Great stuff Coustelou. Bullet rank has a free play offer right now, you should try it out and get some plays

Gourmandise salée pour les dépressions de lendemain de soirée, les débuts de week-end confinés .... ou quand ton pote mange sa pièce de bœuf à point  ! Mélancolique électronique relative !

Cousteloumix #1 - Mélantronic [Karlovacko303]

Alison McDowell discusses the Fourth Industrial Revolution's (Great Reset) goals of a post-human and transhumanist world. The powers of global financial capital seek to create a mechanized planetary computer using blockchain technologies, digital identities, sensor networks, AI, AR, geofencing, human capital bonds, and so forth to classify, tag, track, tokenize, gamify, and commodify all natural non-synthetic life. Humans have become the minable commodity.

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About Alison McDowell
Alison McDowell – activist and independent researcher from Philadelphia has being extensively bringing to the surface for years now the harsh reality of what the likes of the World Economic Forum, Agenda 21 and the Fourth Industrial Revolution has mapped out for the global population.

*Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Alison McDowell: In The Great Reset's New World Empire, Humans Have Become Minable Commodity #197

This week on the Global Research News Hour, as the determined mindset of President Joe Biden is prepared to clash with Vladmir Putin on supposed human rights issues, we explore some of the elements playing out with respect to each countries actual realities. The Russian-American writer and blogger expands on these issues, the collapse of the American Empire, the Corona virus and vaccines and more!

The Arctic Fox Cometh to Global Research: The Dynamics between Russia and America with Dmitry Orlov

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Skating

The Christmas season is over, but our gift to you is just arriving: Memorabilia by Cristian Hidalgo is finally here, and together with the remix by Koelle, we’re giving you the perfect soundtrack for your New Year’s Eve!

The year is coming to an end, a time marked by memories and the promise of new beginnings – and for Cris, that’s exactly what Memorabilia is about: “For me, Memorabilia is a blend of nostalgia and hope — like looking back at the past to find inspiration for the future,” says Cris.

To wrap up the year, we’re celebrating Koelle’s debut on PNEUMA with his remix of Memorabilia: “The first thing that came to mind when I heard the original was that I wanted to create a version with a specific peak moment – something tangible, with a melodic tension curve that can create euphoria," says Koelle.

We’re excited to close the year with you through Memorabilia and let it culminate in this very "peak moment."

Memorabilia is out now!

Follow Koelle: 
Instagram: https://www.instagram.com/koelle.chris/
Spotify: https://open.spotify.com/intl-de/artist/6kkdxR4fLeX1bz8Ujruh3a?si=GqNq6NiqQjaz-mwLhQ2LQg
SoundCloud: @koellectronic


Follow PNEUMA: 
YouTube: www.youtube.com/@pneuma_ofc
Instagram: www.instagram.com/pneuma.ofc/
TikTok: www.tiktok.com/@pneuma_ofc 
SoundCloud: @pneuma_ofc

Memorabilia

Memorabilia (Koelle Remix)

Cristian Hidalgo - Memorabilia (Koelle Remix)

RLSA & TOMB - Prism. Out now on Sekora.

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Prism

Prism (Extended Mix)

kalanchoe

One Of

Olga et l'attachée de fesses

Step 1: Consider the way pace (tempo, speed) is experienced, represented, and accomplished in music.
Step 2: Consider the way stasis is experienced, represented, and accomplished in music.
Step 3: Write a short piece of music that gets slower and slower as it proceeds. If possible, have it end with a sense of outright stasis. Fading out is fine, too, certainly.

Ran Norns using GRD by @yota through stereo line in > morphagene > QPAS > Mimeophon.
Other sounds Rings > Ripples > Clouds
                        Surface > Ripples (in 2) > Clouds
PNW for clock source, manipulating and slowing both by bpm and divisions as the piece went along.

More on this 462nd weekly Disquiet Junto project, Vade in Pace (The Assignment: Write a short piece of music that gets slower and slower as it proceeds), at:

https://disquiet.com/0462/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0462-vade-in-pace/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Josh Levinger, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/CHUe3K

https://creativecommons.org/licenses/by-nc-sa/2.0/

All Shall Fade [disquiet0462]

Tones and rhythms of MERS, SARS, COVID-19 and mutations, represented in audible space. 

LYRICS: The molecular mechanics of the pandemic. Motion and Stillness. Vastness. An indefinitely small quantity, yet singular, and profound. While we cannot see the invisible, we can hear it, and internalize it, and explore its motion in the stillness of the moment. Vastness. Stillness. 

Using the vibrational information of the frequency modes the drum parts explore the overlaying frequencies of molecular protein vibration, scaled to the rhythmical level. The left and right channel, respectively, reproduce the patterns of the reference COVID-19 pathogen and the G614 mutant. 

This is a version of https://soundcloud.com/user-275864738/mers-sars-covid-19-and-covid-19-g614, but with added rhythmic elements.

BACKGROUND:

The pathogen of COVID-19 continues to impact the world, as the pandemic wreaks havoc and spreads arounds the world. As time goes on, mutations of the virus emerge, which can affect how infectious and how lethal the virus is.

And, there are also different forms of coronavirus diseases – like SARS, MERS, and now COVID-19 – all caused by viruses in the same “family”.

What is the reason why MERS is so much deadlier, but less infectious, than COVID-19, which transmits easily but has a lower lethality rate than MERS or SARS? Can we better understand how the molecular details of the viruses work, and if they may provide clues for treatments or cures?

It's in the music! In a paper published in Cell Matter, we have identified a strong direct relationship between the nature, rate and intensity of the virus spike protein vibrations and how readily the virus could penetrate the human cell, as well as an opposite relationship with the fatality rate of a given coronavirus.

The key result of our work is that both, the overall flexibility of the upward receptor-binding domain and the mobility ratio of the receptor-binding domain in different conformations, represent two significant factors that show a positive scaling with virus lethality.

The series of tones is: MERS, SARS, COVID-19, COVID-19 G614, COVID-19 G614, COVID-19, SARS, MERS, COVID-19 G614, COVID-19, COVID-19 G614, COVID-19 G614, COVID-19 G614.

Reference: Y. Hu, M.J. Buehler, Matter, 2020, 10.1016/j.matt.2020.10.032

MIT News: news.mit.edu/2020/vibrations-co…irus-proteins-1119

The Molecular Mechanics of the Pandemic: Motion and Stillness, MERS, SARS, COVID-19 and Mutations

Collectif pour les gourmets de son
@here-is-nunzi & @muchoremo

Contact : coustelouclub@gmail.com

Cousteloumix #1 - Mélantronic [Karlovacko303]

Coustelou

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