that repetitive sound makes it so interesting :-)

👏👏👏👏awesome, experimental, unique work. Love it.

Those serpent noises and hissing sounds are totally captivating. Kind of unsettling too, but in a good way. Truly exceptional work! 👏

All Alone

What a picture I have drawn  
I wonder where it all has gone  
There was a time when parties  
Drew the dummies and smarties  
 
Time travelled and with it I went  
Not knowing where I was sent  
But the children have all grown  
And I find myself all alone  
 
Bridge
 
Sometimes I feel so sad
But I know it’s not so bad
Sometimes I feel so forlorn
And wishing that I’d never been born
 
They abound and friends were near  
Now there’s only me alone here  
I didn’t see what was coming  
It was like a leak in the plumbing  
 
I raised a family and did my job  
I never tried to take and rob  
But I’m not down or depressed  
I realize I’ve done my best

All Alone (Featuring Dave Cooper)

Track was made using modular synthesizers and gear.
Spontaneity is involved.  Also I refrained from using a tuner which allowed me to discover forbidden sounds.

Kundalini Serpents Dimensions

- W A T E R F A L L......

A Murmuration of Starlings

"The Egerton Manuscript listed a 'murmuracyon' back in 1468 & most subsequent lists from the 15th Cent include this entry. As with many terms describing flocks of birds this one is inspired by the sound the birds make when they flock together."
[Chloe Rhodes]

Bill Boethius: guitars.
Guitar used is a Fender Stratocaster hardtail.

Composed, performed & produced by Bill Boethius

A Murmuration of Starlings

This ls a reimagining of Jo's Lovely "Trespassing"https://on.soundcloud.com/YQiKP Using his Words and Music-
l am Thrilled by his invitation and encouragement-

Stonerjazz- guitar/ebow/vocals/mellotron/co-production
Sonic Structures and Silent Stretches-Lyrics/Synth/lead Guitar/percussion/ Writer and co-producer


method: layering in mortal loops
narration: a cosmic tale
image: copyright jo richter

poem / copyright jo richter

pitch black holes in my back pockets
saturn rings from lack of sleep
earth transformer, leg-end sockets
dryadic dreams piled in a heap

scanning night to knock for shelter
astral pockmarks, plasma maze
timid smell of tepid data
where blue cyborg llamas graze

and the counters counting, counting
within the sentinence that stoops
eye of ra still weeps, creating
generating mortal loops
just this I moves on, trespassing
where the primal vulture swoops

Trespassing ( A Poem written by Jo Richter of Sonic Structure and Silent Stretches)

Words and Music Dave Rose
A song I wrote quite a while ago. I have recorded it a few ways but like this one the best I think. Final mix :)

Lyrics

Hello, how are you where you been Timbuktu 
I haven’t seen you since god knows when 
So how the hell are you 

Remember when this world was young 
Life was simple and so much fun 
And the sun it always shone and the days went on and on 

In the park playing seventeen a side 
And the game would only end when it got too dark to see the ball ⚽️ 
So we’d all head home ‘til we could do it all again 

Remember when this world was young 
Life was simple and so much fun 
The sun ☀️ it always shone and the days went on and on 

Remember the big lad he lived down my street 
He stole my tortoise 🐢 Tom and he stole your rabbit 🐇 Pete
So we surprised him once when we pushed him in the pond 
He couldn’t swim oh we nearly drowned him 

Well we’ve all grown up and moved on 
Got mortgages and wives and kids and so on 
And this life goes on 

Hello, how are you where’ve you been Timbuktu 
I haven’t seen you since god knows when 
So tell me how are you 
Tell me how are you 
Tell me how your doing 
Oh let’s keep in touch 
Let’s catch up 
Do you use facebook or twitter (x)
Or I could WhatsApp you or I could phone ☎️ you……..

Hello How Are You

Hello, How Are You

Lyrics from John Steinbeck's "The Pearl"

The doctor never came to the brush houses
he spent all of his time with the rich people
The doctor won't come to us
then we will go to him

Do you have any money?
He brought out eight small ugly pearls

I'm sorry my friend but this pearl is too big
No one will buy a pearl this big
Kino felt that he was in danger
the crowd became silent

Do you have any money?
He brought out eight small ugly pearls

Staying Back

Eight Small Ugly Pearls

https://dieroteerde.bandcamp.com/

DIE ROTE ERDE came to life in the summer of 2004. I don't remember the exact date now, as it's all shrouded in tons of marijuana smoke, projects, and bad memory if something is not written on the computer or on a simple piece of paper.

Anyway, the summer of 2004 was when I figured out I want to move beyond rock music and pop music, and structured music, and move towards the improvised realm of sound and noise.

I discovered Maurizio Bianchi and Merzbow that summer. It was a big surprise and revelation for a fan of Hawkwind, Black Sabbath, Amon Düül II, Nirvana, etc... to discover what you could do with extreme and industrial music. Of course, the space and improvised nature of my rock music roots remained intact.

In 2004 I was already out of my project with Mateusz Nowicki, so I was free to experiment alone in a small room (my first "home studio") with my guitar and a computer. I recorded one CD-R, and that was it for Die Rote Erde for almost 10 years.

I nearly forgot about my CD-R from 2004, but the name Die Rote Erde reoccured again in 2013, and this time I wanted to make more guitar-centered experimental music. So, I recorded the second Die Rote Erde album 2013/2014, and released it in 2014 on bandcamp.

Around 2014/2015 I discovered more interesting artists, like Angus MacLise, Yuri Morozov, and Éliane Radigue. They proved to be the creative fluxus fueling Die Rote Erde for quite some time.

But it wasn't until 2018, the magic year for Die Rote Erde, that I really knew what I wanted to do sonically for the project, and also with the vision and artwork and artistic direction.

Moving back to my rock roots, but in the context of Kosmische Musik: Kluster, Zweistein, the Chamsin soundtrack, early Tangerine Dream, studio-as-instrument by Can, etc, I decided to make Die Rote Erde a combination of space pulsations and extreme noise. Much alike imagining how would Hawkwind's Space Ritual sound only with the electronic devices left in the mix.

Die Rote Erde will celebrate its 20th anniversary next year. I never thought this name, this path, and this project, could last for 20 years. But, obviously it did. This might mean a proper re-release of the earliest materials, new material, and further archive materials appearing on the project's bandcamp.

Die Rote Erde was always on the experimental side of things, and it's not easy for pioneers. So, being a small local pioneer in Poznań, Poland, I never imagined I would last 20 years making music and noise nobody really wants to hear. Or maybe YOU want to hear it? If so, check out the bandcamp and float on.

Die Rote Erde - "Między Gruzem Melodia" | New Track for 20 Years of DIE ROTE ERDE.

A mirror, a riddle, a portal_01

Eyes into parallel existences, blink open and shut_01

Recorded Jack Leon Davies amazing talent on the electric Guitar on this one. played with the amp while recording. great fun. big love Brother Jack!

Bro's for life Feat. Jack Davies

This is Counterworlds Voltages first out of two Catalogues on Sound Cloud!

Counterworlds Voltage
a.k.a.  Aindrea Greumach

https://open.spotify.com/artist/16Acd1fDrgM4aRzPOizwRJ?si=1U_UQBGdSKq4kfnvNoyw4Q

https://music.apple.com/jp/album/dont-be-afraid-dearest-strega-friend-single/1753612578?l=en-US

Kundalini Serpents Dimensions

Counterworlds Voltage

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