Central Processing Unit

http://www.jjfunhouse.com/catalogue/jj023

Music by Emanuel Sundin | Recorded at the Sing-Sang studio in Malmö, January 2019– May 2020 | Mastered by Ruud Lekx at Rude 66 | Artwork by Jj funhouse | Published by Jj funhouse, 2021 JJ023 © All rights reserved

Prins Emanuel - Vhassal (JJ023 preview)(Releasedate: 12.04.2021)

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/cliff-dalton-we-are-the-little-ones-legowelt-remix-ldi-records
* Watch on YouTube: https://youtu.be/m9LyH-g2Xxo
* Pre-order: https://ldirecords.com/blue-city/

LDI Records serves up a celebration of The Hague's famous electro sound with native Cliff Dalton aka Sander Evers behind four originals and fellow West Coast legends Legowelt and Rude66 both remixing.

Cliff Dalton is a relatively new project from a long-time Dutch music great. Sander Evers is the drummer in psychedelic stoner rock band Monomyth and has played with other notable groups including 35007 and Gomer Pyle. Next to those projects, he has always had his ear tuned into the region's enduring electro scene and now offers up his own fresh take on it. The EP's title refers to the fact that all these artists are bound by geography but is also a nod to the fact that The Hague is the largest Dutch city by the sea.

The opener 'We Are The Little Ones' is about an evil robot factory in a futuristic dystopian city. It is a coruscated electro-funk workout with crisp analogue drums and nimble bass overlaid with withering sci-fi melodies. 'We Don't Need A Real World' is a superbly cinematic eight-minute excursion with widescreen synth work taking you to the stars as you ride an elastic bassline. The majestic 'City Under The Sea' then layers up neck-snapping snares with cosmic arps and plunging bass and 'Cleopatra's Matrix' soundtracks an ancient Egyptian city with its mystic leads and eerie pads luring you into a late-night electro trance.

West Coast pin-up and hugely prolific electronic innovator Legowelt remixes 'We Are The Little Ones'. His version has plenty of his textbook intrigue, lo-fi texture and magical synth charm, and finally key Bunker Records associate Rude 66 flips 'City Under The Sea' into a snaking dub rhythm with hypnotic acid lines and seductive vocal whispers woven in deep.

The Blue City EP is a timeless package of West Coast electro direct from the source.

Blue City

PREMIERE: Cliff Dalton - We Are The Little Ones (Legowelt Remix)

When House Music is spoken in all its incarnations, 
in all its different strains, in its bastardized so-called 
modern interpretations…ask yourself…
who has been in the trenches? 
Who is pushing true madness? 
In this day and age as chaos is law 
and no reverence is shown to those 
who have paved the path. 
Ask, who shows reverence? 
The past is fragile and that will always be perserved.

The Jak has retUrned witH 2 new Dirty bLends 12 Promos 
in extremely limited quantity introducing nU cOhorts to the label:

The Falcon(a silent assassin)

these new artist aliases to the label have contributed 
to the further effort of maintaining the sound from 
the early inception of chicago tracks like the days of old 
that still lives and breathes in us today that honors and 
treasures enriched essential dance music history.

DirtyBlends Edition 7 both sides IZ straight HEAT🔥 

The Jak kicks the A-Side wit druMs in the Jakbeat reaLm, 
space elektronix and a real tribute to Hardy, Frankie and Farley 
pushing a message of a profound truth for 
‘An Offbeat Formation of Control’

The Falcon Flys fiLthY iLL on the B-Side with a whiPLash idea 
influenced from Chicago southside rhythm styles Paul Johnson 
and Chip E made 2 Jak 4 Crazies that is truly Definitive Jakbeat.

****Dropping Halloween 2022****

The Jak- An Offbeat Formation of Control (soundclip)

...it wasn't really me

Lara Sarkissian - Eternal Repose

Artist: https://soundcloud.com/user-918420567
Track: Automatique Détéctive
Label: https://soundcloud.com/macadam-mambo
Format: 10" Vinyl, Digital EP
YouTube: https://youtu.be/g13f82wInq0

Mambo's dubby ‘detective’ Axel Larsen is back for another 10 inch on the « Special » series (MMS), establishing the « Criminal Music » genre for good !
You will find in this EP a concentrate of foggy atmospheres, heavy basslines, tension rhythms and dark melodies that will fit perfectly in your next Cluedo night. It can also be used during a GTA session, but be sure that its maximum effect will be in a dark room full of crazy motherf****rz ☺
Limited to 300 copies, don’t snooze !!
Mastering : Rude 66, Artwork : Axel Larsen, distribution : Rubadub/Syncrophone

PREMIERE | Axel Larsen - Automatique Détéctive [Macadam Mambo] 2023

Annie Hall returns to Sheffield’s Central Processing Unit label with an EP entitled Memories That Never Happened. This record represents the producer’s third time on CPU after 2016’s Tenured Positions and 2020’s Fum, and it is also the latest release in a busy couple of years for Annie Hall which have also seen her drop EPs on 20:20 Vision, Orson Records and Random Island. The momentum Annie Hall has built up in recent times carries through to a dynamic collection of productions which bring enough heft in the beats to keep the dancefloor happy while also including all manner of details in the production.

Memories That Never Happened begins with the title-track, a twitchy yet wistful cut which perfectly matches its name. There’s bite to the broken-beat electro pulse, growling bass and robotic declamations of “it’s Annie”, but the makeup of the track is simultaneously rather rose-tinted, particularly when some chemtrails of a synth lead enter later on. The overall effect is as thoughtful as it is stimulating, akin to the halcyon productions of Daniel Avery.

If ‘Memories That Never Happened’ is somewhat plaintive, following jam ‘Problematic Tape Recorder’ has the bit between its teeth from the get-go. The beat crashes and snaps, and when played off shimmering stabs of synth it all adds up to a Wip3out rush that nods to both the old Rephlex Records sound as well as contemporary practitioners like Nightwave. Once again the synth lead is used lightly here, more an augmentation to the beat than the centrepiece - another demonstration of Annie Hall’s ability to write with focus even when the overall intent is to move bodies in the club.

The energy of ‘Problematic Tape Recorder’ is spun in an unusual direction on ‘Subsequent Experiments’, the first track of Memories That Never Happened’s B-side. This cut may be the quickest on the record, but this does not mean it shouts the loudest. Indeed, ‘Subsequent Experiments’ may be the most ornate production here, full of shadowy sonics and a deconstructed beat running at D&B speed. A kind of shadowrealm version of Planet Mu’s early drill & bass explorations crossed with UVB-76’s darkside post-Metalheadz excursions, this one is an eerie thrill.

After the busy ‘Subsequent Experiments’, Annie Hall slows down to take the EP’s home straight at mid-tempo. On ‘Unparalleded Comfort’, keyboard stabs slide over a rhythm that’s at once driving enough for the dancefloor and nuanced enough to allow little half-melodies of synth to flit around above. It’s a fitting closer for this EP, almost playing like an amalgamation of the elements which made the rest of Memories That Never Happened so appealing.

Annie Hall returns to Central Processing Unit with Memories That Never Happened, an EP of masterful productions which will delight both clubbers and home-listeners.

RIYL: µ-Ziq, Pessimist, Nightwave, Mark, Drexciya

Memories That Never Happened

Annie Hall - Memories That Never Happened

Old buddy Edvinas Mishkas did a ooo ūūūū mix for dancers diggers & lovers.

@edmishkas

TL:

Carmen Villain, Arve Henriksen - Gestures
The Black Dog - WD23
Selezione Naturale - Scala Dell'Essere
Mioclono Mioclono - Pell De Serp
The Native Language Puerto Toro
DK - Sequences
Ploy - Intrigued by the Drum
Tammo Hesselink - Lesssim
Tolouse Low Trax - Ossia
Manos Tsangaris & Lion's Drums - Crying Tafel
Anchorsong - The Ocean
Sebastian Mullaert - Whispering Of Knives (Original Mix)
Saphileaum - templerun
Kincaid - Cair

Mishkas - Minimal Mondays Mix 76

Pre-orders via Bandcamp: https://maturre.bandcamp.com/album/mixtus-orbis

Distributed by Rubadub.

Mixtus Orbis is a split album between Rennes' wizard Le Matin and Danish astrocosmonauts Parallel Planet (Grammar of Movement & Ecxo).

Mixtus Orbis is a place where the good and the evil meet.
Strange form for strange minds, and big bangers for big dancers.

Le Matin
Coming from experimental hardcore techno in the 2000s, producer Charles Torris is now expressing his strange vision of the world through blends of electro, disco and wave styles, with vinyl and cassette publications by various labels (Mathematics, Dekmantel, Third Type Tapes, Lost Dogs Entertainment) and live performances (Astropolis, Maintenant, Serendip, Mechatronica). He's also active as a digital artist and game programer in Rennes, France, where he lives now.

Parallel Planet
The two long time friends Grammar of Movement and ECXO are finally teaming up as Parallel Planet on the split EP Mixtus Orbis with Le Matin via Maturre Records. Based on their music, it's easy to hear the high collaborative energy the two producers have when they're in the studio together.
These two Aarhus born producers are very inspired by the roots of detroit electro sound and have achieved their own groovy, pacy and trippy sound universe with the blend of soft analogue and edgy digital synthesizers. Two tracks for the dancefloor and one for the mind.

The artwork is a painting made by Michel Santos aka Mimi (www.instagram.com/mimi_aka_carlos/). All rights reserved.

BUY IT BR BR

Le Matin & Parallel Planet - MIXTUS ORBIS [MRR019] // Extracts Split Vinyl

Eddie Symons’ fine recent run for Central Processing Unit continues. The NULLPTR mastermind makes it four releases on the Sheffield label in five years with Recursor, a six-track EP which balances precision-engineered machine-funk grooves with an overarching aura of gracefulness.

Recursor finds its lane from the opening title-track. On the quicksilver ‘Recursor’ we get Drexciyan punch, a needlegun bassline and staccato arps offset by eerie washes of synths. There’s a tension between the two elements of the track, and this yin-yang combination means that’ Recursor’ will work equally well for both the rave’s darkest corners and also the euphoria of a sunrise set.

After the title-track begins the record at breakneck speed, ‘Pulsar’ puts proceedings into cruise control. There’s still enough punch in the drum programming to ensure that ‘Pulsar’ will deliver in the dance, but this mid-paced tune is dominated by its warping bassline and keening keys, all of which comes together for a pretty and strangely wistful number. ‘Pulsar’s energy persists into following cut ‘Phase Function, though there’s a twitchiness to the bassline here which gives this track a nervier, more neurotic feel. As well as the golden age of Detroit electro, you’re also looking at Silicon Scally and Annie Hall as ballpark references, though there’s a winning idiosyncrasy to the production here which is all NULLPTR’s own.

The groove which kicks off the second half of Recursor is one of the most focussed on the whole EP - ‘Seil’ has a bassline which moves with the intent of a heat-seeking missile. When combined with the distant snap of 808s and twinkling arps, the whole thing very much maintains the shadowy feeling of ‘Phase Function’, and it’s an energy that Recursor rides into ‘Stone Tape’. ‘Stone Tape’ boasts another stellar bassline, but rather than the low-end barrelling forward intensely as it does on ‘Seil’ the bass here skips all around the mix, pleasingly erratic and playful. 

‘Portal’ is an apt title for Recuror’s sixth and final track. Indeed, the whole vibe of ‘Portal’ makes it a perfect closer for this EP of detailed electro jams. This tune really does feel like a portal being opened, the bass and drums busying themselves on the floor while chemtrails of synth in the upper-end of the mix intimate something enticing beyond the threshold.

Sparky yet sleek, Recursor is the latest fine machine-funk collection from NULLPTR.

RIYL: Annie Hall, Silicon Scally, Legowelt

Recursor

NULLPTR - Recursor

TL Premiere #1432 (2023.11.17) : Global Goon - Calcula [Central Processing Unit]

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For this 297th Premiere of 2023, we have a track by "Global Goon" (@globalgoons) titled ‘Calcula’ from his forthcoming mini-LP "Nanoclusters" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (@cpurecords).

The mini-LP will be available on December 1, 2023 in Limited Edition 12" Vinyl + Digital.

▶︎ Pre-order : https://shop.cpurecords.net/album/nanoclusters

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Release Info :

Global Goon - Nanoclusters [Central Processing Unit]

While this may be the first release on Sheffield’s Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP.

Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project’s subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you’re dealing with a master at work here.

The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like ‘Khroxic Mould’, ‘Metallik’ and ‘Syntheseers’ sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix.

The influence of Kraftwerk comes through prominently at times here, particularly in the way ‘Calcula’ and ‘Digit Six’ play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they’re further evidence that Nanoclusters is the work of an expert craftsman.

While the pulse of Nanoclusters remains relatively steady throughout, it’s still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they’re heard at home or in the dance, it’s the attention to detail which makes them stand out.

‘Snapterisk’ is as perfect an example of machine-funk as you’re likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of ‘Metro Esc’ has hints of Frankie Knuckles’ house classic ‘Your Love’, though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track’s clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing ‘Metal Glass’. 
 
Global Goon doesn’t need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly. 

Tracklist :
1. Khroxic Mould
2. Snapterisk
3. Metallik
4. Syntheseers
5. Calcula
6. Metro Esc
7. Digit Six
8. Metal Glass

releases December 1, 2023

All tracks written and produced by Jonathan Taylor.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

Nanoclusters

Calcula

Pre-order

TL PREMIERE : Global Goon - Calcula [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean.

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally.

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night.

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

RIYL: Cardopusher, Silicon Scally, Annie Hall, Cygnus

Space Threat

Larionov - Space Threat

TL Premiere #1471 (2024.01.05) : Larionov - Vimana Ride [Central Processing Unit]

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For this 1st Premiere of 2024, we have a track by Russian DJ/Producer based in Voronezh "Larionov" titled ‘Vimana Ride’ from his forthcoming EP "Space Threat" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (CPU Records).

The EP will be available on February 2, 2024 in Limited Edition 12" Vinyl + Digital.

▶︎ Pre-order : centralprocessingunit.bandcamp.com/album/space-threat

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Release Info :

Larionov - Space Threat [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean. 

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally. 

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night. 

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro. 

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments. 

Tracklist :
1. Space Threat
2. Asteroid Attack
3. Flying High
4. Vimana Ride

releases February 2, 2024

All tracks written and produced by Dmitry Larionov.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

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Follow Larionov :
Bandcamp : www.larionov.bandcamp.com
Facebook : www.facebook.com/Larionovmusic
Instagram : www.instagram.com/larionovmusic
Linktree : www.linktr.ee/larionovmusic
SoundCloud : www.soundcloud.com/larionov

Follow Central Processing Unit :
Facebook : www.facebook.com/cpurecords
Instagram : www.instagram.com/cpurecords
SoundCloud : www.soundcloud.com/cpurecords
Website : www.cpurecords.net
YouTube : www.youtube.com/user/cpuoutput

Vimana Ride

TL PREMIERE : Larionov - Vimana Ride [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

@larionov

https://beacons.ai/looselipsmusic

PREMIERE: Larionov - Flying High [Central Processing Unit]

Este álbum recorre la cotidianidad del ser humano desde múltiples perspectivas: el amor, un divorcio anunciado, unos niños que juegan en una guerra, un hermano que roba cintas a su hermana. Una forma de contar electrónicamente nuestra existencia. 

Los discos de mi sister

MACHINE BLEED

Porog presents VA – Portal. The debut release brings together Siberian artists from the liminal space known as Tyumen, spanning a wide spectrum of genres — from ambient and drone to IDM and breakbeat.

Set between the cliffs of the Urals and the blizzards of Siberia, between a promised future and a fading past, between the silence of the pine forest and the noise of city life, the album absorbs these extremes and merges them into a singular form.

Porog is a threshold — a state of superposition where every possibility is valid. The first step across it leads into the Portal — the first phase of initiation and transformation.

Bandcamp

Slander

Central Processing Unit, commonly referred to as CPU Records, is an independent British record label, founded in Sheffield in 2012, specialising in electronic music.

Distributed by Kudos Records London UK.

We are not currently seeking unsolicited demos. Due to the volume of digital submissions, it is impossible to listen and respond to each one.

Annie Hall - Memories That Never Happened

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