La canción marítima más bella del mundo, Óscar.

I  Son mis brazos los que agitan mares Mares de inefable añoranza Que en marea arrastran mil matanzas Y en sosiego solo remembranza  Para que así los cuerpos solo floten Palabreria y que entierren coral  Son los cuervos los que traen oleaje Apacibles sin tormentos ni desastres Logrados por mi mano y mis palabras Vinagres y la vida por mi alma  Para que asi los restos nostalgia floten A la vida y quien quiera recordar  II  Para que al fin mis brazos puedan, puedan, puedan, puedan, puedan recordar Para que puedan puedan puedan puedan puedan  Para que puedan puedan puedan puedan puedan recordar Para que puedan puedan puedan puedan puedan   Para que al fin mis brazos en sosiego puedan hundir Para que al fin mis brazos en la calma puedan caer

wow porque tarde 6 años en encontrar esto

"Cerezo" es un poema sonoro inspirado en la belleza e imponencia de los árboles de cerezo. Los instrumentos buscan emular una escena y un ambiente en donde reposa una corteza, flores caen y un colibrí vuela.

"Cerezo "は、桜の木の美しさと力強さに鼓吹されたサウンド・ポエムです。
木の葉の美しさと音の響きに影響を受けています。

Credits
Art: Dulce Masse
instagram.com/lyo_.xs
Mix: YAKA 
@yakayaka
Master: Ikuko Morozumi
www.ikukomorozumi.com

Label: GARDIANNN
guardiannn.bandcamp.com

CEREZO EP

Circe

Two years ago, I was invited by dancer and
choreographer Paco Ziel to collaborate in the creation of a multidisciplinary piece titled “Flesh and Sound”, which is strongly
inspired in pre-hispanic music and dance. The creation process of this work put me in contact with ethnomusicologists and
anthropologists who shared with me their resources such as books, Mesoamerican codex, and sound recordings of reference
regarding pre-hispanic culture. The result of this was an inner artistic revelation that made me want to study and research
nonstop about this topic with special focus towards music. Even though I grew up surrounded by pre-hispanic art and music it
never got to smitten me like it does today. I realized that ancestral pre-hispanic instruments are able to express feelings and
trigger memories that conventional instruments are unable to. Moreover, I realized their combination with modern instruments
and sounds of nature could result in textures and narratives that otherwise wouldn’t be possible to create. Pre-hispanic art
decentralized my way of listening and feeling sound and movement to the point of making me step away from the usual
occidental ways of analyzing, feeling and perceiving sound. It reformatted my sensibility and how I value what is artistically
worthy or not. Out of this experience came the unstoppable desire to share all of this with the community. The result was the
creation of this album that blends pre-hispanic instruments (ayacaztli, huilacapiztli, quadruple flute, ayoyotes, etc), acoustic
modern instruments, synthesizers, vocals and sounds of nature.
I want to deeply thank Vias Dance Company, Paco Ziel and Diana Leon for their continuous support along my artistic journey. 
I want to also thank all the Mexican artisans that created all the pre-hispanic instruments used in this album such as Gilberto Chávez Espinosa who made the quadruple flute and other beautiful huilacapiztlis present throughout the album.
I dedicate this album to my family and my ancestors.

Purificación

Metamorfosis

Batalla Cósmica (Feat. Paco Ziel)

Batalla Contra Las Sombras

Acordeón - Andrea Balency
Armonio y piano - Juan Manuel Torreblanca 
Cello - Iracema de Andrade  
Contrabajo - Miguel Sandoval 
Percusiones - Vinicio Toledo
Violín - Jalil Soto

Producido por Juan Manuel Torreblanca. 
Grabación y mezcla por Diego Suárez Beristain en Yellow House Studios.

Valenta

Sasha es Gris (Masterizada)

Invoke

Dance of a drunk killer-girl

Alone

patterns of perception | moiré in motion | 116mins | 89 - 115bpm
_

Formed in Berlin in 2016 by six friends, Patterns of Perception is dedicated to cultivating compelling, visionary electronic music through their residencies at OHM Berlin and ://about.blank, in parallel with their long-running and influential mix series and zine.

This mix is a collaborative effort, with track selections from all six members of the crew: Kim Bergstrand, Bianca Shu, Steve Duncan, Zilke Grogan, Ray Pham, and Andreas Maan. Among the wide variety of artists represented, a couple of friends and collaborators can be heard: Aleksi Perälä and natural/electronic.system, however the majority of the music is drawn from other times and places. In putting the jigsaw puzzle together as a mix, Andreas Maan tried to allow the selections themselves to guide the way, and the result is a meandering journey: a subtle, glimmering collage punctuated by rising and then dissipating tensional layers.
_

Harold Budd - Jane 14
Stars of the Lid - Swellsong
Aleksi Perälä - UK74R1407020
Autechre - Bronchusevenmx
Kato De Vidts - The Watcher
Synkro - Knowledge
nthng - A Soul's Search
Reinis Ramans - Luminosity
Diane Barbé - Something for the Mountains
Micus - Violetta
Marylin Mazur - Pathway
Si Matthews - Radial Velocity
Steevio - Hiraeth
natural/electronic.system - Cerbero
Steven Rutter - Neuro Fracture
Anthony Linell - The Levels of Existential Space
Dream Carpets - Melon City
Mick Chillage - Hypersleep
Sonmi451 - Probe
jjjacob - Entering Autumn
Deep Forest - Sweet Lullaby (Ambient Mix)

Valenta

Coyoli

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