Ron Morelli's exclusive mix for Rainbow Disco Club 2022 podcast:

"This mix is pure energy straight from the guts, nothing pretty, nothing refined, just a DJ doing what a DJ is supposed to do...rip the cut!!!!! Let the music take control..as the song says...this is it!!!... Do you control the music or does the music control you? Unreleased straight from cassette cuts, rare Windy City artifacts, unreleased new material, classic old material, L.I.E.S. from the archives, forget the pleasuredome back to the terrordome!!!! -RM 2022"

"このミックスは、自分の感覚に任せた純粋なエナジーで、きれいごとや洗練されたものは何もなく、ただDJがやるべきことをやっているだけだ...カマしていくぜ!!!!! Let the music take control…と歌詞にあるように...これだ!!!...と。あなたが音楽をコントロールするのか、それとも音楽があなたをコントロールするのか？カセットテープにしか収録されていない未発表曲、シカゴからレアな楽曲、発売前の新譜、クラシックス、L.I.E.S.のアーカイブからのトラックなどなど。アンダーグラウンドからお届けするぜ!!!! -RM 2022"

RDC 041 - Ron Morelli

Recording of Willikens & Ivkovic's set at Dekmantel Festival 2022.

Dekmantel Festival 2022

Willikens & Ivkovic at Dekmantel Festival 2022

@acolourfulstorm label boss Moopie presents two hours of music each month, connecting the dots between club cuts, weirdo experiments, indie sensibilities and more.

Tune in for A Colourful Storm every 4th Thursday of the month, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

A Colourful Storm with Moopie and Lena Willikens - 03 Novembre 2022

Long time resident at the infamous Salon des Amateurs in Düsseldorf and the man behind Offen Music, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Ahead of joining us for his 4th Origins show this December to close out the 10 Year series, Vlad is up next for Tapes #81.

As one of the finest selectors of hidden musical gems, he has kept his focus on music, especially the dark and often psychedelic sounds that lurk in its unexplored corners. Whether he’s broadcasting on the radio or piloting the dancefloor, Ivkovic is someone who applies a curatorial mindset and a deep love of music to all of his creative exploits. Yes, he’s a DJ, but he’s so much more than that; he’s a storyteller, a connoisseur and, most importantly, an artist.

Full Interview: https://www.originssound.com/os-tapes/vladimir-ivkovic-mix

Follow Vladimir Ivkovic:
@vladimir
instagram.com/vladimir_ivkovic

Get Tickets: 

Dec 17th - Origins 10: Vladimir Ivkovic(All Night Long)https://ra.co/events/1582487

Origins Tapes 081 - Vladimir Ivković

The recording of what was heard the morning of October 22nd 2022 at Have A Nice Day, Berlin.
Much love and respect to @the-nation for making this possible.

H.A.N.D. Have A Nice Day - TRAXX (Nation) live recording Oct 2022 (part1)

Concept04_CarlosSouffront_July2015.mp3

Manchester's Jon K explores the spaces between monthly for 120 mins.

https://www.nts.live/shows/jon-k-presents-peking-spring/episodes/jon-k-presents-peking-spring-14th-february-2023

Peking 313 / Detroit Techno - The Soul Of Resistance w/ Jon K 140223

Further information and tracklist: https://bleep.com/bleep-mix-257--matt-anniss

"When Bleep.com asked me to contribute a mix to their series in honour of the publication of the new edition of my book Join The Future: Bleep Techno and the Brith of British Bass Music, I quickly decided that I wanted to showcase my love of bleep & bass old and new, but also throw in sub-heavy cuts made at different points since the ‘90s – after all, one of the key arguments in the book is that bleep had a profound impact on the future direction of British dance music. The new afterword chapter, written last autumn, also references the recent wave of revivalist bleep productions, so I wanted to give a flavour of those too.

So, there are important innovators (Unique 3, Nightmares on Wax, LFO, and Sweet Exorcist), overlooked or under-celebrated acts (Rhythmatic, Tomas), a nod to the short-lived NYC bleep and breakbeat hardcore scene (How & Little), a couple of sub-heavy 1990 workouts from London (Moody Boys, the Leftfield produced ‘Difference’ by Djum Djum), a dash of bleep & breaks (Bass Culture, an early Rennie Pilgrem project), recent revivalist bleep cuts (DAWL, iNFO, Dan Piu, Tom Carruthers), some mid-90s Brummie dub house (Rockers HiFi), sub-heavy 21st century workouts (SuPaFiX, Toddla T remixing Working Men’s Club, Bakey), tons of my own re-edits (over the years I’ve amassed a sizable library of ‘Join The Future edits’ as I call them) and even a completely unreleased (though re-edited) Tuff Little Unit track, ‘Blow Up The System’. Oh, and the crazy dancefloor dub that is Alfanso’s Rob Gordon-produced ‘Dub Feels Nice (Version 4)’, which is exclusively available on the Join The Future:UK Bleep & Bass 88-91 compilation on JD Twitch’s Cease & Desist label (which is, of course, available via bleep.com).

In order to accommodate both original records and digital tracks (particularly the edits), it was mixed on two turntables connected to a DVS box." - Matt Anniss

Bleep Mix #257 - Matt Anniss

New explorations in sounds from one of the most esteemed selectors in Europe.

https://www.nts.live/shows/homunkuli/episodes/homunkuli-30th-march-2023

Homunkuli w/ Lena Willikens 300323

Soft-focus waves of lush ambience and gently intensifying, dusty beats are the watchwords for Beta Librae's gorgeous contribution to Incienso's crackaud.io residency. Find out more → https://crackm.ag/2zkGgmc

To keep going, we need your help. Become a Crack Magazine Supporter:  https://crackm.ag/support.

Incienso #5: Beta Librae

mad miran - a message of manifestation, from the music room

Juanita's Mix 018 with ADAB @ADAB

Q. How would you describe yourself? (DJ, producer, artist, etc.)
A. I think ADAB is definitely more of an intention to be conjured then a singular moniker for a person. It’s an instance of exploring self/collective through an array of sounds from or influenced by cultures of color and the worlds they influence at large (which are quiet a few). It's also intended to be a direct expression of afrofuturism. A humble attempt to make sets and mixes made for emboldening and envisioning future instances of pan african and POC beauty in dance music.


Q. Any memorable club nights in NY? 
A. My latest memorable club night in NYC is also the last one I was able to spin live before everything shut down. I played Public Records alongside my dear friend CCL and it was a much needed gig/trip. We played a lot of drummy stuff we both love throughout the night and eventually ended on a Jungle/DnB note which was a dream to do with them. The crowd was super into it, outwardly showed love the entire time, and danced their asses off the whole time. It was a blast!


Q. Tell us a little bit about this mix.
A. I decided to finally explore a lot of my 90-100 bpm percussive stuff that I’ve accumulated over time for this one. Up until now almost all my mixes have been above or around 130 bpm so it was nice to slow it down and mess around with this section of my collection. Definitely intended to be a psychedelic hip churner! There's also a few dear homies like CCL, Flora FM, Ali Berger, & Russell E. L. Butler in here as well so big shouts to them for some of these lovely tracks <3 Enjoy!

Juanita's Mix 018: ADAB

An "exploration of aquatic themes" from Russell E.L. Butler.

More info and tracklist here: https://www.factmag.com/2020/05/18/russell-e-l-butler-fact-mix/

Incienso #5: Beta Librae

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