bless this track <3, tasty sound waves floating across the sky drifting off into the sea.

Mauro Clementi's playlist

40 Winks is an instrumental hip hop duo made up of producers Padmo' and Weedy from Antwerp, Belgium. Meticulously chopping and pasting samples together since 2002, 40 Winks create cinematic atmospheres and vibes which we love here at LDBK radio. 

A couple of weeks ago, 40 Winks released their 5th full length album on Project: Mooncircle, a double LP entitled "It’s The Trip". Check the mix they offered to LDBK to celebrate this release: http://i.mixcloud.com/CYXvi  

Make sure to visit: http://40winksmusic.com
This track is produced by Weedy.

This track will be part of the LDBK compilation album.
CD & Digital will be available mid-June on laidback.bandcamp.com
Pre-orders (until the 15th of May) on www.indiegogo.com/Laid-Back-Compilation

40 Winks - Flight of Ideas

Dorothy Ashby - Essence Of Sapphire

112 kbps files for preview - don't be a dunce! 4 all things POOLS >>> @poolsmusic

For their first ever double-LP outing Razor-N-Tape presents POOLS, with a sun-drenched and laid-back collection of tunes called Innertubes. POOLS, the moniker of Los Angeles duo Thee Mike Bee and DJ Morsecode, craft a sound that conjures up the easy going swagger and soulful grit of the left-most coast. The first two sides of original versions read like an album, perfect for a lazy Sunday rooftop BBQ with beers, bros and blunts, (although no doubt some of these gems will find their way into DJs' warm-up and boom-bap sets). Sides C & D elevate the juncture to dance floor level, with smooth and varied remixes from RNT stalwarts Luvless and DJ Vas, plus label newcomers thatmanmonkz and Junktion.

Buy on Deejay.de

POOLS - Penwick Pool

Shifty 1.1 fs 50 bpm take 1 110125

03 - I CAN SHOW YOU HIGH

"Princess Complex" by Anna Wise

Words and Music by Anna Wise
Produced by Teebs 
Synth, Bass Clarinet, Acoustic Guitar by Lars Horntveth 
"Princess Complex" is a B-side from The Feminine: Act I
Artwork by: Candi Collage http://candicollage.tumblr.com/

BITCHSLUT T-SHIRTS NOW AVAILABLE! www.annathewise.com/store

Follow Anna: 
http://instagram.com/annathewise
http://twitter.com/annathewise
http://facebook.com/annathewise

Buy "The Feminine: Act I" on iTunes - http://hyperurl.co/9v9akj

Lyrics: 

PLEASE DON'T TAKE OFFENSE TO MY IGNORANCE 
TEACH ME, TEACH ME 
YOUR DIRTY FINGERS, YOUR THREE EYES 

PLEASE DON'T HESITATE LET'S BUILD OUR HOUSE AROUND US 
FEED ME, FEED ME
MY AMERICAN UPBRINGING, MY PRINCESS COMPLEX

PLEASE DON'T LEAVE ME NOW THAT I'M OPEN 
SEX ME, SEX ME 
WE ARE EACH OTHERS CHOSEN 



Princess Complex

it comes and goes, the wind flows
crabapple grows, surprise chose
the one's who survive, burn your flys
drowned circles you push
I live in

Kwake - Drums
Mndsgn - Keys
Wu-Lu - Bass
Tommasi - Guitar

UtopianApocalypticGirl w. Wu-Lu, Kwake & Mndsgn

https://jitwam.lnk.to/cc17

https://soundcloud.com/jitwam

का आनंद लें

<a href="https://theartistunion.com/tracks/6a898e" rel="nofollow">Download for free on The Artist Union</a>

ज़ितम सिहँ

Vinyl/Download/Stream

jitwam. - Later...

Electronic System - Skylab - 1974

Lúil Ó Fadó out now..

hotrecordsociete.bandcamp.com

soprano sax & clarinet by Daniel Bitrán https://soundcloud.com/daniel-bitran

https://soundcloud.com/mejiwahn

Lúil Ó Fadó

Buy Cassette

Sesebo w/ Daniel Bitrán • Mejiwahn

Track taken from the album 'Gallery Love' out in March 2019 on Apollo Records.
-
Written & Conjured by Oso Leone
Recorded at Casa Cosmos, Mallorca 2015-2017.
Produced by Joy Marin.
Mixed by Joy Marin.
Mix engineer, Antoni Noguera.
Mastered by Hay Zeelen.

2018 Apollo Records.
All rights reserved.

Virtual U

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Off the back of their Meredith Music Festival 2019 lineup announcement, Melbourne wonky soul four-piece Karate Boogaloo have shared the second piece from their upcoming ‘KB’s Mixtape No. 2’.

This time KB gives us their flip on Mtume’s disco/R&B slow-jam “Juicy Fruit”. It’s a mid-tempo bounce, mellow and light to the touch with sprinkles of oozy synth and slide-guitar throughout.

Composed around a Linn LM-1 drum machine and recorded in under two hours, Mtume’s “Juicy Fruit” has had a lasting impact on the R&B and hip-hop scene with over 100 listed sample uses of the track. Most famously used in Notorious B.I.G’s 1994 hit “Juicy”, Keyshia Cole’s “Let It Go”,  Warren G’s “This D.J” & in Grand Theft Auto’s radio shows.

Following on from the cult success of ‘KB’s Mixtape No. 1’ - songs that were sampled into your favourite hits -, ‘Mixtape No. 2’ expands this theme with songs from the 80s that were sampled into your favourite hits! Out September 27 via Hopestreet Recordings.

Making up the rhythm section of long-time Melbourne soul favourites The Cactus Channel, KB consistently sit in their own lane – the combination of raw musicianship and sheer time on the clock in the studio and on stage gives them a glowing connection rarely seen. Making records, they follow their own rules; recording and mixing on tape with no plugins and no edits, releasing exclusively in mono. It’s not about anachronism, it’s about the KB manifesto: a chosen set of limitations forcing a specific outcome, an outcome best appreciated through their “KB’s Mixtape” series of LPs.

KB's Mixtape No. 2

Pre-Order LP

Karate Boogaloo - Juicy Fruit

'Akousmatikous', out now on Brainfeeder: https://srjl.lnk.to/akousSo 

Taken from the album 'Zdenka 2080', released 30 August 2019 on Brainfeeder: https://srjl.lnk.to/zdenkaSo

Follow Salami Rose Joe Louis -
Spotify: https://found.ee/srjl-sp
Apple Music: https://found.ee/srjl-am
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Facebook: https://found.ee/srjl-fb
Twitter: https://found.ee/srjl-tw
Youtube: https://found.ee/srjl-yt
Soundcloud: https://found.ee/srjl-sc

Octagonal Room / Cumulous Potion (For the Clouds to Sing)

Octagonal Room

There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-esque cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time, this is a truly contemporary record that could have only been made now. 

The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies.

Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".

The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

jitwam. - Later...

Cosmic Compositions

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