BWWAAAAAAAAAAAAAAAAAAGH 2: This time it's personal you discount Griffith looking ass!

ТТУТУТУТУТУТУТУТУУТУТУТУТУТУТУТУТУТУТУТУТУТУТУТУТ

is no one going to talk about THIS PART????

Denied The Light

Fear & Hunger 2 TERMINA OST - Wayward Souls

Fear & Hunger 2 TERMINA OST - Pulse And Anxiety 2

Fear & Hunger 2 TERMINA OST - Denied The Light

Fear & Hunger 2 TERMINA OST - Dark Outside (Main Menu)

https://www.youtube.com/watch?v=sz0HMp8nzbw&list=PLQzzmE3_olsGzb_F3gJC8opjbt085lliN&index=2&ab_channel=Fear%26Hunger
- soundtrack downloaded from youtube.

Fear & Hunger

Fear & Hunger OST - Pulse and Anxiety

Fear & Hunger OST - Ma'habre Streets

Fear & Hunger OST - The Four Apostles

Darkest Dungeon II (Original Video Game Soundtrack)

The Decisive Combat

Snow angel

⚠️This piece is made for ambisonic systems, and converted for headphones⚠️

For more detailed info, you can check my website:
https://cosmiccats.neocities.org/FarSites/FFG/tunnels.html

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Tunnels (2025) is a piece about shifting realities and spaces. Its story involves an entangled mixture of real and dream-like events.

The piece/story has 2 layers. The first layer is a fictional story about an exploration trip to the underground. After various events (Burried Forest), the main character loses its light source in dark tunnels and blindly navigates to the unknown. He crosses lakes, sees crystal geodes, and hears earthquakes and collapsation. As he tries to find any light source, he finds himself in weirder situations. The physicality of the piece; elemental usage (water, earth, glass...), frequency usage, reverberation, etc is gathered around this reality.

The second layer is about my journey through this semester. The story contains important events from my life, thoughts, feelings, and such. It functions as a diary to me. This personal reality decides my sound material (car, train, sea), musicality (mood), dynamics, and pace, alongside some scenery connected with the story layer.

2 layers have their accented, dedicated sections in the form/structure of the piece. For example, a train sound is ultimately connected with the real life. However, they morph into each other continuously (for example it turns into a rumble, a quake). Thus, they create a unique and alternative story we can call a 3rd layer; the Masking layer. A layer that has petrified as audio, lost its composer's heritage and merged with the listener's story. Enjoy.

Fear & Hunger 2 TERMINA OST - Pulse And Anxiety 2

cptlust

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