so good. first heard this in the sueuga kamau joia mix

E-Saggila / Exploited Body — Split
Format: 12"
Cat.No: PAN 125
Release Date: 25 November 2021
Purchase: https://p-a-n.bandcamp.com/merch/e-saggila-exploited-body-split

Fourth installment of PAN's split 12'' series, featuring Toronto-based producer E-Saggila (Northern Electronics, Hospital Productions) and Helsinki's experimentalist and Changeless label founder Exploited Body.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Beau Thomas

A2 E-Saggila - 83C (PAN 125)

Production by @yakayaka
Mastering by @cellvl

Yaka - Growing Without Moving

xl.iks - Sebundoheiseu

[surf036]

@beatricemasters
@jonnnah

artwork + master @usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Beatrice M. ~ Brighton (Jonnnah Remix)

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

-------

It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Harvest

IVVVO - Good, Bad, Baby, Horny 
A1 - Good, Bad, Baby, Horny
A2 - Tongue Kiss Crying 
B1 - Self Rape
B2 - I Fucked it Up
https://boomkat.com/products/good-bad-baby-horny

HALC008
Available 14 February 2017 on 12" Vinyl and Digital
Mastered by Matt Colton at Alchemy
Artwork by Masha Popova & Lane Stewart for Halcyon Veil

IVVVO -  Good, Bad, Baby, Horny (HALC008)

Taken from SBKT024: Mun Sing - Scissor

Mastered by Raphael Valensi
Release date: 14th December 2018

For the final release of 2018, SVBKVLT are excited to announce the new EP from Mun Sing, the juddering solo project of Giant Swan‘s Harry Wright. 3 original tracks + remixes from Flora Yin-Wong and Osheyack

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity.

Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture. To experiment with ideas of inclusivity and positivity, influenced by mainstream pop music by injecting pop’s marketing methods into the more serious, austere club world. Dance routines, obnoxious visuals and brash costumes all feature in the live show, where Mun Sing uses these elements as a means to highlight inclusivity, movement and fun.

@munsing
@giantswan

Scissor

Mun Sing - Fantasy OD

Available: tiny.cc/NeuralUberization
Twofold piece with versions by @gyurbhi @dylanscheer 
Mastering @avbvrn 
Artwork/Design @shbadr
Support release: everpress.com/n1l-neural-uberization-tee

ḧ̶̲͕͍͙͇́̆̃́̎̄̃t̷͍͔̙͇̺̉̔̐͋̓̅̀̈͋̓t̴̩̖̱̳͈̱͓̹̦̀̅̏̓͂́͜p̸̜̻͓̽̏͝s̶̢̛̪͉͔̠̝͔̅̋̽͑͒:̷̨̢̜̭̠͚̲͍̪̇͂̎̑̅͋/̵̢̨̰̞̯̘͙͓͆̌̃̽̐́̎̏̕͠ͅ/̷̫̳̪̿͋̈́͌̏̇ṇ̸̘̪̟̉́̃̔̔͗͠1̷̧͔̲͖̔̈́ļ̵̧̠̬̜̰͔͚̎̐́͐m̸̡̧̼̭̹̠͝͝ǔ̴̙̝̩̳̟̯̆̽̄͝s̸̡͍̭̩̜͈͇̼̹͋̌͐͋̊͝ĩ̸̯͖͖̺̭̳͘c̶̢̘͕̖̳͖͈̑͂͂͑̓͋̏͒́̌.̵͍̣̗͖̦̿b̶̡̤̀̈̽̈̕̕͝a̶̢̠̘̮͚͕̫̳̠̞͋̈́̈͊͂́̀̕͘n̶̞͉̻̍̎͘͜d̷̳͚̩̭̩̤͈̾̋͂͂͑̉̍̈́͐̏c̴̪̩̺͙͎̺̲̈́̀͜ä̵̰͚̯̼̌̅̍̑͝ṁ̸͙̄͑̕p̵̭̭͓͌̍̈́͌͝ͅ.̶̳̆̒̓͆͝c̶͔͌̃̾̍̓̓o̸̱̻͙͔͚̾͗̈́̑̽̈́̏͝m̷̲̩͙̼̭̲͗̍͂̓

1.Neural Uberization
2.Neural Uberization (GYUR version)@gyurbhi
3.Neural Uberization II 
4.Neural Uberization (Via App’s Roadkill)@dylanscheer

N1L - 04 Neural Uberization (Via App’s Roadkill)

HAJJ - Shut In Grim

Confusía remixed by my faves:

@yantanministry
@objectblue
@mobilegirl
@sissel
@sonjatofik

Artwork by Felix Ahlberg Eriksson
Mastered by Alexis Chan

Innominata (Sissel Wincent Remix)

@meukomeuko

Mastered by Brandon Juhans

https://meukomeuko.bandcamp.com/

Meuko! Meuko! - Mountain山.Sea海.Leave離

Country Music is a collaborative project by Daniel Iinatti and Anna Sagström that is born on the factory floors of the rural rust belts, in the corrosive regress of life and tempo in downgraded de-industrialized wastelands and anti-growth environments, and in the urban steel knit of precarious compositions. An alloy of work, speed and materials formed out of the potential energy of underused spaces to envision music from the contemporary periphery. A reimagined music of the land, towards a new Country Music.

Meuko! Meuko! - Mountain山.Sea海.Leave離

Country Music

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