Definitely a war chant kind of vibe. The enemy lies just over the next hill, and the drums of war spur us on. :)

Great percussion and overall marching mood. Vocals are nicely performed as well. :)

C÷M (which includes me as C & https://soundcloud.com/allopenelectrics as M) performed live shows as part of the Greater Manchester Fringe Festival in September 2021 (at the Empty Space, Salford). 

Further details and videos : https://craigwinstanley.online/from-where-to-here/

Versions of the songs included in this playlist were performed, not always exactly as they sound here...better!

For a review of the show, see https://thegmreviewer.com/2021/09/18/c-div-m-from-where-to-here/

From Where? to Here

Not so much shanty as ranty...

Hark, the roar of the silenced boys
Filling the air with deafening noise
Hark, the cancelled women complain
Again and again and again and again

Random bores and media whores
Bravely fighting phantom wars
Bravely battling for billionaires
Brave generals in brave armchairs
Bravely signalling virtue-free
Peddling fantasy history
Bravely following the people’s clown
Saluting the flag hung upside down

Whistling warriors call their pack
Lighting gas for the snark attack
Money makes the merry-go-round
Sell fake England by the pound

Brave Trombone by Jonathan Ogara (https://soundcloud.com/allopenelectrics)

Whistling Warriors

Birth was played as part of C÷M appearing at the Greater Manchester Fringe Festival (Sept. 2021).  See live video: https://youtu.be/cSlwPqf8e1U

The track includes recycled lyrics.  I always put my recycled lyrics out on a Thursday...

(previously used in https://soundcloud.com/craig-winstanley-1/imposter)

Birth (a C÷M  track)

Loop beat w/Rhythmic Theremin Noise. Bass & keys solos too

R&N MOROSGOVANYI - 20240121(2) live - DZHSR

'be Strong,

16 - 2-2024

Bilou Quest Passe Passe

Bill Barek - Acoustic Guitar
Christos - Vocals, Lyrics

TEAR OF GOD

Lyrics:
Adjusting the aim, changing the mind.
Serving the dream, seeking to find.
Transmuting views, a genius, the bond.
Messiah, a muse, divine fools. (fools abscond)
Swan song release, the pearl and the wave.
The throng and disease, Wheel of life and nave. (wheel of life)
The eye of the storm, fighting illusion.
The shadow of form, the hermit seclusion.
Occlusions that seal, cover the eyes.
A cycle reveals, a giant surprise.

Divine Fools

Who doesn't know the feeling of being completely burnt out when nothing works anymore? Then I recommend therapy from Dr. Saskia Goethals. 
Thank you for this song Saskia.


Dub Addict feat.Saskia Goethals (remix)

Cast of Characters:
J.J. Terrell– @j-j-terrell –electric piano, synth and original seed 
TexMex Shaman– @texmex-shaman –Stephen–guitar, mix, and production
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– Guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar
The Eclectic Collective – composition

 This song began with JJ, as many of our songs do, who composed the outline on the keys, drums, and bass. He then let everyone else in on it immediately. Ken was first up to bat by laying his always cunning drums in there. After he had a beat to work with, Josh used his tree trunk of a five-string fretless bass to complete the rhythm section. Soon after, Tez and Stephen both laid their magical guitars in there. Once we had it all in the can, Stephen used his powers of production to give us a great mix.
  This one came together relatively quickly, which is a good sign that we're all enthusiastic about what we're creating. We hope you enjoy listening to this as much as we enjoyed making it.

Mellow Travels (The Eclectic Collective)

‘Will we be fools again’ 
Written in September 2023 after standing in a queue in Starbucks, looking out at a wet, dirty and declining High Street.  I had been been watching the people in town, including one particular couple locked into an intense conversation under an umbrella. They prompted the story in the song. 

I wanted the backing to be sparser and more guitar led to give it an edge. I also wanted the instrumental in the middle to have a woozy, emotional feel to it. 

It’s a song about everyday people ‘stuff’ against a backdrop of a slowly deteriorating townscape. It couldn’t be slick (and I couldn’t be no matter how hard I try!) I hope you enjoy the song. Best with headphones! 

Take care

James (lyrics below) 

Will we be fools again? 

The chewing gum looks like leopard spots on the pavements in the rain
And litter blocks the drains again

Recklessly, we agreed to meet, after these silent years
Now there’s excitement and fear!

Behind the wall, by the social club, an old sanctuary for lovers 

We’ll talk, we’ll laugh 
and then I’ll start to think 
will we be fools again?
Will we be fools again? 

Graffiti on the empty shops, can our town survive?
And meanwhile we destabilise our lives! 

What fools we’d be, to lift the lid and let those lies escape 
Just think of all the hearts we’d break 

But we’re in your car, the radio’s on, as we unwrap the past! 

That smile! Those eyes!
Make me start to think
Will we be fools again?
Will we be fools again?

I’m aware, yeah I’m aware, 
I know where my fault lines are
And you’re spread right across them!  
Right across them.. yeah!

Instrumental 

Yes, we’ll talk, we’ll laugh
You know I’ll start to think
Let us be fools again
Please let us be fools again

Yes, we’ll touch, we’ll kiss
And then the path is clear
For us fools again
Let us be fools again….please, please..

James Whiteman September 2023

Will we be fools again?

Field recording: A Sunday afternoon in Kansas City.

Riverside (Apr. 2024)

A diversion into acoustic folk-land, covering the entire history of human communication and reaching the inescapable conclusion that we are not very good at it.

I contributed words, guitar playing, unsatisfactory voices and keyboard bits.
Musings on the flautistic spectrum were contributed by Jonathan OGara (https://soundcloud.com/allopenelectrics).

The lyrics goeth thus:

In the beginning was a scream… it was quite obscene
And then the word was heard… it was quite absurd
Then the night and the light had to fight for the right.. to be seen and heard
And the day had to wait for the night to be done.. and the light had won

And the void was annoyed to be deployed.. before the humanoid
And the man did what he can … for the master plan
And you see only what you want to see, And you hear only what you want to hear
And you fear only what you want to fear
And you believe, what you want to believe
(me too)

(WARNING: this song contains references to an annoyed void, a thing best to avoid)

Echo Chamber

Curvaceous saxophone courtesy of Jonathan Ogara (https://soundcloud.com/allopenelectrics)
Video: https://youtu.be/vNYwDHQgydM

You wake, with senses opaque, to the fuse of your muse, confused by the shape of things that have gone, departed, confined, but with saccharine grief left behind, and the certainty that you find in the memory banks of the past, you contrast with the doubts and the fear of what horrors are yet to appear, but the now and the here is a shape that you cannot control, and it shifts and it squirms as you grasp to try and make sense of the present tense

And it takes all your nerve to flatten the area under the curve
And it takes all your nerve to flatten the area under the curve

The Curve

Shifting sax and floaty flute played by Jonathan Ogara (https://soundcloud.com/allopenelectrics)
For a solo, live, acoustic version see: https://youtu.be/IPTSFz0ap1c

It’s a time of the sighs and the lies on the radio
Dumbing down
It’s a sign of the times and the crimes of the bully boys
Lost in all that noise, with their dangerous toys
Shifting sands, shifting sands, camouflage guilty hands
Do the straw man, law man, flag man, bogey man
Fooling fools
Salesmen, pale men, stale mediocrities
Riding the wave of faith, nothing’s safe

Strive all your life, take the long road to understand
Knowledge base
You can search and research, learn the lessons from the history
They believe the mouth instead
The mouth in the empty head

Shifting Sands (a C÷M track)

Video: https://www.youtube.com/watch?v=Q3elFiLg1DY
Download available: https://craigwinstanley.bandcamp.com/track/water-tower
Water Tower is a work that combines ambient music and a collage of overlapping images.  
Further information about the water tower can be found here: https://en.wikipedia.org/wiki/Tower_Hill_Water_Tower

Water Tower

A combination of bemused rantings into the disinterested void & ambient doodling. Visit https://craigwinstanley.online I would like to create dark impenetrable experimental music, but I'm too fond of melody...
Bandcamp: https://cdividebym1.bandcamp.com/

Also see collaboration with Jonathan Ogara (https://soundcloud.com/allopenelectrics)
https://soundcloud.com/cdividebym

Other collaborations with the wonderful Augenmerk (https://soundcloud.com/augenmerk; https://soundcloud.com/augenmerk/from-the-inside-of-being_craif-winstanley-augenmerk) and Lemonade: https://soundcloud.com/lemonadelove/red-queen-by-craig-winstanley-ft-lemonade-1

Videos:
https://www.youtube.com/watch?v=kakGLRTbV9o

MintFam community: https://soundcloud.com/mintfam.
Exclusive track (Smoothing the Wrinkled Front): https://soundcloud.com/mintfam/craig-winstanley-craig-smoothing-the-wrinkled-front

All tracks created using guitars, keyboard (midi) and Presonus Studio One Artist software.  Oh, and sometimes a microphone.

On here since October 2015.  

I've never really understood musical "genres".

Whistling Warriors

Craig Winstanley

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