“I was obsessed with comedy writing as a kid,” said Nicholas Stoller. “I remember watching Saturday Night Live and not wanting to be the actors, but wanting to write the sketches. I don’t even know how I knew that was a job.”

As a screenwriter, Stoller has credits for Fun with Dick and Jane, Yes Man, Get Him to the Greek, The Muppets, Sex Tape, The Carmichael Show, Night School and Bros, many of which he also Directed, including Neighbors and Forgetting Sarah Marshall. 

“I’m excited Bros is going to be theatrically released, but a weird thing happened a few years ago where [studios] were like, ‘Comedies don’t work in theaters.’ Which is not true. Judd [Apatow] always says, ‘If The Hangover came out this weekend, it would make a billion dollars.’”

For whatever reason, studios just stopped making as many theatrical comedies. They’ve instead gone to television, limited series, and leaned in to action comedies for a broader, global appeal. “I love going to see comedy in the movie theater. You get to have that experience with an audience, laughing and reacting.”

“People say it’s a business first, but it’s not run like a business. If anyone thought about it like a business, there’s a huge hole in the comedy department.”

Subscribe for video interviews on YouTube: www.youtube.com/c/CreativePrinciples?sub_confirmation=1 

If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Ep367 - Nicholas Stoller, Screenwriter ‘Bros,’ ‘Sex Tape,’ & ‘Yes Man’

In ‘Day of the Dead: Bloodline,’ “A small group of military personnel and survivalists dwell in an underground bunker as they seek to find a cure in a world overrun by zombies.” In this interview, Director Hector Hernandez Vicens discusses the masters of suspense, his love for George Romero, what makes a film truly scary, and the importance of character.

Ep 27 - Hector Hernandez Vicens, Director ‘Day Of The Dead Bloodline’

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Andrew Lyman-Clarke grew up with experimental filmmakers. At a very early age, he started making shorts and even persuaded a teacher to accept a film rather than a term paper. Over time, he worked as a gaffer, best boy, and grip to steal some time on set. 

In college, Andrew made the feature, ‘Have You Seen,’ then entered the short ‘Follow the Leader’ in a handful of festivals. Soon after, he decided to commit the feature, ‘Night Sweats.’

Based on an unusual, true story producer Seth Panman experienced, the new film stars John Wesley Shipp and Allison Mackie. 

The description reads, “A skateboarder investigating the mysterious death of his roommate is led into the inner workings of a self-help company, and the pharmaceutical lab behind it.”

In this interview, the writer-director talks about his love for ‘Requiem for a Dream,’ how to be observant as a storyteller, why it’s good to occasionally be obsessive as a creative, and why he invested 9 years into this debut film. 

If you enjoyed this interview, join millions of viewers for the new YouTube video essay series, Creative Principles, which dissects new films, series, and more: bit.ly/2FARJz5

Ep194 - Andrew Lyman-Clarke, Writer-Director-Editor ‘Night Sweats’

Welcome to Creative Principles, I'm your host Brock Swinson. Here I'll be speaking with writers, directors, actors, musicians and more. We'll discuss the habits, routines, and methods of a creative life.

Ep194 - Andrew Lyman-Clarke, Writer-Director-Editor ‘Night Sweats’

Creative Principles Podcast

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