Surprise ! The tape is sold out, here is the mix 4 free. Props to Skee Mask for joining, you're the MF G !

Tracklist : https://temet.net/tape1/
Info : https://temet.bandcamp.com

2x45min taken from a 7h B2B mix, recorded live at Trempo (Nantes) in April 2019.  Covering all poles between New Beat, electro, Manc punk and darkroom EBM sleaze in the first half, and fully twysting out between ghetto tech, breakbeat hardcore, footwork, and gnashing acid tekkers on the rushing 2nd part - including a killer haul of juke-juiced flips of classic ‘80s synth-pop.

Text by Boomkat

Skee Mask B2B Simo Cell - TemeTape1 (Full Mixtape)

Classics never die.

A tribute to Fireball and the hotties.

[FREE DOWNLOAD EXTENDED]

FREE DOWNLOAD

Bola de Fogo & As Foguentas - Atoladinha (Beltran 7am Dub Mix)

FREEDOWNLOAD | Marcos Wenzel - VAI SENTANDO! (Original Mix)

Rinse FM Podcast

EMA presents Woozy feat. Beatrice M. 100% Production Mix - 12 November 2023

Ein begeisterter Enthusiast der Underground-Szene der Tanzmusik - Courtroom Drama ist das Hauptprojekt von José Teixeira, der in Berlin ansässig ist und dessen Affinität zur Musik von Experimentierfreude und Neugierde herrührt. In den letzten 5 Jahren hat er Auftritte in Ländern wie Deutschland, Frankreich und Brasilien gesammelt, während er in aller Ruhe und eigenen Tempo Tracks selbst veröffentlicht. Er ist auch der Mitbegründer des inaktiven brasilianisch-deutschen Chalk Furntiture Labels und fuhrt heute Vintenove Bailes, seine Bassmusik-orientiert Projekt, zusammen mit seinem elektronische Musik Newsletter unevenoscillation.com.

Für diesen speziellen Mix hat er tief in seine Library gegriffen, um einen besonderen Trip zwischen vielen House-Subgenres zu konstruieren: von & zu Acid, Deep, Italo, Electro, French und Detroit. Alles meist 4x4 groovige Tracks mit viel Persönlichkeit!

Courtroom Drama @ Beatnetz auf Radio Q - 02.03.2024

"ahhh se tivesse + tchonga....🎶🎶"

A partir da observação notou-se, por meio de sequenciamento genético do material que estava no sistema digestório dos mosquitos, uma predileção e alto consumo de Cannabis. “O mais interessante é que o consumo dessa erva aparece em vários mosquitos de diferentes localidades, mesmo não sendo uma planta nativa e percebida pela população”, comentou o pesquisador do Cidacs, Artur Queiroz, que esteve à frente dos estudos no Brasil.

TCHONGA  - DJ DENGUE REMIX

Next up on The EDWIN Music channel is Canada-born, Berlin-based DJ @Darwinspec globally celebrated for her distinctive, community-fostering take on all kinds of bass music. Since 2014 she has run her party REEF in Berlin, which today materialised into the city’s most sought-after club night for unmarked Sound System influenced dance music.

To read the full interview visit: https://edwineuro.pe/mix124darwin

N°124 - Darwin

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded.

The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. 

As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time.

@simocell

Read more at https://ra.co/podcast/934

RA podcast

RA.934 Simo Cell

Here's the recording of my set at Nowadays Nonstop on Feb 12th, 3-6am

endless gratitude to DJ Voices https://soundcloud.com/latenitesbookclub for the opportunity to do my thing in total freedom

Piezo @ Nowadays Nonstop NYC 17/02/24

Munich meets Miami in a B2B that's a dream come true. A perfect brew of DnB, hip hop, techno, ambient, and bouncy mesh brings together two of the scene's most innovative forces. Skee Mask, the master of acoustic manipulation and dark atmospheric textures, teams up with childhood friends duo INVT, with their hypnotic, trippy Latin-scented audioscapes and intricate drum programming. An immaculate blend of INVT's gritty rhythms and Skee Mask's otherworldly sonic engineering.

INVT b2b Skee Mask - Climate Of Fear - April '24

spinning for curious ears
unevenoscillation.com
@vintenovebailes
@chalkfurniture
say hi: courtroomdramadj@gmail.com

Courtroom Drama @ Beatnetz auf Radio Q - 02.03.2024

Courtroom Drama

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