Fear&Hunger2:Termina

Fear & Hunger 2 Termina OST  Save Room Theme

Fear & Hunger 2 TERMINA OST - Under The Sulfur Sun

Fear & Hunger 2 TERMINA OST - All Work No Play

Fear & Hunger 2 TERMINA OST - Old Town Horror (Prehevil)

Fear & Hunger 2 TERMINA OST - Under Your Feet (Tunnel)

Fear & Hunger 2 TERMINA OST - Saveroom Theme (Train)

Fear & Hunger 2 TERMINA OST - Green Hue Moon (Tower)

Fear & Hunger 2 TERMINA OST - Closing Madness (Workshop)

Fear & Hunger 2 TERMINA OST - Memories (Intro)

Fear & Hunger 2 TERMINA OST - Dark Outside (Main Menu)

https://www.youtube.com/watch?v=sz0HMp8nzbw&list=PLQzzmE3_olsGzb_F3gJC8opjbt085lliN&index=2&ab_channel=Fear%26Hunger
- soundtrack downloaded from youtube.

Fear & Hunger

Fear & Hunger OST - Prelude to Darkness

Fear & Hunger OST - Endless Loop

Felvidek OST - 02 Hrad

Nordic Horn Ballad IV - Bone Percussion

⚠️This piece is made for ambisonic systems, and converted for headphones⚠️

For more detailed info, you can check my website:
https://cosmiccats.neocities.org/FarSites/FFG/tunnels.html

Acousmatic music from the MSC487 class serves as the fifth project among five total projects. [Electroacoustic Experiments 5/5]

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Tunnels (2025) is a piece about shifting realities and spaces. Its story involves an entangled mixture of real and dream-like events.

The piece/story has 2 layers. The first layer is a fictional story about an exploration trip to the underground. After various events (Burried Forest), the main character loses its light source in dark tunnels and blindly navigates to the unknown. He crosses lakes, sees crystal geodes, and hears earthquakes and collapsation. As he tries to find any light source, he finds himself in weirder situations. The physicality of the piece; elemental usage (water, earth, glass...), frequency usage, reverberation, etc is gathered around this reality.

The second layer is about my journey through this semester. The story contains important events from my life, thoughts, feelings, and such. It functions as a diary to me. This personal reality decides my sound material (car, train, sea), musicality (mood), dynamics, and pace, alongside some scenery connected with the story layer.

2 layers have their accented, dedicated sections in the form/structure of the piece. For example, a train sound is ultimately connected with the real life. However, they morph into each other continuously (for example it turns into a rumble, a quake). Thus, they create a unique and alternative story we can call a 3rd layer; the Masking layer. A layer that has petrified as audio, lost its composer's heritage and merged with the listener's story. Enjoy.

Tunnels (Binaural Stereo) (Listen With Headphones)

Brush

Just a little mistake (BY THE WORLD(STAND))

Fear & Hunger 2 TERMINA OST - All Work No Play

cptlust

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