin), Massimo Piva (alto), and Francesco Dillon (cello)

Concerto del Corso di Composizione, Venerdì 20 Luglio, Agosto 2018

Written during the Composition course with M° Salvatore Sciarrino at the Accademia Musicale Chigiana (Siena, Italy)

Recording:  Mattia Cella 
Mix/Edit: Keiko Devaux

artwork: Toxic Beauty #02 by Kacper Kowalski

Salt (2018)

Written and Arranged by Rebecca Bruton.

Performed by

Rebecca Bruton - Lead Vocals
Tori Ames & Abigail Lapelle - Backup Vocals
Simon P. Castonguay - Vibraphone
Jillian McKenna - Double Bass

Performed in the Bentley Chamber Music Studio, Banff Centre for Arts and Creativity.  Oct. 24th 2018
Recorded by James Clemens Seely

Nora, Listening (Acoustic)

From a new project entitled "Newfoundout." All tracks are named after ghost towns in Ontario. 

Composed and recorded Dec 2018-Jan 2019

Nick Storring - Percussion, Snare drum, various objects, electric bass guitar (contact mic input only), electric mandola (contact mic input only), strumstick (contact mic input only), ocarina, melodica, glockenspiel, ornamental gamelan instrument, spring reverbs.

No pedals, synthesizers, or plugins (aside from EQ/ reverb/ panning)

Vroomanton

Song by Lisa Conway ie. L CON
Remixed by Nicholas Murray of LAL
Mastered by Jedi Mastering

There Was A Glow (LAL daylight edit)

Interprété par l'ensemble « Avanti! », dir. József Hárs

Musique pour cinéma muet (2019)pour orchestre de chambre

bio, cv, videos, and further listening at harperlatkovich.com

Languid Ecstaticity

Cory Harper-Latkovich

Related tracks