1. Recorded live at NYU, November 1997.
2. Recorded live at Lounge Ax, November 1995 & Transmissions Festival, July 2000.

Listen to both pieces in their entirety, but separately first; then both consecutively if you like.

Edited and Mastered by Tim Barnes at Quakebasket NYC, Winter 2000.

The Old Victrola

Remington Khan

Bruce Russell - gtr, keyboard, tapes, electronics

recorded feb-july 1998 by br and james greig
tks 1 & 2 at the dux de lux, tx 3 at the temple of music

The War Between Desire And Technology (Cut Up)

In addition to Channel Flander, Cannon Gonzales, Buckets Mobley and Charles Mogthwaite, the HCI consists of: Gayle 4ce Arrays (aka Greg Vegas, aka The Ditchmaster, aka Thoroughly At-Laffed), Christopher Ludwig, Amos Ananda, Manny Spaceships and Leak Higgins. They used electronics, saxophones, guitars, basses, drums and cymbals. Scott Seward provided special backing vocals.

All instruments were harmed in the making of this record. It was recorded in NY, Philadelphia and CT in 1996 & 1997.

Seward's Volley

Rhinoplaster Blaster

Bruce Russell: guitar (1,10), organ (4,7.9), violin (2,5,8), percussion (3,6), recitation (6), kazoo (6); Alastair Galbraith: violin (1,4,9), guitar (10), synthesizer (7), Peter Stapleton: percussion (1,10); Kate Russell: percussion (5,8); St. John Perse: text (6).

Recorded by Bruce Russell at the Temple of Music, the Wharf Hotel, Dunedin (1), and the Empire Hotel, Dunedin (10), January 1994 - January 1995.

Tracks 1 & 10 previously unreleased. Tracks 2, 5, & 8 taken from the lathe-cut single Three Dances in Honour of Sabbati Sevi, the Apostate Messiah. Track 7 taken from the cassette The Eightness of Adam Qadmon. Remaining material taken from the cassette From a Soundtrack to the 'Anabase' of St. John Perse.

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