Nice cavernous drums. Has a dreamy beach party vibe. :)

Great lyrics. Beautiful guitar melody too. Nice collaboration. :)

very comfortable acoustics, love the warmness

C÷M (which includes me as C & https://soundcloud.com/allopenelectrics as M) performed live shows as part of the Greater Manchester Fringe Festival in September 2021 (at the Empty Space, Salford). 

Further details and videos : https://craigwinstanley.online/from-where-to-here/

Versions of the songs included in this playlist were performed, not always exactly as they sound here...better!

For a review of the show, see https://thegmreviewer.com/2021/09/18/c-div-m-from-where-to-here/

From Where? to Here

Birth was played as part of C÷M appearing at the Greater Manchester Fringe Festival (Sept. 2021).  See live video: https://youtu.be/cSlwPqf8e1U

The track includes recycled lyrics.  I always put my recycled lyrics out on a Thursday...

(previously used in https://soundcloud.com/craig-winstanley-1/imposter)

Birth (a C÷M  track)

Alt mix of Clean Beacon
From https://soundcloud.com/enigmacurry/clean-bloop-beacon-poll-all-be-con-op-open-collab

Clean Beacon - Rays thru the Down Pour (Enigma Curry and Arma Ignifera)

Menator Laugh's Again

Constraint is Art

https://soundcloud.com/paploviante-and-friendsand

https://soundcloud.com/paul-racle

Collaboration  track mix  "EverGreen"

01 EverGreen -  Paploviante  &. Andy Bushell  (Collaboration)

Don’t Know a Thing About the Water

DRUMAX No. 43 // SPACERACE // Who will be the fastest?
@docfritz // Composition, Arrangement, Soundscapes, Drums, Artwork, Mix & Production
@joerxworx // Soprano Saxophone and EWI Synths
© 2024 | DRUMAX PROJECT | All Rights Reserved |

DRUMAX No. 43 // SPACERACE

Recording sessions from 13/11/2023.
2 tracks MOOG Modular (vst Arturia),
1 track B2 (vst Arturia),
1 track Piano V2 (vst Arturia),
1 Track vst SL Drums 3,
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

https://nowyyorg9.wixsite.com/seasional-optimist/music-7 
Album Interactive Experience
nowyyorg 2024

Interactive Experience

Chapter 184 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 12 will be released on April 26th, exclusively on Bandcamp.

TAFFETA VOLUMES 1-11 are all vailable on Bandcamp. TAFFETA albums are always free to download. https://belialpelegrim.bandcamp.com/album/taffeta-vol-11

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 184

TAFFETA | 184

The kine sym_02

A diversion into acoustic folk-land, covering the entire history of human communication and reaching the inescapable conclusion that we are not very good at it.

I contributed words, guitar playing, unsatisfactory voices and keyboard bits.
Musings on the flautistic spectrum were contributed by Jonathan OGara (https://soundcloud.com/allopenelectrics).

The lyrics goeth thus:

In the beginning was a scream… it was quite obscene
And then the word was heard… it was quite absurd
Then the night and the light had to fight for the right.. to be seen and heard
And the day had to wait for the night to be done.. and the light had won

And the void was annoyed to be deployed.. before the humanoid
And the man did what he can … for the master plan
And you see only what you want to see, And you hear only what you want to hear
And you fear only what you want to fear
And you believe, what you want to believe
(me too)

(WARNING: this song contains references to an annoyed void, a thing best to avoid)

Echo Chamber

Curvaceous saxophone courtesy of Jonathan Ogara (https://soundcloud.com/allopenelectrics)
Video: https://youtu.be/vNYwDHQgydM

You wake, with senses opaque, to the fuse of your muse, confused by the shape of things that have gone, departed, confined, but with saccharine grief left behind, and the certainty that you find in the memory banks of the past, you contrast with the doubts and the fear of what horrors are yet to appear, but the now and the here is a shape that you cannot control, and it shifts and it squirms as you grasp to try and make sense of the present tense

And it takes all your nerve to flatten the area under the curve
And it takes all your nerve to flatten the area under the curve

The Curve

a C÷M song (collaboration with https://soundcloud.com/allopenelectrics)

Space – you never told me ‘bout the pastures in your head
Face – you never told me ‘bout the actor's life you led

Walking through the silent timeline

Time – you never told me ‘bout the time it takes to learn
Crime – you never told me ‘bout the wasted time you burn
Hate – you never told me ‘bout the need to let it go
Wait –you never told me ‘bout the rustic lies you know 

Walking through the silent timeline

In your imagination, the fields and the sky, the wind  in your hair, in your mind’s eye
With nature your soul-mate, your bountiful friend, your loyal companion, love without end
A life without worries, anxiety free, a life without danger, a life without me
But that’s just a dream, a construction, in vain
The cruel rustic silence would crush you again

Rustic Silence (by C÷M )

Shifting sax and floaty flute played by Jonathan Ogara (https://soundcloud.com/allopenelectrics)
For a solo, live, acoustic version see: https://youtu.be/IPTSFz0ap1c

It’s a time of the sighs and the lies on the radio
Dumbing down
It’s a sign of the times and the crimes of the bully boys
Lost in all that noise, with their dangerous toys
Shifting sands, shifting sands, camouflage guilty hands
Do the straw man, law man, flag man, bogey man
Fooling fools
Salesmen, pale men, stale mediocrities
Riding the wave of faith, nothing’s safe

Strive all your life, take the long road to understand
Knowledge base
You can search and research, learn the lessons from the history
They believe the mouth instead
The mouth in the empty head

Shifting Sands (a C÷M track)

Video: https://www.youtube.com/watch?v=Q3elFiLg1DY
Download available: https://craigwinstanley.bandcamp.com/track/water-tower
Water Tower is a work that combines ambient music and a collage of overlapping images.  
Further information about the water tower can be found here: https://en.wikipedia.org/wiki/Tower_Hill_Water_Tower

Water Tower

A combination of bemused rantings into the disinterested void & ambient doodling. Visit https://craigwinstanley.online I would like to create dark impenetrable experimental music, but I'm too fond of melody...
Bandcamp: https://cdividebym1.bandcamp.com/

Also see collaboration with Jonathan Ogara (https://soundcloud.com/allopenelectrics)
https://soundcloud.com/cdividebym

Other collaborations with the wonderful Augenmerk (https://soundcloud.com/augenmerk; https://soundcloud.com/augenmerk/from-the-inside-of-being_craif-winstanley-augenmerk) and Lemonade: https://soundcloud.com/lemonadelove/red-queen-by-craig-winstanley-ft-lemonade-1

Videos:
https://www.youtube.com/watch?v=kakGLRTbV9o

MintFam community: https://soundcloud.com/mintfam.
Exclusive track (Smoothing the Wrinkled Front): https://soundcloud.com/mintfam/craig-winstanley-craig-smoothing-the-wrinkled-front

All tracks created using guitars, keyboard (midi) and Presonus Studio One Artist software.  Oh, and sometimes a microphone.

On here since October 2015.  

I've never really understood musical "genres".

Rustic Silence (by C÷M )

Craig Winstanley

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