yesterday I bought that vinyl! thanks, for proper breakbeats!

Amazing production. Craigie Knowes is on fire! Featured on my mix for boxout.fm https://www.mixcloud.com/boxoutfm/rush-hour-004-trafficc-08-05-2018/

Which artist is interviewed by the journalist please? (sample at the beginning of the track)

T E C H N O

Aezakmi b2b Jelly Roads - set Live From The DOMESTIC MARKET

Synthesizing Your Future

West Coast Way (Shawn Rudiman Brew Mix)

https://soundcloud.com/mr-sela 
https://soundcloud.com/durum-records
🛒 https://drmrecords.bandcamp.com/album/sauvez-wheelie-vol-02
🔊 https://youtu.be/EgAC01MK-GY

Dürüm Records, a french label/crew from Lyon. Since 2019, spicy stuff has been cooking and they are back with a new vinyl release on April 7th for the second volume of Sauvez Wheelie. 

Sauvez Wheelie Vol.02. In the same line as volume 01, this format Sauvez Wheelie wishes to give the opportunity to the Lyon-based producers to have releases on vinyl. After Funktroid, Sauna, Cymka & Mid on the first opus, we have a new luxury cast for this 2nd part with Lost In Material, Sela, Hyas & Botwin. A new V.A of 4 tracks with rave vibes between acid, trance, garage sounds and mental stuff.

Tracklist:

A1. Lost In Material - Modlight
A2. Sela - Hi High Trip
B1. Hyas - Zirp Sync
B2. Botwin - Kover

Hi High Trip

PREMIERE: Sela - Hi High Trip [Dürüm Records]

space•lab 008
Rambal Cochet - Mixed Reality EP

A1 Talpa Lionis
A2 Mixed Reality 
B1 Sequence 2000
B2 Aura 900 

Pre-order from: https://spacelab.bandcamp.com/album/mixed-reality-ep



A familiar face in space·lab’s catalogue, Rambal Cochet’s deep-diving new EP, Mixed Reality, marks the occasion of the label’s eighth release with four tracks traversing the darker edges of psy-prog. 

Opening track, ‘Talpa Lionis’, mines the spiralling depths of a psychedelic abyss, driven by a dark, tunnelling bassline reminiscent of mid-90s psy trance. 

Titular track, ‘Mixed Reality’, is tonally brighter. Brimming with buoyant, prog energy, its liquefied melody submerges the track’s percussion in a glowing, ambrosial fluid. On the B side, 

‘Sequence 2000’ grows from the ground up. A rippling, cosmic-hued melody traces ever wider reaches, circling the track’s drums as they rise from deep below ground-level. Skittering high-ends flutter organically through the track’s length, lulling us into a state of all-enveloping hypnosis. 

To close, ‘Aura 900’ unfolds onto expansive, new-age atmospheres. Delicately sinking into a delectable, chugging pace, its patient speed creates a sense of spaciousness, leaving room for the track’s melody to breathe. 

Mixed Reality journeys through vast terrains - an EP for introspective listening and mind-opening dancefloor experiences alike.

Rambal Cochet - Mixed Reality EP (SL008)

From the deep confines of the universe, we receive emissions of HC Records’ 21st release - Those Dark Whims by UHF, the production duo and Gladio Operations label heads José Castillo and David Aragón. An exciting digital LP from which a selection of tracks have been extracted for vinyl along with remixes by two label regulars, Estrato Aurora and The Lost Boys.

Skynet Was Shy opens both the LP and the vinyl, a hypnotic starting point in which the most vibrant and crystalline electro fuses with acid sequences to generate a state of pure trance, complimented and driven by spiralling sequences and mantra-like vocals. The second track on the LP and A2 on the vinyl is The Lost Boys' remix of Skynet Was Shy. A rough and sharp reinterpretation where the use of 303 sequences continues but focuses on more of a physical than a mental dance.

Hanging Baskets reactivates the state of infinite mental suspension that underlies this powerful and bold composition with deft and minimalistic use of elements: sharp broken rhythms, a dense melodic environment but with occasional moments of pure light and a new vocal message that ignites in our minds.

The B-side kicks off with Estrato Aurora's remix of Day Dream, which as usual in the work of the acclaimed Valencian producer, extends the original version to 8 minutes, giving it an unusual emotionality created by an amalgam of sound textures that interweave multiple pads, mutant melodies and pulsating percussion. Closing the vinyl, UHF's machines join forces with the lyrics of another electro heavyweight in Protestas En Las Redes Feat. Dark Vektor, a combative discourse in which the powerful and robotic vocal message of the Terrassan producer ascend alongside the futuristic melodies, extra-dimensional violins, spatial arpeggios, and metallic rhythms of the Madrid duo.

Five bonus tracks complete the UHF experience, starting with the title track, Those Dark Whims, a perfect blend of funk bass lines, helical synthesisers sequencing sonic chains of acid trance and legendary vocal samples.

The original version of Day Dream, is perhaps the LPs deepest and most emotional track. Low bpms, a rapturous rhythm that alternates syncopated passages with a commanding 4x4 and an atmosphere reminiscent of film noir soundtracks.

Lowering our heartbeat even more to a chill out state, Space Marmalade is served to us rich and tasty on a slice of toast, all sweetness with a purple and phosphorescent touch in this extra-terrestrial downtempo composition. We wake up from the space dream to embrace the emotions created by Tales Of Saigon, Belgian-flavoured Techno that reminds us of early 90s compositions with renewed sound aesthetics that we could imagine moving to on the dance floor of the mythical Boccaccio Life. A wink to the 1979 classic, The Warriors, directed by Walter Hill leads us into Baseball Furies, a playful, nocturnal, and hyper-muscular slice of electro. Thick drums, bouncy bass, fx and dark pads unify mystery and rogue dance.

On Tuesday 30/04/24 the LP will be presented live at Killing Time, the physical headquarters of the label located in Valencia. Following an interview conducted by HC label boss David Verdeguer, the duo will be DJing along with two of the vinyl’s guest remixers, Estrato Aurora and The Lost Boys. 

créditos


All track written & produced by UHF. A2 by The Lost Boys. B1 by Estrato Aurora. B2 feat. Dark Vektor.
Mastered by Steve Voidloss at Black Monolith Studios, London.
Artwork by Dani Requeni.
All rights reserved. València, 2024.
www.hypnoticacolectiva.es
Distribution:
www.khvinylstore.com

Todos los derechos reservados

A3 - Hanging Baskets

UNDERRADAR Records new released, we bring Netherlands based Electro Producer, Lloyd Stellar for "Wanderlust" EP, you can buy now!

"Wanderlust EP" will be released on UNDERRADAR Records Bandcamp, beatport & Digital store May 24, 2024. (UNDR010 - ETC Series)

buy the EP now: https://weareunderradar.bandcamp.com/album/wanderlust-ep

Lloyd Stellar - I Just Cant Do It Man

DISCHI presents Intermezzo Tre, the third chapter in its Intermezzo series, a poetic reflection of the label's ever-shifting identity and musical journey. Carefully curated by label boss Jen Cardini, this compilation draws together a constellation of artists—both familiar and new—spanning from Paris to Berlin, New York, and beyond, weaving their distinct voices into a coherent narrative.
Intermezzo Tre blends the pulsating force of EBM, techno and trance with the softer, dreamlike threads of ambient and downtempo. It unfolds like a sonic tapestry, intricate yet fluid, offering a journey through sound that is both grounded in the dancefloor and free to explore uncharted territories. In Intermezzo Tre, the label’s essence is both honored and reimagined, creating a vivid portrait of where DISCHI stands, and where it dares to go next.
AD : Basile Fournier 
Mastering : Conor Dalton - Glowcast Audio Mastering

DA042

Intermezzo Tre

Dusk Islanddash

BUY HERE

Nadia Struiwigh - Dusk Islanddash

From the depths of the earth to the heights of the sky Atlas Rising is a sonic ascension.
Afro-house rhythm and Moroccan mysticism.
Like the pulse of the mountains, This is the sound of endurance, rebirth, and power. 
The spirit of Atlas awakening.
#LOGOS #AtlasRising #AfroHouse #Morocco #DeepHouse #SpiritualBeats

Atlas Rising

Enter Stratosphere

BANDCAMP - https://craigieknowes.bandcamp.com/album/voironzinor-ep

Juno - https://goo.gl/NmyQM6
Unearthed Sounds - https://goo.gl/UqKeHn
HHV - https://goo.gl/vsQPSe
Decks - https://goo.gl/9QiM1V
Red Eye - https://goo.gl/nHbm9k

Buy @ Bandcamp

VOIRON - Generation Voiron [CKNOWEP7]

Randomer - Slicing - Dekmantel (DKMNTL-UFO5) 

a1.	Randomer - Van Pelt
a2.	Randomer - Shadow Harp
b1.	Randomer - Dissolve
b2.	Randomer - Slicing

https://shop.dekmantel.com/release/6048

UK DJ and producer Rohan Walder, a.k.a. Randomer furthers his exploration into deep, spatial techno on Dekmantel’s UFO imprint. Fusing together two-step rhythms, cavernous beats, distortion, layered kicks, and an attentive detail to sound design, Randomer delivers an uncompromising array of abstract, yet destructive techno tracks. 

Randomer’s approach to techno has always mantained a bassier, obtuse approach to sound, with polyrhythm beats that have helped set his sonic identity apart from his peers. Having released the Running Dry EP on DKMNTL UFO in 2016, Randomer is firmly establishing himself as one of the label’s favourite artists, with a resounding appearance at the Dekmantel festival in São Paulo, and a prime slot awaiting for him in the UFO tent at this year’s festival in Amsterdam.

The latest EP by the UK producer kicks off with 'Van Pelt', which skips on the off-beat at just over 130bmp, and textured with kicks that sound like two robust, metal dumpsters being hit together. Littered in the background are gongs, random percussive sounds, and something very alien, making it the perfect track for the UFO tent. 'Shadow Harp' is quintessential techno, with yet more thudding, dark-kicks layered against a syncopated plucked and jarring bass. 'Dissolve' drip and oozes with a sunken undercurrent of dystopic-melancholy, driving in ruptured reverb with a tribal percussive foundation. Final track 'Slicing’ dares to take things a little further, as the rounded-hollow kicks punctuate against more metallic, and analogue sounds - like a war of machines, set to a rhythm of abstract, free-flowing gust of techno cuts. Throughout the four-tracks, Randomer showcases his innate ability to excite and surprise with dynamism, and cutting sounds, with a technique that has been well-honed throughout the years. As he stated in an interview with Resident Advisor in 2016; “Learn the rules like a pro, so you can break them like an artist.”

Having launched in 2016, DKMNTL UFO has released critical cuts from Peter Van Hoesen, Anthony Parasole, and Voiski.

DKMNTL-UFO5 // Randomer - Slicing

It’s been a while since we released a V/A on Noir Music and I only ever compile them whenever I feel I have 5-6 tracks that stand out.

Dark Stars Volume 4 has been 6 months in the making and yes..... I know I am picky with the music I sign. I hear that on an almost daily basis.
But even though I could pick music from many different artists it still took me months of compiling, testing the music in clubs and at festivals and then putting together the tracks I felt stood out and complimented each other.

The great thing about V/A’s is that you get the chance to put together a release from artists with completely different sounds and ideas.
Although the sound of Dark Stars Volume 4 is quite minimal sounding overall, it still reflects musicality and great in-depth productions by skillful and experienced artists.
Another great thing about Volume 4 is that these are all artists who make their debut on Noir Music.

I truly love playing every single track from this release and I enjoy watching the crowds reactions around the globe.
I feel no need to get deeper into detail about the specific tracks, as the music will speak for itself.
- Noir

Teenage Mutants - Real (Original Mix)

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

RELEASE: August 26th, 2019

BANDCAMP - https://craigieknowes.bandcamp.com/album/time-to-throw-down-ep

"UK hardcore alumni DAWL joins Craigie Knowes for CKNOWEP19. 'Let's Go' blends breaks and acid while 'Drop It' and 'Heavyweight' lean more firmly on the foundations of hardcore. 'Overdub' rounds the record off nicely as a rolling techno/electro tool that gives the purchasing DJ the chance to switch styles up while the dancers catch their breath."

Clone - http://tiny.cc/x5cfaz
Juno - http://tiny.cc/o7cfaz
Deejay - http://tiny.cc/m6cfaz
Redeye - http://tiny.cc/z6cfaz
Technique - http://tiny.cc/57cfaz
CCHW - http://tiny.cc/p8cfaz

STORES:
Clone Distribution - http://tiny.cc/97cfaz

CKNOWEP19 | DAWL - Time To Throw Down EP

Support the label visit insaneindustry.bandcamp.com

Artist: Criticul
Title: Forgotten Frequency
Label: INSANE INDUSTRY
Genre: Techno/Industrial
Format: Digital
Release: 281019
Catalogue: II012S
Artwork: Lobotomija

A1. Forgotten Frequency (Original Mix)

Written & Produced by Criticul
Artwork curated by Lobotomija 

Info, demos & inquires at insaneindustry@yahoo.it

Forgotten Frequency

Criticul - Forgotten Frequency [II012S]

10 Years of Craigie Knowes: 2015-2025

BANDCAMP 👉 https://craigieknowes.bandcamp.com
BOOKINGS 👉 sam@klsbookings.com

За вертаками с 2006 года.  На сегодня ушел в андеграунд из клубов, не резидент, только эвенты. Шатунова не ставлю. Помни: опыт не пропьешь! 

Подписывайся, тут в открытом доступе электро-кухня с вкусным материалом. 

Красивая речь: 
Музыка великое оружие, которое двигает массы. Чем быстрее её ритм, тем быстрее она заставляет биться наши с Вами сердца ❤️‍🔥 

Увидимся на дэнсполе!

VOIRON - Generation Voiron [CKNOWEP7]

Craigie Knowes

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