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In 1774, almost 180 years after Romeo and Juliet was written, the “copy-right” for the work was still thought by many to be the exclusive right of a single London publisher, Jacob Tonson. [1] Tonson was the most prominent of a small group of publishers called the Conger [2] who controlled bookselling in England during the eighteenth century. The Conger claimed a perpetual right to control the “copy” of books that they had acquired from authors. That perpetual right meant that no one else could publish copies of a book to which they held the copyright. Prices of the classics were thus kept high; competition to produce better or cheaper editions was eliminated.
- Lawrence Lessig; Free Culture http://free-culture.cc/index.html

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