This is a slow relaxing song in Ambient / Chill Out style, with a nice piano melody and some ocean waves to provide for the calm peaceful ambience. Made with Korg Wavestation EX. Enjoy!

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Beneath The Sea

Chosen instrument: Korg Electribe A (EA-1)
Artist: https://soundcloud.com/andrea-porcu
Instrument information: https://goo.gl/Af9HVt

~ the moist half-open colors the forest leaves ~

Andrea Porcu - Korg Electribe A (EA-1)

ENJOY THE JOURNEY
https://www.youtube.com/watch?v=czI1TJ3RQvE&t=4s
THANKS FOR ALL YOUR LOVE AND SUPPORT
Thanks to D.J. KAROUH for the artwork @d-j-karouh
Check out some of D J KAROUH amazing Music Tech/Deep house on the link below
soundcloud.com/d-j-karouh/tracks

A Journey To You.

Demo of my FB-3300 VST/AU synth, a Korg PS-3300 simulation.
Done in Reaper 64 with 16 FB-3300s.
Plug-in download: www.fullbucket.de/music/fb3300.html.
MP3 download: www.fullbucket.de/music/index.html#fr33ze.

FR33ZE

08 - Footsteps

Debut single from Down From Above, a London based electronica-driven hard rock band

Give It Up

Several Complex-1 getting together for a nice cup of tea. No other sounds other than Complex-1 were used.

Tea Time

Every sound and instrument in this song, including drums, is made with Complex-1 and effects. By Adam Fielding.

Adam Fielding - Infinitely Complex

Moments in Time by The Noige, aka Nigel Scott

Moments in Time was released in 1989 and distributed by Panda Discs as a demonstration of the Hybrid Music 5000 Synthesizer for the BBC Micro.

Hybrid Technology's Music 5000 synthesiser was designed by Chris Jordan and initially marketed by Acorn Computers in 1984 as the Music 500 and connected to the 1MHz bus. The instrument was programmed in its own language called AMPLE which was quite powerful for its time for a home computer based music production system.

Implemented entirely in discrete logic, the Music 5000 was a surprisingly powerful multi-timbral digital wavetable synthesizer module considering its low cost. 

Up to 16 voices could be played simultaneously from a pool of 14 different 128-byte wavetables. Pairs of oscillators could be phase or ring modulated or sync'd.  Each voice had its own volume, envelope and stereo pan control which could be automated.

8 bit u-law companded audio (comparable to 12-bit linear digital audio) was produced at a 47kHz sampling rate using a form of Direct Digital Synthesis using the 'phase-accumulator' technique with 24-bit frequency/phase control accuracy.

The Heatray

cosmicvibes

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