That one cover - u know the one I want id d (whenever ur ready)

Juanita's Mix 096 with Kia @kia-sydney

Q. How would you describe yourself?
A. easily distracted, busy bee, passionate, nomadic, pensive.. :)

Q. What was your last memorable club night in NYC?
A. nowadays nonstop in may was epic.. that room is honestly the dream in the right context. the lighting and sound is so on point and the energy during my set time was so infectious (I played 3.30-6am before the legend PLO man). also special shout-out to groovy groovy which i played in july :) DIY parties are always extra special when done right

Q. Tell us a little bit about this mix.
A. this is a very honest/ sombre personal diary I’ve been compiling all year. it’s almost for me the musical embodiment of an infinite plane ride.. watching the sun rise and then set and then rise again. also an ode to all the new & old people that were in my life this year.

this year brought lots of purgatory moments, lots of solo transit.. times of isolation and change, also new friends, positive growth, and people coming into my life… so I guess it’s supposed to represent the ups and downs, change and the journey,

I was struggling to finish the mix and it was sitting at 80% complete for the last little while but I feel like the current situation in Palestine </3 really inspired the missing pieces of the mix. for me, I use music and storytelling as an outlet for frustration and emotion generally. lots of old classics in this and pensive moments.. hope the listeners can feel some of that emotion through listening too..

Unknown Album

Juanita's Mix 096: Kia

This week's Sunday Mix, courtesy of Francis Latreille, the Québécois producer known as Priori, is an introspective deep dive into the acoustic and electronic music that set the tone for his new album, 'This But More'.

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Sunday Mix: Priori

meltdown 57 - miki

Recorded live from @RefugeWorldwide - this show inspired by Mist, all things deep, atmospheric and spacious, with some warmth and soul -- dub techno, deep house, dub-wise tracks.

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #12 Mist @refugeworldwide

Recording of PLO Man's set at Dekmantel Selectors 2024.

Dekmantel Selectors 2024

PLO Man at Dekmantel Selectors 2024

twisted tech with pi's deep creep

https://www.instagram.com/deep_creep

pi pi pi with deep creep @ The Lot Radio 01-02-2025

naffcast005 comes from B. McQueen, who also has a record coming out on naff later this year. 

From the artist :

B. McQueen’s cocktail of recent vinyl purchases (except for a forthcoming Priori collab) from Paris shops like Syncrophone and Dizonord, and a discogs seller in the UK. Wafty 120 bits, some playful some deep, recorded in Paris on a sunny day in a flat with no sunlight.

naffcast005 ⦾ ───── ⋆⋅ ☆ B. McQueen ☆⋅⋆ ─────

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

love songs (after Daft Punk) - 2024/25

(1) digital love (remix)
(2) interlude (bell)
(3) premonition (dream)
(4) hunted desires
(5) crushing heart
(6) something about us (redux)

Instrumentation — amplified flute (C & Bass), oboe / synthesizer, clarinet (Bb & Bass), accordion, cello + electronics & video

Year — 2024/25
Duration — 35'

Program notes — love songs (after Daft Punk) is a full-length audiovisual experience for amplified ensemble, electronics and video. In a genre-crossing narrative between ambient and experimental music, granular remixes of Daft Punk’s album Discovery merge with fragments from William Shakespeare’s poem Venus & Adonis — a statement on the present state of love and a reflection on death – suspended between post-romantic longing and pop-cultural dissolution.

Première — 31.01.25 Naxos Hallenkonzerte | Frankfurt (DE) — Ensemble S201

Sunday Mix: Priori

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