@reb-408288418 appreciate it 🙏🙏🙏

TRAX

CRAIC DAVID - ORDI

Ever wondered what type of Music they play in the Submarine? Wonder no more! This is the only Contemporary Submarine Compilation available on the Market: SUBMARINE SLIPSTREAM. For full experience listen to this VA while snorkelling or submerged in bath. If you have a submarine listen in that.

The second BASS WATER FREAK OUT VA features 18 Submariners from around the Globe. They have donated their artwork to raise money for the Green Peace Sea Shepard. Respect. The Ocean is like Space, Get in the Alien Liquid XxX

Releases February 11, 2022

Mastered by MOD-R
Artwork By KibSour

CRAIC DAVID - RUN IT - SUBMARINE SLIPSTREAM

After the success of Welcome to the Hyperdome I; we return with our second edition in the series: Welcome to the Hyperdome II.

We brought back label alumni: DJ Bastard, Mod-R, LeinaD, Hasch; as well as 24 new artists from across the world of Footwork, Jungle, Electro, Breakbeat and Booty - repping 10 countries in the process.


Rain Rework is CRAIC DAVID's take on both Missy Elliott's track The Rain and Lamont's track -Rain. Heavy duty bass and bouncy kicks are accompanied by a chopped up Missy - fun whilst hard as f*ck!

NÜ PREMIERE : CRAIC DAVID  - RAIN REWORK (HYPERDOME)

Mr Saxobeat (Craic David's Souped Up Citroën Saxo Bootleg)

enjoy a silly 808-fuelled incursion through '00s britain

love

CRAIC DAVID

mastering by jung latch <33

Rather Be (CRAIC DAVID WLD RATHER B JUKED OUT VERSION)

Ping Devil Meme

Red October

160 Unity in the studio live and direct for the next hour bringing you your monthly fix of footwork and juke, @s_e_b_w with special guests @sherelle_ & @oyubidesu

160 Unity w/ Seb & SHERELLE & Oyubi - 17/06/25 - Voices Radio

As we unveil a second excerpt from our TD10 anniversary compilation, label founder Batu takes the reins with a storming Techno number and signs his first release on his own imprint since 2023.

TD10 out 10/10/2025

Frostbite

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Beton Brut - Lime Bike

Following their contribution to Superclasico Vol 2., @tomsobolikmusic officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”

With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

Perc Loop Princess is the second single on the EP, before Heavy Eyes drops in full on October 2.

All tracks written and produced by Sobilik in Queens.
Mastered by Alex Gordon.
Remix mastered by Wordcolour.
Artwork by All Purpose Studio.
Cover photo by Thomas Sobolik Sr.
Released by Clasico Records | Catalog #: CCO011

☆

Heavy Eyes

Sobolik – Perc Loop Princess

Marsh Lane EP

Haunt

Polarize marks Shai FM’s solo debut on Elicit with four cuts of rhythm-driven precision. You can pre-order the EP now on Bandcamp. Full release drops on September 30th.

Artwork by Deborah Mora

Pre-order

ELCT07 | Shai FM - Polarize (Previews)

PLAYED ME

B E N N 10.17.25 | VISLA FM

The purpose of the release is to provide an easily accessible and free DJ & Dance Tool resource that also serves as a platform to showcase the talent of the developing 160 Breakbeat Culture & Scenes in New Zealand, Australia & The United Kingdom in these troublesome times for our local scenes.

RIP DJ RASHAD & RIP TOTEMS

CURATED BY LIAM K. SWIGGS
IN ŌTAUTAHI (CHRISTCHURCH),
AOTEAROA (NEW ZEALAND)
RELEASED 21ST OCTOBER 2020

FREE DOWNLOAD

CRAIC DAVID - TRIPLET RE - MAHI

Unelected Official

1️⃣6️⃣0️⃣

🏎💨💨💨💨         🚓    🚓    🚓

RIP RASHAD

valueaddedtrax@gmail.com 

Rather Be (CRAIC DAVID WLD RATHER B JUKED OUT VERSION)

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